New Cover Reveal, New Beginnings!

Yesterday I found out that the new cover of ‘A Decent Woman’ (ebook) is on Amazon! Kudos and many thanks to the multi-talented Ally Bishop and her awesome team at Scarlet River Press, an imprint of Sixth Street River Press, for coming up with the super retro, artsy cover with the lovely title font. The woman in the image reminded Ally of the character Serafina, and I have to agree! I love the colors and how they match the International Latino Book Awards badge, which I’m very proud to display.

The paperback will be available on Amazon soon! I can’t wait to hold a copy of my “new” book.

I love fresh, new beginnings, don’t you? Have a super week, everyone!

Ponce, Puerto Rico, at the turn of the century

Ana Belén Opaku, an Afro-Cuban born into slavery, is a proud midwife, the only one in La Playa. After testifying at an infanticide trial, Ana is forced to reveal a dark secret from her past while she continues to hide a more sinister one. Pitted against the parish priest Padre Vicénte and the young Doctór Héctor Rivera, Ana must fight to preserve her twenty-five-year career.

Serafina is a respectable young widow with two small children who marries a wealthy merchant from a distinguished family. When she’s attacked during her pregnancy, she and Ana become allies in an ill-conceived plan to avoid scandal and preserve Serafina’s honor.

Set against the combustive backdrop of a chauvinistic society where women are treated as possessions, Eleanor Parker Sapia explores the battle of two women defending their dignity against the pain of betrayal in a society resistant to change.

ABOUT ELEANOR PARKER SAPIA

ellie

Award winning novelist, Eleanor Parker Sapia, was born in Puerto Rico and raised in the United States, Puerto Rico, and Europe. Eleanor’s career paths as an artist, counselor, alternative health practitioner, Spanish language family support worker and refugee case worker, continue to inspire her stories.

Eleanor’s debut novel, ‘A Decent Woman, set in turn of the nineteenth century Puerto Rico, is published by Sixth Street River Press. The book is a finalist for Best Historical Fiction, English, in the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as Book of the Month by Las Comadres and Friends National Latino Book Club. Eleanor is featured in the award-winning anthology, ‘Latina Authors and Their Muses’, edited by Mayra Calvani. Eleanor is a proud member of Las Comadres Para Las Americas, PEN America, The National Association of Professional Women, and the Historical Novel Society. She is a contributing writer at Organic Coffee, Haphazardly Literary Society.

When not writing, Eleanor loves facilitating creativity groups, reading, gardening, and tells herself she is making plans to walk El Camino de Santiago de Compostela a second time. She adores her two adult children and currently lives in West Virginia, where she is at work on her second novel, ‘The Laments of Sister Maria Inmaculada’ and thinking about the sequel to ‘A Decent Woman’ titled, ‘Mistress of Coffee’.

http://amzn.to/1X0qFvK

 

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Why Should I Read Your Book?

A week ago, I thumbed through my historical novel, A Decent Woman, looking for passages for a three-author book reading, my second reading in New York City. I knew what I had to do–select a few passages from my novel, practice reading, and hope to make it to seven minutes. Sounds easy, right? Not as easy as you might think.

Speak slowly, make eye contact, don’t read in a monotone voice, engage with the audience, and try staying within the allotted time so you don’t hog the microphone. Those things I could do…though I still get nervous when I’m handed the microphone. I’m great with Q&A sessions after the reading, but ask me to read from my book and my nerves begin, my cheeks flush. I’ve been the first and fifth author to read–it’s still tough, but deciding which passage to read is a lot tougher.

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Why should I buy your book? This question kept popping into my head as I read passage after passage of my book. I didn’t know who would be at the book reading, and I certainly didn’t know what would appeal to the audience, so trying to find the perfect passages, something for everyone, was virtually impossible.

The event was to be held at a popular bookstore in East Harlem, La Casa Azul Bookstore. They showcase Latino literature, and their online bookstore features books by authors who have don’t write in the Caribbean or Latin American fiction genre. I realized I couldn’t count on an all-Latino audience that night. Nor could I count on an audience comprised of mainly women who might be interested in midwifery and women’s issues. Would there be history buffs or historians in the audience interested in the history of Puerto Rican women? And Hurricane Joaquin was due south of New York. I could very well end up with people walking by and dropping in to get out of the elements. It wasn’t as easy as thinking, “Who is my target audience?”

I knew the themes of my story were important, and who my character was as a woman. But which readings would I choose? Was it best to select a passage that described the setting, turn of the nineteenth century Puerto Rico, or the protagonist, Afro-Cuban midwife, Ana Belén? Perhaps a passage with beautiful prose and descriptions, showing my writing style and voice? A passage that clearly demonstrated I’d done my research?

I settled on three short paragraphs from the Prologue, which describe 1900 Puerto Rico, where the story begins. I set the stage for my audience. I didn’t plop potential readers right smack in the middle of a dialogue between two or more characters they didn’t know. Potential readers need a beginning point, a grounding, and then they will usually follow you anywhere. My friends know to tell me a story with some background or I will stop them mid-stream with many questions. I’ve been to many book readings, good and bad readings. To me, when the author sets the stage with an introduction to the story, a brief synopsis, or by reading a passage that will ground me as a listener–I’m all theirs.

The second group of passages I selected were of my protagonist Ana’s inner dialogue, which included a memory of a priest from her past she didn’t care for. The passages described a bit of her personality, her grit and humor, and it showed her distrust of people, mainly men. I made it clear Ana had secrets, but didn’t give away the plot. Leave enough mystery for your reader to want to read your book and find out what happens!

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‘La Negresse’, Marie Guillemine Benoist, Musee du Louvre, Paris

The last passages described Ana, standing in ankle-high ocean surf, preparing her ebó, the offering to the Yoruba gods and goddesses for the safe delivery of her client’s first child, and for keeping them safe during a tropical storm that threathened the little house at the edge of the Caribbean Sea. As a former slave, Ana is devoted to the Yoruba traditions of her childhood and to the Virgin Mary, who was introduced to her by the priests of her new parish. This gave the audience a vivid description of Ana,  the duality nature of her life, and a few inner conflicts as a woman and a midwife.

I have no clue how long my reading went for (my watch stopped), but I felt confident I’d introduced my story, the setting, and my protagonist well enough to stop. And I didn’t want to go over my allotted time so my fellow authors had enough time for their readings. When the event was over, we had fifteen minutes to spare. Lesson learned–buy a new watch.

My advice for authors preparing for a book reading: don’t put all your apples into one basket, and certainly don’t pick only the green apples–it’s a delicate balance. Leave enough time to interract with the audience during the Q&A session after the reading. This is a golden opportunity to share with and reach your readers, who love getting to know authors, the story behind the book, and what makes authors tick.

Why should I buy that author’s book? Because I connected with the characters, the story, and especially because I connected with the author.

ABOUT ELEANOR PARKER SAPIA

ellie

Puerto Rican-born novelist, Eleanor Parker Sapia, was raised in the United States, Puerto Rico, and Europe. Eleanor’s careers as an artist, counselor, alternative health practitioner, Spanish language social worker and a refugee case worker inspire her stories. She is a member of Las Comadres Para Las Americas, PEN America, and the Historical Novel Society. When Eleanor is not writing, she facilitates creativity groups, reads, and tells herself she is making plans to walk El Camino de Santiago de Compostela a second time.

A Decent Woman is Eleanor’s debut novel, set in turn of the nineteenth century Puerto Rico. The book was selected as 2015 July Book of the Month for Las Comadres & Friends Latino Book Club. Eleanor is the mother of two adult children and currently lives in West Virginia, where she is writing her second novel, The Island of Goats.

A Decent Woman is available for Kindle and in paperback on Amazon.

amazon.com/-/e/B00U05ZO9M

Barnes & Noble for Nook and in paperback.

http://www.barnesandnoble.com/w/a-decent-woman-eleanor-parker-sapia/1121258236?ean=9781620154007

La Casa Azul Bookstore    143 E. 103rd Street, New York, NY 10029         info.lacasaazul@gmail.com

http://www.eleanorparkersapia.com

@eleanorparkerwv

http://www.facebook.com/eleanorparkersapia

 

 

Author Interview with Graciela Limon

I love offering author interviews at The Writing Life, and I especially enjoy sharing great writers with my readers. Today I’m very pleased  to introduce you to Graciela Limón.

Graciela Limón is a Latina writer, educator and activist. She is the daughter of Mexican immigrants and a native of Los Angeles. She received a Bachelor of Arts Degree in Spanish Literature from Marymount College Los Angeles, a Master of Arts Degree in the same field from the University of the Americas Mexico City, followed by a PhD in Latin American Literature from the University of California at Los Angeles (UCLA). Prior to retirement, Limón was a professor of U.S. Hispanic Literature, as well as Chair of the Department of Chicana/o Studies at Loyola Marymount University, Los Angeles, California.  She is now Professor Emeritus of that University.

Graciela Limón (1)Graciela has written critical work on Mexican, Latin American and Caribbean Literature.  However, she now concentrates her writing efforts on creative fiction that is germane to her areas of interest:  feminism, social justice and cultural identity.  Her body of work includes In Search of Bernabé that won The Before Columbus Foundation American Book Award (1994). Limón also published The Memories of Ana Calderón (1994), Song of the Hummingbird (1996) and The Day of the Moon (1999).   Erased Faces, which was awarded the 2002 Gustavus Myers Book Award, was published in 2001, Left Alive was released in 2005, The River Flows North, 2009, followed by The Madness of Mamá Carlota, 2012. Her latest publication is The Intriguing Life of Ximena Godoy, 2015.

Much of Graciela’s work has been widely anthologized. She was honored with the prestigious Luis Leal Literary Award (University of California at Santa Barbara), 2009. Her Publishers are Arte Público Press (University of Houston) and Café Con Leche (Koehler Book Publishers). www.gracielalimon.com

ximena

Welcome Graciela! What is your book’s genre/category?

The Intriguing Life of Ximena Godoy is historical fiction.

Please describe what the story/book is about.

The Intriguing Life of Ximena Godoy is the story of a woman told from age eight years to its end when she is fifty-two years old.  It’s a tale that begins with a crime and ends with its punishment, all during the first half of the 20th Century.  In between those two critical moments of Ximena’s story, her life intersects with the Revolution in Mexico, followed by the terrible times that bring world epidemic, deportations, and the American Prohibition and Depression that happen simultaneously with the unbridled life in Juárez, Mexico.  Throughout those years, Ximena Godoy grows, loves, achieves, stumbles, grieves and finds her identity only to succumb to the insurmountable flaws that are part of her nature.

How did you come up with the title?

I chose the name Ximena (with an X instead of J or H) because I find the name intriguing.  After that I chose the other parts of the title because I feel it reflects the life of my character.

What is the reason you wrote this book?

Stories that deal with strong, determined independent women always captivate my interest.  When that story deals with a woman who shatters the Latina “mold”, meaning that she is unconventional and untraditional, then I have all the reasons I need to write a book.  This is why I wrote The Intriguing Life of Ximena Godoy.

What is your favorite part of writing?

I think that my favorite part of writing is when I come to the crafting of my characters.  Choosing their names is a particularly interesting and fascinating part for me.  I go through cycles of names, changing, combining, and even inventing names that I hope in the end reflect the nature and reality of each character.

What is the most challenging aspect of writing?

I find the danger of falling into crafting stereotypes the greatest challenge of writing.  I find that it’s dangerous because my head is swarming with what are really stereotypes.  I don’t know if others suffer from this, but it could be that we are flooded by an abundance of stereotypes:  in film, on TV, on the Internet.  So when I begin to create a character with her story, I have to be super careful to beware of simply producing cookie-cutter, flat, predictable characters.  This is hard and challenging.

Who are some of your favorite authors?

There are many.  Among Mexican novelists is Juan Rulfo.  In the English language I especially admire John Steinbeck, and biographers such as Antonia Fraser and Hilary Mantel.  There are also so many mystery writers that I admire, but I’ll mention only Agatha Christie.

What authors or person(s) have influenced you?

John Steinbeck and Juan Rulfo.

Favorite place to write?

I need solitude to write, so if I have that luxury, then that place is a favorite.  As a pattern, I find that solitude in my home.

Something personal about you people may be surprised to know?

People may be surprised to know that I’m extremely introverted.  I say this may surprise those who know me because they see a person (me) who interacts freely, enjoys other people and is talkative and relaxed in a group.  What people don’t know is that I need to be solitary afterwards in order re-energize.

Any surprises or learning experiences with the publishing process?

Since I’ve been lucky enough to have nine novels published (including my latest), there are few surprises that come to me with the publishing process.  However, I will say that the experience of getting negative, even brutal criticism (which still happens) is something I will never be able to get used to.  The difference now is that I expect those barbs and try to prepare myself.

Looking back, what did you do right that helped you with this book?

The best thing I did with this latest novel is having signed on with Leticia Gómez (literary agent/publisher), and John Koehler (publisher).  Being with them has opened up an entirely new view of the publishing process.

Any advice for writers looking to get published?

I advise having a lot of patience especially when those rejections start rolling in.  Above all, I advise a new writer to have unshakable faith and confidence in her/his work.  Never doubt that your work is meritorious.

Website?   

www.gracielalimon.com

Where can we find your book?

www.cafeconlechebooks.com

http://www.authorcentral.amazon.com

What’s next for you?

I’ve always wanted to write a mystery. This is what is now rolling around in my head.  The story line could depict a murder or a series of murders that happen in the distant past, such as in viceregal Mexico, in a convent, with the Inquisition snooping around. Of course, there will have to be a detective to solve the crime.  What do you think?

I think the story line rolling around in your head would be a great read, Graciela!

Thanks so much for visiting us at The Writing Life, and much success with The Intriguing Life of Ximena Godoy!

About Eleanor

Puerto Rican-born novelist, Eleanor Parker Sapia, was raised in the United States, Puerto Rico, and Europe. Eleanor’s work as a counselor, alternative health practitioner, a Spanish language social worker, and a refugee case worker inspire her stories. When Eleanor is not writing, she facilitates creativity groups, and is making plans to walk El Camino de Santiago de Compostela a second time.

A Decent Woman is her debut historical novel. Eleanor is the mother of two adult children, and she currently lives in West Virginia.

A DECENT WOMAN available now on Amazon