Thoughts on Writing Novels in the Trump Era

In the summer of 2015, after the publication of my debut novel, A Decent Woman, a comment on a writing blog got my attention. It encouraged writers to focus on writing and marketing their books and refrain from sharing strong opinions and political views on social media platforms. The reasoning? So as to not alienate readers and potential readers; in essence, to limit their opinions and dialogue to discussions with friends and family. Good to know, I thought. The advice made sense to me at the time–nothing can turn a lovely dinner party into a school food fight quicker than heated debates about religion, politics, or other family members–but what about that business of writers potentially courting disaster with future book sales and alienating readers by speaking out on public forums? Was there any truth to that? I tucked that nugget away.

I kept my focus on learning the ropes of marketing a book. Little did I know marketing my novel would turn into an intense year of written interviews, podcast interviews, writing blog posts, participating in book fairs, and encouraging readers to post book reviews on Amazon, Goodreads, and Barnes & Noble. That same year, I set up an author page on Facebook, opened a Goodreads author page and set up a Twitter account–lots of moving parts in addition to keeping up with a writing blog, interviewing fellow authors, and paying attention to my author website! And of course, I was thinking about writing a second book. A brief text exchange with my friend Wayne sparked an idea and I ran with it.

In early 2016, I began the preliminary research for my second book, as yet untitled. On June 16, 2016, Donald Trump officially announced his plan to seek the presidency. I started writing The Laments of Sister Maria Immaculada, now titled, The Laments of Forgotten Souls. From June to November October 2016, I watched the presidential campaign/sideshow on my laptop (I haven’t had cable TV since 2011). I kept writing and diligently researching the lives of nuns in 1927 Puerto Rico, the history of Old San Juan, and the little known (to me) islet of Isla de Cabras, five miles off the coast of Old San Juan, Puerto Rico, where the ruins of a Spanish-built leprosarium remain. I kept writing and became increasingly distracted by politics. How could anyone possibly avoid it? I began to think about a writing retreat, away from home where I was buying the Washington Post on a daily basis and New York Times, when I could find a copy in my adopted West Virginia town.

In January 2017, I licked my wounds along with millions of Americans and participated in the now-historic Women’s March in Washington, DC. The political attacks and distractions from the White House began immediately and were unrelenting. I kept up with Rachel Maddow’s informative and timely blog posts for political analysis and information and watched MSNBC videos on Youtube. I learned a lot from Maddow, and for the first time in my life, I knew the names of all the key players in Washington, DC and their positions. I was paying attention. It also occurred to me how much my antagonist reminded me of Trump. A light bulb moment. What a strange and interesting twist. I zoomed in on Trump’s behavior and mannerisms, the way he speaks, and what his base sees in him.

I kept up with Twitter, Facebook, and I wrote a blog post about my experience at the Women’s March, always thinking about the advice to writers I’d read the year before: keep your opinions off social media. But how? I mused that might have been a popular opinion before the last Presidential election campaign. Before Trump became President. Before the march in Charlottesville. Before the brutal attacks on the protestors of the Dakota Access Pipeline. Before Hurricane Maria devastated Puerto Rico, the island of my birth, and Trump callously threw paper towel rolls at Puerto Ricans in Puerto Rico after the hurricane. Before 20 shootings took place on American school campuses. Before Trump brought us to the brink of nuclear war by antagonizing Kim Jong-un. Before Trump ordered the barbaric directive to separate children from their asylum-seeking parents at US borders. Before our planet was threatened by Trump directives and decisions. Before, before, before. I’ve left out dozens and dozens of events, I know. My apologies, this is what immediately comes to mind as I write this blog post. Fill in the blanks, please.

The attacks from the Trump White House seemed endless, unrelenting, and more cruel with each passing day. Then I remembered–our country, Americans, have suffered and endured cruel directives that go back to the founding fathers. Our history is full of racism, white privilege, misogyny, bad decisions, and crazy makers. Had we learned anything? Apparently not. I was reminded of the old French saying, “The more things changes, the more they stay the same.” But I was changing–as a woman, as a proud Puerto Rican, and as an American who’d lived overseas for over 25 years. As a novelist, I was wide awake. History was repeating itself before my very eyes and I was outraged.

You see, before January 2017, I’d never marched in protest, never held a placard, and had never called my elected officials. I had voted, of course, and in my previous jobs as a refugee caseworker, Spanish language Family Support Worker, and as a counselor working in Brussels, Belgium, I’d worked with and tried my best to assist and support those less fortunate in my community. To walk hand in hand with those who were hurting and needed help—that came easily to me. I was a mom. But to be a vocal activist? To be outraged and shocked enough to say what I felt in a public forum, on social media? That didn’t come easy. I was raised to be polite, fair, and to be diplomatic, whenever possible. But I found it increasingly difficult to remain silent. I kept writing and in my continuing research, I kept digging deeper into the dark corners of religion, faith, and humanity. World events were certainly changing my work in progress. How could the story not be affected? How could I remain unchanged? As I saw it, it was imperative to remain informed, but to also strike a balance–I needed to turn away from the news in the evening and force myself to remain in my writing chair. I was losing discipline and valuable time, but with each new event in the US and abroad, I gleaned valuable research material. I felt like a literary vampire.

What I came to understand was that in many ways, art and the making of art and literature is a political act.

Among the early reviews of my first published novel, A Decent Woman, two respected writer friends called my first novel a political statement, a feminist novel. After my initial surprise and feeling so grateful for their generous book reviews, I realized the two men were absolutely correct. In the early stages of writing A Decent Woman, (and in my newbie writing mind), I’d simply set about to tell a story about the lives of women in 1900 Puerto Rico. Then I remembered. Just before the manuscript went in for the final edits, I came across documents and a book about the rounding up of prostitutes in Ponce, Puerto Rico (the setting of the novel) and about the forced sterilization of thousands of Puerto Rican women by the US government. The book had to change. I had to change. It was necessary to grow a thicker skin in the public arena and speak my truths, instead of opting to remain in the shallow end of the pool. So I wrote that book.

Interestingly enough, the same thing is happening with my second book, The Laments of Forgotten Souls, which explores faith, religion, and the Catholic Church in 1927 Puerto Rico, with all its’ ugliness and scandals, community works and good intentions. Once again, I’ve had to dig deep, record history, and speak my truths as I discover them in my research and from my memory. I’m still reading several online newspapers and calling my elected officials. I buy newspapers and still watch Rachel Maddow during the day. I write at night like I always did, with less fear than before. The balancing act of being ‘woke’ and finishing this book is easier these days; I’m not as reactive to the news. I use it all.

In the telling of a story, writers stand, exposed and raw, for all to see. So be it.

Will President Trump and this White House stop the unrelenting attacks on Americans, on the poor and the marginalized, on our democracy? Will Trump be impeached? All that remains to be seen. We have no choice but to soldier on, persist, and resist when the need arises. And as writers, we must keep writing. Lord knows there’s a plethora of material out there for novelists these days.

ABOUT ELEANOR PARKER SAPIA:

ellie

Puerto Rican-born Eleanor Parker Sapia is the author of the award-winning novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered Second Place for Best Latino Focused Fiction Book, English, at the 2017 International Latino Book Award with Latino Literacy Now. The book was awarded an Honorable Mention for Best Historical Fiction, English, at the 2016 International Latino Book Awards with Latino Literacy Now. A Decent Woman was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015, and Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.

A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments of Forgotten Souls, set in 1927 Puerto Rico.

 

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Update From The Writing Life Blog

Greetings from The Writing Life Blog!

In January 2018, I shared a super interview with writer, Ivelisse Rodriguez, about my first book,  A Decent Woman, that includes a brief excerpt of my work-in-progress, The Laments of Forgotten Souls. Yesterday, my jaw dropped when I saw the date of my last blog post on this blog– it was October 21, 2017. Has it been that long since I last shared a blog post? As I look back on the events of the last two years, no, it’s not hard to believe!

Despite a crazy blur of a year, I’m back to blogging and setting up author interviews with new and old writer friends. I’m happy, healthy, and currently working on my second novel, The Laments of Forgotten Souls, set in 1927 Puerto Rico. I hope you’ll enjoy the story as much as I do. During writing breaks, I work in my small, urban garden and enjoy the fruits of my labor as I dream of my next trip (or think about a new plot twist), and as always, I love and cheer on my beloved children from afar. They’ve been super busy with travel and work, as well. I don’t see them nearly as often as I’d like, but such is life with adult children. They are happy, which is what matters most. That’s what I tell myself when I’m not throwing a motherly pity party. 🙂

On the blog front, I’m excited to share two new author interviews:

On June 25, I welcome Mickey Brent, a long-time friend from my Brussels days, and on July 10, Ivelisse Rodriguez will join me. Ivelisse’s collection of short stories, Love War Stories, debuts the day of the interview.

I hope you’ll check back for those two fantastic interviews.

Be well and happy writing.

Eleanor

The Mess of Knots: Ponce, Patriarchy, and La Mujer Mala: An Interview with Eleanor Parker Sapia

The Mess of Knots: Ponce, Patriarchy, and La Mujer Mala: An Interview with Eleanor Parker Sapia

Ivelisse Rodriguez, PhD

Editor’s note: This interview is the sixth in a series that will focus on contemporary Puerto Rican authors. Puerto Rican-born Eleanor Parker Sapia is the author of the award-winning historical novel, A Decent Woman, published by Scarlet River Press. A Decent Woman was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015, and Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani. A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments of Forgotten Souls, set in 1927 Puerto Rico, and a collection of poems.


Ivelisse Rodriguez: Ponce, La Perla del Sur or La Ciudad Señorial, is considered the second city in Puerto Rico. In your novel, A Decent Woman, you note how Ponce used to be the capital of Puerto Rico; you detail the high-society life in Ponce and its mores. These particulars help bring the city to life. How does the city itself function as a character in your novel?

Eleanor Parker Sapia: Puerto Rico, a new possession of the United States in 1900 when the story opens, is very much a character in my novel—a woman lured into a relationship with the United States with hope and promises of safety, protection, food on the table, and a brighter future. The reality was that the US government had a business plan. They quickly devalued and began to replace the Porto Rican peso with the American dollar, taxes were raised, farmers were evicted from their lands, English was imposed as the co-official language, and new regulations were forced on the Puerto Ricans.

I was an exhibiting painter of still life and portraiture for nearly 30 years before I decided to write a novel. I’m told my first passion shows in descriptions and attention to small detail in my first published book—portraiture of place with words. In A Decent Woman, there are stark contrasts between Ana’s world of poverty, struggle, and racism as an illiterate, black midwife, and the world of the upper class and privilege that newly-widowed Serafina learns to maneuver after her second marriage. I chose to depict three barrios of that era, Playa de Ponce, San Antón, and el pueblo de Ponce, each with its distinct voice, mood, flavor, music, architecture, and history. As such, the actions and futures of my characters were limited by external forces, at times unbeknownst to them, and determined by the confines of the socio-economic condition of where they lived and worked. It was important that the setting/place of this book evolve as the women and society evolved, or lack thereof.

IR: The title of your book, A Decent Woman, immediately begs the question of what constitutes a decent woman, and, normally, this idea of decency is tied to the sexuality of women. In your novel, you mention throughout how prostitutes are treated in Ponce, how there are these systematic programs to exile them from “decent” society, how color and class are conflated with sexuality/prostitution, and how prostitutes are marked by the passbooks they have to carry, etc. This is the way Ponce treats prostitutes, but you have a different approach. Emilia and Maria, two prostitutes in your text, are humanized; they are women who laugh, who cry, who are mistreated, yet they are rendered as whole characters. What do these two characters help say about prostitution in Ponce?

EPS: The characters Emilia and Maria came to me in the rewrite and editing phases of the manuscript, and there was no doubt they would be fully-fleshed characters since I’ve previously worked as a counselor, refugee caseworker, and a Spanish-language family support worker. I have great sympathy for women of that era, who were played against each other in a patriarchal society.

Through further research, I was reminded of how intrinsically linked ‘la otra y la mujer mala’, the prostitute, were to women’s stories—as much a part of their stories as marriage and motherhood. It was important to include a more complete portrayal of society and the situations in which women found themselves—from begging in the streets to feed their children; to widowhood; playing the hostess at charity events and society balls; and to inviting politicians, clergy, and the men of ‘high society’ into their beds to make the rent and pay bills. Each woman sought to secure male protection and security, and hopefully, to keep a man from straying—that was the tapestry I attempted to weave, while discovering the mess of knots, changes of colored threads, and disarray on the underside as meaningful and beautiful as the finished product. Looking beyond the obvious—that’s what fascinates me about a character and a story.

Later, I was saddened to learn of the treatment of prostitutes in Ponce and later, about the forced sterilization of thousands of Puerto Rican women. That spoke loudly of the great hypocrisy in Ponce at that time: the myth of la sagrada familia, born of arrogance and racism, deceit and male dominance. The men who were wagging their fingers and agreeing with their wives about the dangers of prostitution were busy playing house with other women and fathering children out of wedlock. Their wives, the women of the upper class and early feminists, many of whom truly believed they were helping out their wayward sisters, were accomplices in two campaigns to rid Ponce of prostitutes, and in doing so, added to the desperation, poverty, and abuse of women of little means. The characters Emilia and Maria helped to tell that part of history.

IR: In your novel, male doctors advocate a shift toward modernity by having women give birth in hospitals, eclipsing the midwife and painting that practice as backwards. This limits Ana’s, the main character, work as a midwife. This is one way that “modern” medicine is used against women. For Emilia and Maria, their bodies are not their own in the medical world. When they are jailed, they are subjected to pelvic exams in front of others with instruments the women feel are not sanitized. And there are other moments where the medical treatment is even more invasive. How is medicine and so-called progress used against women’s bodies in Puerto Rico?

EPS: There were many issues and themes in the early days of so-called progress in Puerto Rico—colonialism, misogyny, population control, poverty, religion, male doctors invading the birthing room and pushing midwives out of business, and experiments performed on Puerto Rican women in the advancement of modern medicine, namely forced sterilization. Women were needed in the workforce to make money for American corporations, specifically the sugarcane industry. A good example is from the 1930s when clinics performing sterilization procedures were installed inside the factories, so the women wouldn’t lose time on the factory floor.

Men were in positions of authority and in control of the lives and bodies of women and of their children. Sadly, this is still the case in many parts of the world today.

Click on the picture for additional images

IR: In Adrienne Rich’s seminal article “Compulsory Heterosexuality and Lesbian Existence,” she posits her idea about the lesbian continuum which focuses on any strong bond between women. One of them being friendship. Friendship is central to your novel, and it is the relationship that is sustained throughout the life of the two main characters, Ana and Serafina. Discuss the significance of friendship in your text.

EPS: In 1900 Puerto Rico, while emotional relationships and friendship between women were considered important, especially between women and their comadrona, only men were thought to provide real security with financial benefits as they controlled every aspect of women’s lives. Even childbirth with a midwife, which for centuries had been strictly a female-dominated experience, was in danger of extinction in the cities as hospitals and clinics were built and male doctors entered the birthing room. The strong bonds of friendship between women were constantly tested in a patriarchal society.

Ana would agree with Rich’s assertion that women can benefit more from relationships with other women than with men, as she’d suffered at the hands of one man at an early age, and though she is still struggling, she is a self-made woman. Ana, who is forty when the story opens, has little use for men for the first half of the book. The teenager Serafina has lost her mother, so they inevitably develop a strong mother-daughter bond, which is an easy, yet complicated relationship. All is well until Serafina gets caught up in her second husband’s world of privilege, where Ana has no place as a poor, black woman. Much later in the story, Serafina is a mother of four children and a woman of society. She will come to believe that she has outgrown Ana until tragedy strikes in Serafina’s life. Ana is the first person she contacts and their friendship resumes with lessons learned about loyalty and friendship.

IR: Can you tell us what you are working on next, and what your objectives are with your writing?

EPS: I’m currently working on my second book, The Laments, set in 1927 Old San Juan and on the islet of Isla de Cabras, where once stood a maritime quarantine station that was later used as a lazaretto for containing patients of many diseases, primarily leprosy. It is the story of a highly imaginative and naïve Puerto Rican novice nun, who impulsively volunteers to serve the lepers at Isla de Cabras under the protection and tutelage of a rotund, secretive Spanish friar, who moonlights as a rum runner. Into the mix will arrive a young American Protestant minister on a clandestine mission for the American government at a time when the Spanish were being forced to leave the island, and Catholicism and Protestantism were in hyper-competition for souls on Puerto Rico.

My goal in writing novels is to transport readers to exciting, new worlds and to introduce them to the complicated history, rich culture, and beautiful people of Puerto Rico. I hope my books and poetry will stimulate, provoke, expose, and challenge myself and others. Here are two of my writing mottos: ‘Write through the scary bits; that’s usually where the meat and the essence of the story are found’ and ‘This is what we want for ourselves as writers and as readers—we want to reach others and we want to be moved.’ I hope that comes across in my books.


Born in Arecibo, Puerto Rico, Ivelisse Rodriguez grew up in Holyoke, Massachusetts. She earned a B.A. in English from Columbia University, an M.F.A. in creative writing from Emerson College, and a Ph.D. in English-creative writing from the University of Illinois at Chicago. Her short story collection, Love War Stories, is forthcoming from The Feminist Press in summer 2018. The Belindas, a fiction chapbook, is forthcoming from Tammy in summer 2017. She is the senior fiction editor at Kweli, a Kimbilio fellow, and a VONA/Voices alum. She is currently working on the novel The Last Salsa Singer about 70s era salsa musicians in Puerto Rico. To learn more about Ivelisse visit: http://www.ivelisserodriguez.com.

© Ivelisse Rodriguez. Published by permission in Centro Voices 13 December 2017.

2017 International Latino Book Awards

I am honored and pleased to share exciting book news with you! My novel, A Decent Woman, set in 1900 Ponce, Puerto Rico, was awarded Second Place for Best Latino Focused Fiction Book, English, at the 2017 International Latino Book Awards held in Los Angeles this past weekend. 
My deepest gratitude and thanks to Latino Literacy Now; Las Comadres Para Las Americas; Kirk Whisler and his amazing staff; all the judges; and most importantly, many thanks to my wonderful, supportive readers!
I am hard at work on a second novel, The Laments of Forgotten Souls, set in 1927 Old San Juan and the Puerto Rican islet of Isla de Cabras, Island of Goats, off the coast of San Juan. This happy book news makes me smile and offers encouragement as I finish writing the next book.
Thank you for your visit! Please read on for more information from Kirk Whisler, Latino Literacy Now, about the book awards. I will post the complete list of winners very soon.
Eleanor X
new-book-cover-a-decent-woman-june-2016
The Largest Latino Cultural Awards in the USA Recognizes the Greatness in 233 Authors & Publishers From Across the USA & Around the World
By Kirk Whisler, Latino Literacy Now
The International Latino Book Awards Ceremony occurred on September 9th at the Dominguez Ballroom of California State University Dominguez Hills. Over the last 19 years, the Int’l Latino Book Awards has grown to become the largest Latino literary and cultural awards in the USA.
A crowd of book lovers cheered on this year’s 233 author and publisher
honorees from across the USA and from 19 countries outside the USA. The 2017 ceremony also unveiled the new, world class medals that were given to all honorees in Recognizing the Greatness they have achieved.
Latinos in the USA will purchase $700+ million in books in both English and Spanish. The number of books by and about Latinos has risen substantially. In 1980 less than 400
books were written and published by a Latino in the USA. In 2017 that number will be between 25,000 and 30,000. The bottom line is that books targeting Latinos are a growing
segment because of the rapid growth of the market and the current gaps in relevant topics being presented.
The ceremony also featured a major salute with The National Latino Trail Blazer Awards for Charlie Ericksen, co-founder of Hispanic Link; Mimi Lozano, founder of Somos Primos; Ambassador Julian Nava; and former Secretary of Labor, Supervisor Hilda Solis. Edward James Olmos, Rick Najera, and Katherine A. Díaz were this year’s emcees. The Awards also featured musical performances by Suni Paz and Georgette Baker. This list of winning books makes a great Christmas shopping list: a kid’s book for this child; a good mystery for that friend, this nonfiction book for that student headed off
to college, etc. With all the categories we have, there’s at least one perfect book for everyone.
The 2017 Int’l Latino Book Awards are another reflection of the growing quality of books by and about Latinos. In order to handle this large number of books, the Awards had 196
judges, triple the number from 2013. The judges raved about the quality of the entries. The Award sponsors included California State University Dominguez Hills as a Gold Sponsor; The California State University System, Entravision, Latino 247 Media Group, and Libros Publishing as Silver Sponsors and the American Association of Latino Engineers and Scientists, El Aviso, the Los Angeles Community College District, LA Plaza de Cutura y Artes, and Scholastic Books as Bronze Sponsors. Award partners include Las Comadres de las Americas, REFORMA, and Mi Libro Hispano.
Latino Literacy Now, is a nonprofit co-founded in 1997 by Edward James Olmos and Kirk Whisler that has five types of programs:
Latino Book & Family Festivals around the USA: we’ve held 63 Festivals attended by a combined 900,000+ people; Awards which also include the Latino Books into Movies Awards; Education programs like Empowering Students and Education Begins in the Home; Membership programs like the Int’l Society of Latino Authors (www.ISLA.news) and the Empowering Speakers Bureau; and Content programs
like Latino Reads video show plus other online efforts. More about the Awards can be found at http://www.Award.news, and the 2018 entry form is now available.
Amazingly, sales of books by past ILBA winning authors have totaled more than 200 million copies! Winners have included many of the best-known Latino authors including
Belinda Acosta, Rodolfo Anaya, Alma Flor Ada, Ron Arias, José Antonio Burciaga, F. Isabel Campoy, Denise Chavéz, Paulo Coelho, Dr. Camilo Cruz, Junot Díaz, Gabriel García Márquez, Reyna Grande, Juan Felipe Herrera, Oscar Hijuelos, Mario Vargas Llosa, Josefina López, Pablo Neruda, Ana Nogales, Jose-Luis Orozco, Luis Rodriguez, Don Miguel Ruiz, Alisa Valdes, and Victor Villaseñor. Winners have also included well-known figures from other professions including Entertainers like Celia Cruz, Gloria Estefan, Shelia E, Cheech Marin, Rick Najera, Jenni Rivera, Linda Ronstadt, and Carlos Santana; Sports notables Pedro Guerrero, Oscar de la Hoya and Jorge Posada; Media figures like Martín Llorens, Jorge Ramos, Teresa Rodriguez, and Ray Suarez; Public servants like Supreme Court Justice Sonia Sotomayor and Henry Cisneros; and Chefs like Paulina Abascal, Jose Garces, Pati Jinich, and Daisy
Martinez.
ABOUT ELEANOR:
ellie

Puerto Rican-born Eleanor Parker Sapia is the author of the award-winning historical novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered Second Place for Best Latino Focused Fiction Book, English, at the 2017 International Latino Book Award with Latino Literacy Now. The book was awarded an Honorable Mention for Best Historical Fiction, English, at the 2016 International Latino Book Awards with Latino Literacy Now. A Decent Woman was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015, and Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.

A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments of Forgotten Souls, set in 1927 Puerto Rico.

Eleanor’s book, A Decent Woman, available in paperback and ebook format:  http://amzn.to/1X0qFvK


Please visit Eleanor at her website:
www.eleanorparkersapia.com

decent

 

New Cover Reveal, New Beginnings!

Yesterday I found out that the new cover of ‘A Decent Woman’ (ebook) is on Amazon! Kudos and many thanks to the multi-talented Ally Bishop and her awesome team at Scarlet River Press, an imprint of Sixth Street River Press, for coming up with the super retro, artsy cover with the lovely title font. The woman in the image reminded Ally of the character Serafina, and I have to agree! I love the colors and how they match the International Latino Book Awards badge, which I’m very proud to display.

The paperback will be available on Amazon soon! I can’t wait to hold a copy of my “new” book.

I love fresh, new beginnings, don’t you? Have a super week, everyone!

Ponce, Puerto Rico, at the turn of the century

Ana Belén Opaku, an Afro-Cuban born into slavery, is a proud midwife, the only one in La Playa. After testifying at an infanticide trial, Ana is forced to reveal a dark secret from her past while she continues to hide a more sinister one. Pitted against the parish priest Padre Vicénte and the young Doctór Héctor Rivera, Ana must fight to preserve her twenty-five-year career.

Serafina is a respectable young widow with two small children who marries a wealthy merchant from a distinguished family. When she’s attacked during her pregnancy, she and Ana become allies in an ill-conceived plan to avoid scandal and preserve Serafina’s honor.

Set against the combustive backdrop of a chauvinistic society where women are treated as possessions, Eleanor Parker Sapia explores the battle of two women defending their dignity against the pain of betrayal in a society resistant to change.

ABOUT ELEANOR PARKER SAPIA

ellie

Award winning novelist, Eleanor Parker Sapia, was born in Puerto Rico and raised in the United States, Puerto Rico, and Europe. Eleanor’s career paths as an artist, counselor, alternative health practitioner, Spanish language family support worker and refugee case worker, continue to inspire her stories.

Eleanor’s debut novel, ‘A Decent Woman, set in turn of the nineteenth century Puerto Rico, is published by Sixth Street River Press. The book is a finalist for Best Historical Fiction, English, in the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as Book of the Month by Las Comadres and Friends National Latino Book Club. Eleanor is featured in the award-winning anthology, ‘Latina Authors and Their Muses’, edited by Mayra Calvani. Eleanor is a proud member of Las Comadres Para Las Americas, PEN America, The National Association of Professional Women, and the Historical Novel Society. She is a contributing writer at Organic Coffee, Haphazardly Literary Society.

When not writing, Eleanor loves facilitating creativity groups, reading, gardening, and tells herself she is making plans to walk El Camino de Santiago de Compostela a second time. She adores her two adult children and currently lives in West Virginia, where she is at work on her second novel, ‘The Laments of Sister Maria Inmaculada’ and thinking about the sequel to ‘A Decent Woman’ titled, ‘Mistress of Coffee’.

http://amzn.to/1X0qFvK

 

2016 International Latino Book Awards Finalists

Book Award LOGO & Image rgbI offer my heartfelt congratulations to all the Finalists of the 2016 International Latino Book Awards, and my gratitude to Latino Literacy Now for their continued dedication to Latino literature and to the Latino community. I’m deeply honored ‘A Decent Woman’ was selected as a Finalist for Best Historical Fiction, English.

“The Int’l Latino Book Awards is a major reflection that the fastest growing group in the USA has truly arrived. The Awards are now the largest Latino cultural Awards in the USA and with the 257 finalists this year, it has honored the greatness of 2,171 authors and publishers over the past two decades. These books are a great reflection that books by and about Latinos are in high demand. In 2016 Latinos will purchase over $675 million in books in English and Spanish. The 2016 Finalists for the 18th Annual Int’l Latino Book Awards are another reflection of the growing quality of books by and about Latinos. In order to handle this large number of books, the Awards had nearly 200 judges. The judges glowed more than ever about the high quality of the entries and how many great books there were. The Awards celebrates books in English, Spanish and Portuguese. Finalists are from across the USA and from 17 countries.”

Click below for the complete list of Finalists.

https://app.box.com/s/si0noqeuz45an4e8yzo7jp3fg3b5ryna

ABOUT ELEANOR PARKER SAPIA

ellie

Award winning novelist, Eleanor Parker Sapia, was born in Puerto Rico and raised in the United States, Puerto Rico, and Europe. Eleanor’s career paths as an artist, counselor, alternative health practitioner, Spanish language family support worker and refugee case worker, continue to inspire her stories.

Eleanor’s debut novel, ‘A Decent Woman, set in turn of the nineteenth century Puerto Rico, is published by Sixth Street River Press. The book is a finalist for Best Historical Fiction, English, in the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as Book of the Month by Las Comadres and Friends National Latino Book Club. Eleanor is featured in the award winning anthology, ‘Latina Authors and Their Muses’, edited by Mayra Calvani. Eleanor is a proud member of Las Comadres Para Las Americas, PEN America, The National Association of Professional Women, and the Historical Novel Society. She is a contributing writer at Organic Coffee, Haphazardly Literary Society.

When not writing, Eleanor loves facilitating creativity groups, reading, gardening, and tells herself she is making plans to walk El Camino de Santiago de Compostela a second time. She adores her two adult children and currently lives in West Virginia, where she is at work on her second novel, ‘The Laments of Sister Maria Inmaculada’ and thinking about the sequel to ‘A Decent Woman’ titled, ‘Mistress of Coffee’.

http://amzn.to/1X0qFvK

 

Book News!

I have great book news to share with you!

After a difficult, scary, and confusing month of worrying myself into a near panic over my first publisher, Booktrope Editions, closing the doors on May 31, 2016, I am thrilled to announce that my historical novel, ‘A Decent Woman’ found a new home with Sixth Street River Press, LLC.The book will be republished under the imprint, Scarlet River Press, headed by Ally Bishop, editor of ‘A Decent Woman’ and the fabulous host at ‘Upgrade Your Story’ podcast. I am grateful to Ally and her fabulous publishing team, and relieved beyond belief.

‘A Decent Woman’ is now AVAILABLE in ebook format on Amazon, republished by Sixth Street River Press, with the paperback version soon to follow! And we might have a new book cover design, still featuring the Our Lady of Montserrat. Lots to look forward to!

cropped-decentwomanhero.jpg

A special thank you to my loving kids, family, friends, FB and Instagram friends, and blogger friends, who offered great information, love, and support, while pushing and encouraging me to keep writing despite an uncertain publishing future.

Now I can finish my second book, ‘The Laments of Sister Maria Inmaculada’, knowing my first ‘child’ has an awesome, new home and a brighter future. Lots of lessons learned this month…

and Mercury is out of retrograde! Hallelujah. Be well and happy writing to you!

More to come…

ABOUT ELEANOR

ellie

Award winning, Puerto Rican-born novelist, Eleanor Parker Sapia, was raised in the United States, Puerto Rico, and Europe. Eleanor’s career paths as an artist, counselor, alternative health practitioner, Spanish language family support worker and refugee case worker, continue to inspire her stories.

Eleanor’s debut novel, ‘A Decent Woman, set in turn of the nineteenth century Puerto Rico, is published by Sixth Street River Press. The book is a finalist for Best Historical Fiction, English, in the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as Book of the Month by Las Comadres and Friends National Latino Book Club. Eleanor is featured in the award winning anthology, ‘Latina Authors and Their Muses’, edited by Mayra Calvani. Eleanor is a proud member of Las Comadres Para Las Americas, PEN America, The National Association of Professional Women, and the Historical Novel Society. She is a contributing writer at Organic Coffee, Haphazardly Literary Society. When not writing, Eleanor loves facilitating creativity groups, reading, gardening, and tells herself she is making plans to walk El Camino de Santiago de Compostela a second time. She adores her two adult children and currently lives in West Virginia, where she is writing her second novel, ‘The Laments of Sister Maria Inmaculada’ and the sequel to ‘A Decent Woman’ called ‘Mistress of Coffee’.

http://amzn.to/1X0qFvK