Somehow, my cat Pierre knows when I’m editing my book. I don’t know how he knows this. When I’m doing my bit on social media, he is nowhere to be found and as soon as I settle in with a mug of tea and pull my novel up on the laptop, the cat is there in minutes. Here he is looking all smug and critical. I caught that smirk, Pierre. He doesn’t think I’m working hard enough today. I can tell and he doesn’t approve of social media. I tell him it’s necessary for writers and authors, but he says, “Get back to your book, Eleanor.” A real slave driver that cat is.
I’m looking forward to spending the whole day with my book. As I write this, it is snowing. Again. Actually, I like to write and edit when it rains and snows. No one is out and about on my street and it’s very quiet, save for the CD I bought for inspiration. Soft music in the background and a mug of hot tea are very conducive to writing and thinking about what my characters are getting into.
Have I introduced you to Ana, my protagonist? Here’s a little information about Dona Ana, the midwife.
When my story opens in 1900 we meet Ana Belén, a 40-year old Afro-Cuban midwife who grew up as a slave on a sugar plantation in Cuba. At 20, she was hidden by her father in the bowels of a steamer ship and arrives in Playa de Ponce, Puerto Rico in the middle of the night. She has no family or friends on the island, and yes, there is a dark secret. A secret that Ana fears will ruin her, her reputation, not to mention, her business as the only midwife in the Playa de Ponce.
Ana’s positive qualities – Ana is a hard-working midwife, tough as nails, and tender and loving with her clients and their children. Despite always hoping to appear stoic and serious, she has a fun side that is shared with a select few. She is highly intuitive, courageous, a loyal friend, and she recognizes that she needs good working relationships with the male doctors and obstetricians who have entered the birthing room for the first time. She is a spiritual woman who practices the Yoruba tradition side by side with Catholicism. Ana becomes a fighter for the rights of women with no regard for social class when she realizes that men, society, and the Church regard her as an indecent woman.
Although Ana understands that Ponce is male-dominated and knows her place in society, she fearlessly forges ahead with her work and her unlikely friendship with Serafina, a member of Ponce society. Her friendships later in life include prostitutes and women, white, black, brown, mulattas, creoles, all labeled as indecent by society. She is a teacher and a mentor to younger women, but doesn’t realize that until later. When Ana lets down her emotional walls, she becomes naive, hopeful, more trusting, and she finds love.
Ana’s negative qualities – Ana was born on a sugar plantation in Cuba, and this makes her secretive. She has trouble trusting, assumes she knows it all, and doesn’t make friends easily. She is leery of the men she meets and has no use for male doctors, which could cost her if she doesn’t learn the game and play it. She is judgmental, stubborn, opinionated, and a bit naive with friendships and men. Ana is cautious, rebellious and at times, can appear unfeeling. The love of her life could cost her dearly and in the end, she could make the ultimate sacrifice for a dear friend who has betrayed her.
My historical fiction novel, A Decent Woman, will be published in March by Booktrope. I see Pierre lurking around the corner… Ellie