Welcome! I am pleased to be part of this Historical Novel Blog Tour today! Every week you can follow the tour to other historical fiction author’s blogs to get to know them and their books. I’ll be taking you to turn of the century Puerto Rico.
My special thanks to author, Tiffani Burnett-Velez, for inviting me to participate, and my thanks to author, Meara Platt for a wonderful introduction!
I am a Puerto Rican-born novelist, poet, and artist, raised in the United States, Puerto Rico, and Europe. My life experiences as a counselor, alternative health practitioner, Spanish language social worker, and a refugee case worker, inspire my passion for writing and are evident in my novels. My wonderful, adult children live in Virginia and Holland. When I’m not writing, I facilitate creativity groups using Julia Cameron’s seminal book on creativity, The Artist’s Way, and I always stop for photo opportunities. I live in a quirky, 109-year old, historic home in Berkeley County, West Virginia with a very friendly cat and an adorable Chihuahua. I collect antiques, old books and old maps. Set in 1900 Puerto Rico, A Decent Woman is my debut novel, and I am currently writing my second historical novel, Finding Gracia, set on the medieval pilgrimage path of El Camino de Santiago, also known as The Way of St. James, in Spain.
What is your latest historical fiction piece?
Playa de Ponce, Puerto Rico, at the turn of the century: Ana Belén Opaku, an Afro-Cuban born into slavery, is a proud midwife with a tempestuous past. After testifying at an infanticide trial, Ana is forced to reveal a dark secret from her past, but continues to hide an even more sinister one. Pitted against the parish priest, Padre Vicénte, and young Doctór Héctor Rivera, Ana must battle to preserve her twenty-five year career as the only midwife in town.
Serafina is a respectable young widow with two small children who marries an older wealthy merchant from a distinguished family. A crime against Serafina during her last pregnancy forever bonds her to Ana in an ill-conceived plan to avoid a scandal, and preserve Serafina’s honor, her new marriage, and her place in the world.
Set against the combustive backdrop of a chauvinistic society, where women are treated as possessions, A Decent Woman is the provocative story of these two women as they battle for their dignity and for love against the pain of betrayal and social change.
Why did you choose to write it?
A Decent Woman began as a five-page tribute to my Puerto Rican grandmother, Eloina, on her 90th birthday. I was the kid who sat at her knee, urging for more stories, and she had many fascinating tales of growing up in Ponce, Puerto Rico. I know my grandmother’s stories by heart and as a kid, I could always tell when she embellished or left out juicy details. It was important for me to record her stories and very quickly, the tribute turned into a novel.
I love introducing readers to Latina(o) and Hispanic characters because it’s in my blood; I spoke Spanish before I spoke English. My mother, her siblings, and my maternal grandparents, now deceased, were all born in Ponce, Puerto Rico, the setting of A Decent Woman. I love history and my favorite books are those set in exotic places, especially stories about people who are often overlooked or ignored by society, which is how the protagonist of A Decent Woman, the Afro-Cuban midwife born into slavery, Ana Belen, came about. I believe my life experiences have influenced my writing in a unique way.
What about that era appeals to you?
Everything about that era appeals to me! I love Puerto Rico and have always been drawn to our folklore, African traditions, music, food, and the colonial architecture of Ponce, the setting of my novel. Puerto Ricans are proud, strong and resilient, which they exhibited after the United States invasion of the island, the destruction of the coffee and sugar industries, and after Hurricane San Ciriaco, one of the worst hurricanes in history, devastated the island.
Are your characters real or fictional? If they’re real, how did you fictionalize them?
My mother and her siblings were delivered into the world by a local midwife, comadrona, from Playa de Ponce named Doña Ana. No one remembers exactly where Afro-Cuban Doña Ana was from, but my mother and grandmother remembered she spoke with a foreign accent, wore a white turban, and smoked a cigar after every birth. The elder women of my family spoke about the midwife with respect and reverence, so I knew she was a special woman. I added Ana as a secondary character in the story and very quickly, I gave in to her whispering the story in my ear–she became my heroine.
I fictionalized Ana’s troubled past as a slave in Cuba, who fled to Puerto Rico under mysterious circumstances and I wrote dialogue as if I were being dictated to. I still feel a strong connection to her. I gave Ana life on a page and she in turn, gave me life as a writer and author.
What kind of research is involved in writing your novel?
I traveled to Puerto Rico to interview several women born in the early 1900’s and back in the United States, I interviewed a Professor of Latin American Studies at American University, and two midwives. I also interviewed a psychic in the Dominican Republic, a medium and many healers in Puerto Rico, which was fascinating. The deeper I delved into the complex lives of women in turn of the century Puerto Rico, the richer and more interesting the story became. I read everything I could get my hands on about Puerto Rico. I love researching for novels as much as I love writing novels, and I now have quite a collection of books on the Caribbean.
How do you organize the fictional aspects of your writing vs. the historical facts?
I wrote the first draft of the manuscript and then went back to fill in the blanks with historical detail. As I rewrote and edited the second draft, I continued to research and flesh out the story. Just last week, I found a fascinating bit of history and added it to the novel. I allow the novel to evolve and I love when the characters lead me to interesting places.
How does the historical timeline move your plot along or influence the actions of your characters?
My novel is about the friendship of Ana and Serafina from 1900 to 1920 in Ponce, Puerto Rico. I stayed true to the historical timeline, which includes major hurricanes, the US invasion of the island, the aftermath of hurricanes, and political unrest. In 1918, an earthquake practically leveled the city of Ponce. The timeline influenced and shaped my characters 100%, which drives the novel forward.
How do you feel about writers taking creative license with historical facts? Or, does it bother you when facts area changed to fit the story in a movie or a book?
I don’t mind reading novels where the author has taken creative license with historical facts; we’re artists. However, I don’t enjoy watching films of classic novels that have been altered the point where I no longer recognize the work. I guess I’m a purist when it comes to the classics. I especially love novels written about an ordinary person with a close relationship to an historical figure, which gives a new, fresh perspective on that figure and the era.
What’s next for you after this present work?
A Decent Woman comes out Winter 2015 with Booktrope Books and I’m very excited.
I am currently writing my second historical novel, Finding Gracia, set in Spain, on the medieval pilgrimage route of El Camino de Santiago, also known as The Way of St. James. I walked El Camino with my children in 2005, after my marital separation, and kept a journal on that walk. I am excited as the story unfolds and I see where my characters are leading me. I plan on writing a sequel to A Decent Woman called Mistress of Coffee.
Thank you for joining me and my special thanks to Tiffani Burnett-Velez!
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Next on the Historical Fiction Novel Blog Tour!
I’ve enjoyed reading the blog posts by the authors before me, so please make sure you check them out. If you are looking for something different than what you usually read, this Historical Fiction Novel Blog Tour is for you!
A David Singh is an emerging author whose historical fiction centers on the worlds of kings and legends. Even medical school and a neurosurgical residency could not distract him from his love of writing and his enduring imagination. David first became entranced with The tales of King Arthur and The Man in the Iron Mask as a teenager, and he’s currently working on fiction that moves in that direction. Check out his blog, www.adavidsingh.com to read more about his work and his writing technique. His most recent piece is about a personal hero, Julius Cesar. “[He] was a giant of a man, with qualities both good and terrible. It amazes me how such varying qualities can be embodied in one individual,” A. David Singh.