June 24, 2018
In Jack Remick’s newest novel, Citadel, a complex, mind-bending, apocalyptic story, the author weaves genetic science, a Citadel of women, complete with warrior women, and valuable lessons for writers and editors into a masterpiece. Remick takes risks with this fascinating novel; it’s a story within a story within a story—a literary gem that opened my mind to casting aside limiting thoughts on genre, style, and structure; encouraged me to ponder deeper questions about what it means to be a woman today; and then forced me to ask questions of myself and of the characters in my work-in-progress. Yes, all that in one book and the writing is impeccable.
In Citadel, Remick explores relationships between men and women, and what the world could be if women were in control. Each story is relevant and timely, as many of the themes in Citadel make up today’s headlines—femicide, atrocities perpetrated against girls and women, domestic violence, misogyny, and rape culture. I was reminded of Margaret Atwood’s quote, “Why do men feel threatened by women? They’re afraid women will laugh at them. Why do women feel threatened by men? They’re afraid of being killed.”
The author introduces readers to scientists, writers, editors, publishers, and the warrior women, protectors of the women of the Citadel called daughters. The stories of Trisha, Daiva, Rose, and Clara will feel familiar, might feel uncomfortable—and that’s the point. We are challenged to think about choice, our humanity, motherhood, the relationship between men and women, and our future as a species. Throughout the book, I found myself saying, “I am her. I am them.” I love this book.
I won’t give away the story. Readers must experience Citadel for themselves. Here’s a taste,
“The way you build the world without men, you show me that there are no accidental pregnancies in the Citadel. There are no rapes. There is only a complete dedication to the altruism of birth. It boils down to this—a daughter, in a Citadel, not only chooses the kind of fetus she will carry and why she will carry it, but she chooses to perpetuate the race until the final decision is made—to continue, to let the race go extinct, or to let the Y decay and on its own cease to be.” (Y, as in the Y chromosome).
The character Trisha says it best: when you finish this novel, you won’t be the same person who started it. And that’s a good thing. Let the discussions begin.
About Eleanor Parker Sapia:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered Second Place for Best Latino Focused Fiction Book, English, at the 2017 International Latino Book Award with Latino Literacy Now. The book was awarded an Honorable Mention for Best Historical Fiction, English, at the 2016 International Latino Book Awards with Latino Literacy Now. A Decent Woman was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015. Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.
A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments, set in 1927 Puerto Rico.