Eleanor Parker Sapia, author of A DECENT WOMAN: A Novel. http://amzn.to/1X0qFvK
Author: Eleanor Parker Sapia
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning, best-selling historical novel, A DECENT WOMAN, published by Winter Goose Publishing. Eleanor is featured in the award-winning anthology, Latino Authors and Their Muses, edited by Mayra Calvani. Eleanor is currently working on her second book, The Laments, set in 1926 Old San Juan and Isla de Cabras, Puerto Rico.
Eleanor is a writer, artist, photographer, and blogger, who is never without a pen, a notebook, and her camera. Her wonderful adult children are doing wonderful things in the world, which allows Eleanor the blessing of writing full time.
Please visit Eleanor at her website: http://www.eleanorparkersapia.com
Tell me where you were born, where you’ve lived and about your travels, and most probably, I’ll intuit a bit about you. Of course, I don’t know specific details about your life, your favorite color or song, or everything about your culture, but I’ll feel a kinship with you.
Now if you tell me you are bi-cultural, a third culture kid like me or you love to travel, and you’re a writer, from my experience there will be a whole lot of nodding and smiling between us after we meet. And I’ll have a million questions for you; it’s natural to gravitate towards people with similar life experiences and sensitivities.
“Third culture kids are people raised in a culture other than their parents’ or the culture of the country named on their passport for a significant part of their early development years. They are often exposed to a greater variety of cultural influences.”Wikipedia
Luckily for me, I’m still curious and love learning about different cultures, languages, and traditions. I’m a bona fide sponge (I’m learning Latin phases for my second book and my second tattoo). I adore ancient history and research (vital for a writer of historical fiction); I love meeting new people; and I still travel, which is a huge blessing. My children live in the Washington, DC area and in Thailand (where I hope to visit for the first time this fall), and I have many good friends around the world I’d love to visit with again. Among many things that can enrich a writer’s writing “kit”, travel and experiencing life abroad, whether in person or through books, are right up there in my humble opinion.
As an Army brat, a bi-cultural and bilingual (Spanish) kid, my childhood was spent in the United States, Puerto Rico (my love, my birthplace), and in many capitals of Europe. My father is of Polish and Russian ancestry and my mother, born and raised in Ponce, Puerto Rico, was of French, Catalonian, Canarian, and Italian ancestry. I married an Army officer and enjoyed posts in the US and in Europe with many summer vacations spent in Puerto Rico with our children, and after enjoying 13 years living in Belgium and France, I returned to the US in 2006 with my children. I continued to travel throughout Europe and returned to Puerto Rico to visit friends and family each summer. In 2010, I made a solitary move to Berkeley County, West Virginia (nearly a foreign country to me at first and I’ve been happy here), where I’d hoped to write full-time. I am happy to report I’m still writing full-time in 2019, which is not without sacrifices and many challenges, believe me. I make it work because I can’t imagine not living a creative life.
At times, I think I’ve lived the life of five or six people. But, oh the places I’ve been and the people I’ve met through travel, reading, and writing!
If you were to ask me about my favorite authors and books, I would say I love reading novels primarily written by diverse authors with diverse characters in their homeland settings, and authors whose novels are flavored by their experiences of having lived in or of traveling abroad. Makes sense, doesn’t it? To me, the language is rich, lyrical, familiar, and there’s nothing like being an armchair traveler while I save up for that next trip.
I have some long-awaited and exciting book news to share – the Kindle edition of my newly-edited novel, A DECENT WOMAN, is available for pre-order today! The Amazon release day for both the Kindle edition and the paperback with the new cover isMarch 20, 2019!
In the past, you might have seen two other covers of this book on Amazon, and that’s because this is the third printing. Yes, it happens in the book world. I imagine this is what it feels like to send a child off into the world, only to have them return home…twice before. Smile. #shepersisted
So technically, I’m not a debut author, but it sure feels like it with this newly-edited book. The story has not changed, by the way, and in my humble opinion, it’s a better read. What a treat, what a gift, and what a journey. #shepersevered
A big thank you to Jessica Kristie and Winter Goose Publishing for putting my first novel back in reader’s hands, where it belongs. A special thank you to my sister, an ace proofreader, whom I owe dinner and drinks in Puerto Rico when we travel back to nuestra isla querida this summer.
From January 2019 to a few days ago, I read the manuscript, from page one to the end, eight times. I read, edited, and rewrote until my weary eyes went blurry and added a surprise wedding suggested by a lovely reviewer, thank you!
I never thought I’d say this, but thank goodness for this long winter that has kept me focused and out of the flower and vegetable gardens.
I’m grateful to my family, friends, and to readers, who embraced Ana, her lifelong friend Serafina, and the cast of characters of A Decent Woman, which garnered two literary awards at the 2016 and 2017 International Latino Book Awards. I couldn’t be happier that local and national book clubs chose the book and that readers continue to share their love of Ana’s story with their family and friends, and with me.
Now I buckle down to finish my second novel, The Laments, set in 1927 Old San Juan and Isla de Cabras, Puerto Rico. The characters, Sister Inmaculada, Fray Ignacio, Doctor White, and the tiny community at the leprosarium on Isla de Cabras are more than ready to be presented to readers. I hope to finish the book later this year.
For those who’ve kindly asked, there is a sequel to A Decent Woman; it’s called Mistress of Coffee. The story continues in the mountains of Jayuya and in Ponce, Puerto Rico and will include events that led to the Ponce Massacre, which occurred on Palm Sunday, 1937. I am ten chapters in. #neverbored
Muchísimas gracias for your continued support and friendship!
Eleanor Parker Sapia
ABOUT THE AUTHOR:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A Decent Woman, published by Winter Goose Publishing. Her best-selling debut novel, set in turn of the century Ponce, Puerto Rico, garnered Second Place for Best Latino Focused Fiction Book, English, at the 2017 International Latino Book Award with Latino Literacy Now. The book was awarded an Honorable Mention for Best Historical Fiction, English, at the 2016 International Latino Book Awards with Latino Literacy Now. A Decent Woman was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015, and Eleanor is proud to be featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.
A writer, artist, and poet, Eleanor is currently working on her second novel, The Laments, set in 1926 Puerto Rico.
When Eleanor is not writing, she tends her garden, travels, reads, and tells herself she will walk El Camino de Santiago a second time. Eleanor is the mother of two amazing, adult children and she lives in her adopted state of West Virginia.
I’m thrilled to share the new cover of A DECENT WOMAN!
The story of midwife Ana Belén, her lifelong friend Serafina Martínez, and the women of turn of the century Ponce, Puerto Rico, is coming soon in paperback and e-book, republished by Winter Goose Publishing.
I searched high and low for an image that reminded me of Ana, the heroine. To me, the image is not only how I envision Ana in her white tignon; it also expresses the mystery, loneliness, tenderness, sensuality, strength, courage, and mysticism that is Ana.
I was grateful for the opportunity to reread my debut novel, which, of course, encouraged me to rewrite several chapters in the book. Encouraged? Who am I kidding? I can’t read anything without editing it.
As a special surprise, the new book will feature a wedding–a request from a kind reviewer. Thank you for the lovely idea!
I look forward to seeing A Decent Woman back in reader’s hands very soon, where it belongs.
The time has come to reflect on the past year and to acknowledge events in my writing life and my personal life. There have been challenges and setbacks, and plenty of wonderful surprises and great book news with my first novel, A Decent Woman, and my work-in-progress, The Laments. I am grateful for it all!
In early 2018, I finally “broke into” my Belgian writing desk with the missing key and discovered more than 30 poems I’d carefully stashed while finishing my first novel. It was a thrilling moment for me. Now I have a fun writing project in the wings, which I will tackle in 2019. I didn’t cause much damage to the keyhole, but the letter opener is kaput—a small price to pay for a stash of poems!
At the beginning of March, my second publisher, Scarlet River Press, closed their doors. I was thrilled for their new adventures but sad that A Decent Woman was no longer for sale on Amazon. Luckily for me, a friend and fellow author kindly offered me a tip and by August, I’d signed with Winter Goose Publishing. I’m happy to say they will republish A Decent Woman in early 2019 with a new book cover (my third).
I enjoyed rereading A Decent Woman and getting it ready for the editor. Although I didn’t make any changes to the story, I was grateful for the opportunity to fix typos and finesse sentences, and for visiting with my beloved characters, Ana and Serafina. I’m grateful Winter Goose Publishing will also publish my second novel, The Laments, in early Fall 2019. I look forward to receiving the editor’s changes and suggestions, as well as thinking about the new cover, which is always exciting. I very much look forward to working with WGP in the coming years.
Now, if you’re a writer and you’re like me, you’ll appreciate that while I was extremely happy to sign with a third publisher in such a short time, it was a stressful, anxious, and distracting period of time. My second historical novel, The Laments, still a work-in-progress, had to be put on hold a few times while things were sorted out. At that time, the WIP was two-thirds finished, right at the point where the words were flowing nicely, the research nearly complete, and I was getting into the writing groove. Unfortunately, I’ve never been great at multi-tasking when it comes to writing—when I’m writing, I’m writing. I write best with blinders on and distractions give my inner child a chance to binge-watch shows on Netflix and Amazon Prime. Guilty as charged. I’ve now finished Season One and Two of The Marvelous Mrs. Maisel and Goliath, and I’m excited for The Crown to begin in January. It’s historical fiction, so I put that under ‘Research’.
In October, the Center of Puerto Rican Studies, Hunter College, CUNY, kindly invited me to sit on a historical fiction panel. Despite a heavy downpour that evening, there was a full house and wonderful discussions about reaching/teaching new audiences for historical fiction; in this case, Puerto Rican history. I was proud to participate and happy to share the table with two talented and enthusiastic Puerto Rican authors–Dr. Virginia Sanchez-Korrol and Dr. Vanessa Perez-Rosario, who moderated the event.
From the flyer — “Two authors speak about their books using historical fiction to relate the female narrative in the 19th Century (one in NYC and the other in Puerto Rico). Dr. Virgina Sanchez-Korrol’s newest book “The Season of Rebels and Roses” is a historical novel for teens which follows women’s involvement in the nineteenth-century independence movements to free Puerto Rico and Cuba from Spain. Eleanor Parker Sapia’s first novel, “A Decent Woman”, a 2016 & 2017 International Latino Book Award winner, is set against the combustive backdrop of 19th century Ponce, Puerto Rico. The book explores the battle of two women from different backgrounds who defend their dignity against the pain of betrayal in a male-dominated society resistant to change.”
In April, I spent two fabulous weeks in Puerto Rico with my sister. We enjoyed three wonderful days in Old San Juan without our rental car being towed (very limited parking in OSJ!), and finally, I made it to Isla de Cabras, the setting of my second book, The Laments. What a thrill to explore the ruins of the old leprosarium, walk the islet, and to speak with an older gentleman, who shared fascinating historical tidbits with me, “For the book!”
Sadly, the after-effects of Hurricane Maria were still evident on the islet and on the mainland as we drove along the coasts and through mountain towns with non-working traffic lights, piles of debris, abandoned homes, and hundreds of blue FEMA tarps. Everyone we met had a story. We listened with constricted hearts and tears, but there was also hope for better days and joy as we swam in beautiful waters and enjoyed wonderful meals. We made new memories with family and friends in Ponce, and as always, we missed Puerto Rico and our family as soon as we boarded our flight back to the DC area. It’s a horrible feeling to leave mi isla. I feel as if I’m leaving my mother, grandparents, my family, and ancestors, all over again, until the next visit.
In August, my intrepid son and his girlfriend decided to travel throughout Asia for a few months. They managed to escape the monsoons and heavy floods in India and two major typhoons in the Philippines and Taiwan before returning to Thailand, where they intend to stay for three more months. While I’m happy for them and I love the photographs and stories they’ve shared of their adventures, the stress levels are a bit higher than usual at home, smile. Before he left on his adventure, my brilliant son developed an app he says I won’t understand and still owns an IT company, so I know he won’t starve.
In a few months, my daughter, a brilliant therapist who lives and works in Northern Virginia, will receive her licensure after years of study (a Masters degree in Mental Health) and hard work. She is well-deserving and we couldn’t be happier for her or more proud of her. Her clients and supervisors love her and of course, I already knew they would, smile. My daughter is happy and in love, so the world looks rosy and hopeful. We look forward to our first trip to Thailand next year to visit my son and his girlfriend. I’m one proud Mama!
After seven years of living in this old house, I’m painting again, walls, that is. I’m tackling one room at a time and I stop when my shoulders tell me to quit. It’s slow going, but I’ll get there. And with winter in full swing and writing full-time, let’s face it; it’s the only exercise I get! My Chihuahua named Sophie still snoozes in a chair next to me as I write. I can’t imagine life without her.
Dear Reader, I wish you and your family a safe, happy, and blessed holiday season and all the best in 2019. This time of year is tough for many, so please reach out to others who might need a smiling face, a little conversation, or an invitation to share a holiday meal. I’ll be doing the same in my neck of the woods.
I’ll be sure to keep you posted on the “new” edition of A Decent Woman and the release of The Laments. I hope you’ll like my books as much as I enjoy writing them.
A tip: If you subscribe to my writing blog and my website, you’ll get new book news much quicker, smile. Thank you in advance.
DescriptionTwo authors speak about their books using historical fiction to relate the female narrative in 19th Century Puerto Rico. Dr. Virginia Sanchez-Korrol’s newest book “The Season of Rebels and Roses” is a historical novel for teens which follows women’s involvement in the nineteenth-century independence movements to free Puerto Rico and Cuba from Spain. Eleanor Parker Sapia’s first novel, “A Decent Woman,” a 2016 & 2017 International Latino Book Award winner, is set against the combustive backdrop of 19th century Ponce, Puerto Rico. The book explores the battle of two women from different backgrounds who defend their dignity against the pain of betrayal in a male-dominated society resistant to change.
Panel: Virginia Sanchez-Korrol and Eleanor Parker Sapia
16 Puerto Rican Women and Non-Binary Writers Telling New Stories
Dr. Ivelisse Rodriguez, author of Love War Stories, on the writers who are changing the topography of Puerto Rican literature
In 1916, Bernardo Vega boards a ship in San Juan, Puerto Rico to come to New York City — this journey, this life as a Puerto Rican in the pioneer phase of migration, where on average 2,000 Puerto Ricans were migrating to the continental U.S., is chronicled intheMemoirs of Bernardo Vega.
In 1993, Esmeralda Santiago published When I Was Puerto Rican, an endearing memoir about a young girl’s life in Puerto Rico and her eventual migration to the U.S. Between Vega and Santiago, there are other canonical Puerto Rican texts published — what connects them all are ideas of migration, identity, belonging, and facing racism in the continental U.S.
As of 2013, approximately 5 million Puerto Ricans reside in the mainland U.S. and these 16 non-binary and women writers are adding new narratives to the history of Puerto Rican writing. Their fiction, essays, and poetry focuses on blackness and slavery, queerness, the sexual and romantic lives of women, racial passing, and African-based religions, and so much more. These are the writers to watch to see how they change the topography of Puerto Rican literature.
In the 1970s, Nicholasa Mohr captured Puerto Rican girlhood, and today the Southern Review has said “Jaquira Díaz illuminates the beauty and brutality of being a teenager.” She captures this in essays like “Girls, Monsters” about the awakening of sexual desire and the sexual threat all women experience and in “My Mother and Mercy” where Diaz recounts her estranged relationship with her mother and Mercy, her grandmother. She has also written about the Baby Lollipops murder case, belonging, and suicide. Diaz has been a fellow at the Wisconsin Institute for Creative Writing and the Kenyon Review. Her work appears in Rolling Stone, The Guardian, and The Los Angeles Reviewof Books, among other publications. Her memoir Ordinary Girlsand a novel are forthcoming from Algonquin Books.
Raquel Salas Rivera, the 2018–19 Poet Laureate of Philadelphia, is the writer of Caneca de anhelos turbios,oropel/tinsel,and tierra intermitente, along with five chapbooks. Their latest book, lo terciario/the tertiary, utilizes a “decolonial queer critique and reconsideration of Marx” to respond to the PROMESA bill (Puerto Rico Oversight, Management, and Economic Stability Act) regarding the Puerto Rican debt crisis. Their poem “landscape of old san juan” illustrates another of Salas Rivera’s themes: colonialism. “In the center of your chest there is a treasure / if you move the flower pots you’ll find/ your enemy curled up like a snake / he is the gravedigger / that keeps throwing dirt / in the pan.”
Dr. Amina Lolita Gautier is the winner of the 2018 PEN/Malamud Award for Excellence in the Short Story. Dr. Gautier has published over 100 stories in literary journals and has three award-winning short story collections: At-RiskandThe Loss of All Lost Things. The third book, Now We Will Be Happy, won the Prairie Schooner Book Prize in Fictionandhighlights the lives of Afro-Puerto Ricans, those born on the mainland, and those who migrate to the US. The stories in the book cross “boundaries of comfort, culture, language, race, and tradition in unexpected ways, these characters struggle valiantly and doggedly to reconcile their fantasies of happiness with the realities of their existence.”
Sandra Rodriguez Barron is the award-winning author of The Heiress of Water, a Borders Original Voices selection. The novel is about Monica Winters Borrero, a physical therapist who was raised in El Salvador until the death of her mother. In order to aid a comatose patient, Monica returns to El Salvador in search of a therapeutic treatment her mother had been researching. There, Monica will confront the past and the difficult relationship she had with her mother. Her second novel, Stay with Me, is about the life-long relationship between five kids who were abandoned in Puerto Rico and who forged their own family.
Luivette Resto tackles issues of identity, womanhood, motherhood, and romance. “No sucios for me! / No sucios for me! / No sucios for me!” one of the girls in her poems implores. Resto is the author of two books of poetry, Unfinished Portrait, a finalist for the Paterson Poetry Prize, and Ascension. She is also a CantoMundo Fellow. While in her poetry she reaches back to connect with Puerto Rican poets like Julia de Burgos and Pedro Pietri and contends with similar themes, she approaches these timeless issues with a present-day eye so that “women find a sense of freedom to embrace all of the nuances and complexities of feminism and mujerismo.”
Denice Frohman’s work “focuses on identity, social change, disrupting notions of power, and celebrating the parts of ourselves deemed unworthy.” For example, in “A queer girl’s ode to the piraguero,” she writes,“Oh, Piraguero! My first lover. / The only man I ever wanted / anything from. I sprinted half blocks for you, got off / the bus two stops early, took the long way home / just to see: your rainbow umbrella.” Her poem “Dear Straight People” went viral with over 2 million views. She is one of the “Top 20 Emerging LGBT Leaders” according to the Philadelphia Gay Newspaper. She is also aCantoMundo Fellow, a Women of the World Poetry Slam Champion, and the recipient of many other accolades.
Eleanor Parker Sapia is the author of the award-winning, historical novel A Decent Woman, which is set in the late 1800s in Ponce, Puerto Rico and tells the story of the life-long friendship between midwife Ana and her friend Serafina. A class and racial division opens up between Ana and Serafina when Serafina marries into the upper echelons of Ponce society, and Ana remains in their impoverished neighborhood. Ana’s livelihood is jeopardized by the changing view that women should deliver in hospitals rather than at home with a midwife. This novel captures Ponce in a time of great advancement and exposes how all these shifts affect the lives of women.
Vanessa Mártir is an essayist who was most recently published in the New York Times bestseller Not That Bad: Dispatches from Rape Culture, edited by Roxane Gay, as well as in Bitch Magazine, Smokelong Quarterly, andthe VONA/Voices Anthology Dismantle. Martír is the creator of the Writing Our Lives Workshop. She has written about growing up in Bushwick with two mothers in the 1980s, writers of color, motherhood, grief, and other topics. She is currently completing her memoir, A Dim Capacity for Wings.
Rosalie Morales Kearns, a writer of Puerto Rican and Pennsylvania Dutch descent, is the founder of the feminist publishing house Shade Mountain Press. Her novel Kingdom of Women is about Averil Parnell, a female Roman Catholic priest who has to decide what advice she is going to offer to a group of vigilante women who go after murderers, rapists, and child abusers. Virgins and Tricksters is Morales Kearns’ magic-realist short story collection. The Small Press Book Review raved:“It’s not that the stories are comfortable — these worlds of virgins, tricksters, wives, daughters — are fraught with complication and searching. Nor do they lack surprise: by blending precise realism with wild magic, Kearns subverts our expectations in subtle yet astounding ways.”
Jennifer Maritza McCauley is a 2018 National Endowment of the Arts Fellowship winner and an Academy of American Poets Award recipient. Her first book is Scar On/Scar Off, a cross-genre poetry and prose text. The theme of scarring runs through the book — the scarring from being a woman, from having dual ethnic identities, and from dealing with racism. She is the Contest Editor at The Missouri Review. Her work has been selected as a “Short Story of the Day” by The Seattle Review of Books and a “Poem of the Week” by Split this Rock. Her work has appeared in the Los Angeles Review, Puerto del Sol, The Feminist Wire, among other outlets. She has finished a historical novel set during the Reconstruction era.
Michele Carlo’sFish Out Of Agua: My Life on Neither Side of the (Subway) Tracks is a memoir about growing up as a redheaded, freckle-faced Puerto Rican in the Bronx during the 1970s. Throughout her youth, Carlo had to contend with being seen as white and not Puerto Rican. The memoir also chronicle’s her mother’s mental illness, the secrets that her family keeps, and how she comes into her own and becomes the artist she had always wanted to be. Carlo is also a performer who has appeared across the US, including The Moth’s GrandSlam and MainStage storytelling shows in NYC. Her current project is a radio show on Radio Free Brooklyn, where she interviews artists, activists, and educators.
Anjanette Delgado is an award-winning novelist, speaker, and journalist who has written or produced for media outlets, such as NBC, CNN, NPR, Univision, HBO, Telemundo, and Vogue Magazine’s LatAm and Mexico divisions, among others. Her award-winning romance novel The Heartbreak Pillisabout scientist Erika Luna who sets out to create a pill to undo heartbreak. Her latest novel, The Clairvoyant of Calle Ocho, is about Mariela Estevez whose clairvoyance kicks in when her lover is found murdered. Delgado is “fascinated with heartbreak, the different ways in which it occurs, and the consequences it brings.”
Peggy Robles-Alvarado is a writer and editor of several projects. She is the author of Conversations With My Skin, which is about the transformation of a pregnant and abused 15-year old who learns to define herself, and Homenaje a las guerreras/Homage to the Warrior Women, which pays tribute to women who “carry several lifetimes and dimensions within one frame and [who] learn how to properly balance them.” She is also the editor of The Abuela Stories Project, an anthology of writing and photography by women that is meant to challenge the notion of abuelas and their stories as inconsequential. Her latest book Mujeres, The Magic, The Movement and The Muse is an anthology “inspired by Taino, Lukumi and Palo traditions where women make connections to their muses through body and spirit.”
Dahlma Llanos-Figueroa’s debut novel is Daughters of the Stone. Author Cristina Garcia enthuses, “Rejoice! Here is a novel you’ve never read before: the story of a long line of extraordinary Afro-Puerto Rican women silenced by history…Dahlma Llanos-Figueroa rescues them from oblivion.” Llanos-Figueroa’s novel follows the lives of five generation of women starting from Africa, moving to Puerto Rico, and ending in New York City. The novel was shortlisted for the 2010 PEN/Robert W. Bingham Prize for Debut Fiction. Daughters of the Stone is the first novel in a series of five, and Llanos-Figueroa has completed her second novel, A Woman of Endurance, and is now working on her third novel.
Dr. Lyn Di Lorio is a professor and was a consultant on Puerto Rican cultural matters for Sonia Sotomayor’s memoir, My Beloved World. In her book, Outside the Bones, protagonist Fina Mata unwittingly unleashes a powerful Palo spirit when she attempts to make her neighbor Chico fall in love with her. Outside the Bones is the first English language novel about Palo Monte, an Afro-Caribbean religion that stems from the Bantu-speaking people and their Caribbean descendants.
For decades, young readers of color did not find themselves in the literature they read. But now, representation of Latinxs in young adult literature is on the rise. A recent book to fill this niche is Lilliam Rivera’s The Education of Margot Sanchez, which tells the story of Margot who is caught between her Puerto Rican world and the world of her prep school. Rivera was named a “2017 Face to Watch” by the Los Angeles Times.
Her next book, Dealing in Dreams, is forthcoming in March 2019; it’s a futuristic story about girl gangs and the leader’s desire to get off the streets and move up in the world.
About the Author
Born in Arecibo, Puerto Rico, Ivelisse Rodriguez earned a PhD in English and creative writing from the University of Illinois at Chicago and an MFA from Emerson College. She has published fiction in All about Skin: Short Fiction by Women of Color, the Boston Review, the Bilingual Review, and others. She was a senior fiction editor at Kweli, a Kimbilio fellow, and a VONA/Voices alum.