Have you ever fallen in love with a fictional character? I have. More than once!
I love all the characters in my novels, as well, which includes the villains, the manipulators, the gas lighters, the clueless, the jealous, the innocent, the spineless, the cheaters, all of them. Why? Because without the villain(s) or lower vibration energies, there is no heroine’s journey. It’s as simple as that.
All my fictional characters are integral to each story. I created them for a good reason—they have a job to do that will advance the story and the heroine’s journey or keep her stuck, in denial, until the rug is pulled out from under our heroine, forcing her to move, to advance, to learn. To fail, to grow. Like life, right?
Besides, I love discovering and exposing the darker sides each of us possess when we feel threatened, pushed into a corner, attacked, triggered, or exposed. Our characters are no different.
Good or bad, the characters in my books are my children. How could I not love them?
Do you have a favorite fictional character?
Happy Friday and happy writing to you.
ABOUT ELEANOR PARKER SAPIA:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A DECENT WOMAN (2017 & 2019 International Latino Book Awards) and the award-winning collection of poetry, TIGHT KNOTS. LOOSE THREADS. (2021 International Latino Book Awards). Eleanor’s books are published by Winter Goose Publishing.
Eleanor is working on her second novel, THE LAMENTS, and a new collection of poetry, currently titled ERASE AND REWIND.
This blog post is a later version of an essay I was honored to contribute to eYs Magazine, an online Australian magazine. I’m grateful to eYs Magazine CEO and author Jasmina Siderovski and contributing author Marsha Casper Cook, for inviting me.
Three years on, two vaccines, and two boosters later, I have managed to duck contracting the Coronavirus disease. This morning, I administered an at-home Covid-19 test after a recent ten-day visit to my home country of Puerto Rico. I tested negative. I am relieved.
Whether or not folks have tested positive for Covid, most people I know, including myself, are still cautious and judicious about where we shop, dine, and how we travel. I still avoid dining indoors and large gatherings. When I leave the house, I wear a mask and keep hand sanitizer in my purse.
A few friends and family members who contracted Covid are glad to have had the disease as they claim to have shored up antibodies against hospitalization (and death) with a potential future infection. That could be true. Me? I do not want the disease. I deal with daily autoimmune issues, thank you very much.
Physically, I have escaped the virus. Emotionally, I know the stress of the last three years, which included the politics of Covid, US politics in general, and especially quarantining and experiencing the global pandemic lockdown solo for a year and a half with my dog, has affected me. Before the pandemic, I lived alone by choice. It’s another matter entirely to be forced to live alone. Of course, it affected my emotional health. These days, I am a bit more anxious, less happy-go-lucky, less impulsive, and more reactive to bad behavior than before the pandemic. Can you relate? Thank God for writing!
My daily decision making now involves questions such as, should I fly or drive to that wedding? Do I need brown sugar bad enough to go to the store today? Should I travel to Puerto Rico this summer? Is it time to begin accepting dinner dates and in-person book events to market my two books? Much thought and deliberation about potential risk are always involved. To some, this may sound a bit much, but to me, it feels weirdly “normal” in light of the state of the world and current events.
In 2020, I read an article that stopped me in my tracks. It spoke about men, women, and children in quarantine around the world living with their abuser(s). Folks were living with spouses or significant others, who in “normal” times, they would have separated or fled from. They were staying put for various reasons—fear, economic dependence, toxic emotional attachments, perceived safety. Tensions ran high and across the nation, best friends stopped speaking and families took opposite political sides. Children, who are dependent on stable adults to handle and maneuver unknown or dangerous situations, found themselves living with stressed out parents and caregivers, and dealing with at-home learning with stressed out teachers. Most were trying to do their best; however, some folks lost control of themselves.
The rates of domestic violence in the United States and Puerto Rico during 2020-2121 rose to frightening proportions. Murders of transsexual people reached dangerous levels in Puerto Rico. Femicides rose dramatically around the world. Tragically, femicide is not new, yet during 2020-2021, when people were losing their jobs, their homes, their livelihood, their minds, the numbers reached ungodly, unacceptable numbers. It was frightening to watch what was happening to women around the world, and ultimately to their children and families.
Mass shootings in the US, an ongoing tragedy in this country, have risen exponentially. On July 5, 2022, at least 314 mass shootings were reported in the United States. This year. In one country.
Committed, selfless social workers, mental health therapists, nurses, medical specialists, laboratory workers, hospital staff, surgeons, and doctors have been incredible during this global pandemic. Absolute heroes, who’ve experienced high rates of burn out are exhausted. Mentally spent. Who cares for them? Healthcare systems around the world were pushed beyond safe, sane limits. In Puerto Rico, doctors and nurses and medical specialists fled the island to the United States seeking better paying jobs. Where does this end?
Currently, the American economy seems unstable. The world seems unstable. There’s an ongoing war in Europe. We are paying soaring gas prices and often dealing with limited food products on grocery shelves. Europe is experiencing global warming with insanely high temperatures and fires across the continent. What’s next? I asked that question last month. Then, monkeypox reared its ugly head. Today, more than 16,500 cases of monkeypox have been reported in 74 countries.
While millions of us may have escaped Covid-19 infection, hospitalization, and death, none of us have come away unscathed, unaffected. Not one of us. I will never forget the 6.38M souls who lost their lives in this global pandemic. I felt as if we’d lost an entire generation of our elderly. Sadly, over 300 people die from the disease every day in the United States.
Be kind. Practice patience. Breathe. Wear your mask. Get the two vaccines and available boosters. Laugh often. Make your mental health a priority. Live simply. Plant a garden. Choose peace.
Most importantly, consider advocating to make Covid-19 vaccines and boosters available to every single person on our planet. It has always been vitally important to take care of everyone, now more than ever.
Eleanor Parker Sapia
ABOUT ELEANOR:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A DECENT WOMAN (2017 & 2019 International Latino Book Awards) and the award-winning collection of poetry, TIGHT KNOTS. LOOSE THREADS. (2021 International Latino Book Awards). Eleanor’s books are published by Winter Goose Publishing.
Eleanor is currently working on her second historical novel, THE LAMENTS, and a new poetry collection, currently titled ERASE AND REWIND.
For the novelist, the poet, and the short story writer, understanding the world, our communities, our families, our own lives and why things happen to us and to those around us, to strangers, is why we write.
If we are brutally honest, transparent, courageous with ourselves, our hearts, the musings and deep dives into human nature and relational dynamics are the clay that inspire, form our stories, poems, and short stories. New characters are birthed. Their personal motivations and interactions are examined, turned inside out, challenged, made impossible, exposed or kept hidden, to present a fully fleshed, complicated, and relatable fictional character and an unforgettable story.
Through writing, our characters ponder, suffer, learn, unlearn, question, make mistakes. The smart writer knows to allow it all to happen to their characters. We throw in wrenches, toss live grenades and life vests in the dark that our characters may or may not recognize as assistance or safety. They may choose to not grasp the lifelines. They may turn away, dog paddle away, or continue to believe they’re strong swimmers, only to drown from exhaustion, or as can happen, drown their rescuer(s) in their attempt to survive—collateral damage.
We often leave our characters as unprotected or clueless, confused or devastated as we’ve felt once or twice in our lives, or have witnessed from a safe distance. Our voices. Our super hero or vile villain. Our characters may say or do what we’ve always wanted or needed to say and for whatever reason, didn’t or felt we couldn’t. Perhaps, we sensed danger, were silenced, felt helpless, defenseless. For many writers of fiction, characters are a safe way to test the water in relationships. To be bold, assertive, to experiment, dream, to risk, and perhaps, for once, to be reckless. To live passionately, play with fire or leave red hot embers for a future fire, to feel the relief of dousing it all with a large bucket of water.
In the end, we write to create worlds. To examine and better understand ourselves, the past, the present, and the future. To live. On the page. With words. Our words.
ABOUT ELEANOR PARKER SAPIA:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A DECENT WOMAN (2017 & 2019 International Latino Book Awards) and the award-winning collection of poetry, TIGHT KNOTS. LOOSE THREADS. (2021 International Latino Book Awards). Eleanor’s books are published by Winter Goose Publishing.
A novelist, poet, artist, and photographer, Eleanor is hard at work on her second historical novel, THE LAMENTS, set in 1926 Puerto Rico.
When she is not writing, Eleanor facilitates creativity groups for women, tends her gardens, and tells herself she will walk El Camino de Santiago de Compostela a second time.
I’m thrilled to share amazing news–my debut poetry collection, TIGHT KNOTS. LOOSE THREADS., was honored with a Bronze Award for Best First Book, Fiction (Poetry) at the 23rd Annual International Latino Book Awards.
My gratitude and thanks to Jessica Kristie, a talented poet and my publisher (Winter Goose Publishing) for believing in my poetry collection. I’m grateful to Empowering Latino Futures and the committees, judges, and volunteer readers of the 2021 International Latino Book Awards, who worked hard to make this year’s online event a beautiful success.
Congratulations to all the Award Winners and Honorable Mentions!
Keep telling your stories–it matters.
Eleanor Parker Sapia
ABOUT ELEANOR:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A DECENT WOMAN (2017 & 2019 International Latino Book Awards) and the award-winning collection of poetry, TIGHT KNOTS. LOOSE THREADS. (2021 International Latino Book Awards). Eleanor’s books are published by Winter Goose Publishing.
A novelist, poet, artist, and photographer, Eleanor is hard at work on her second historical novel, THE LAMENTS, set in 1926 Puerto Rico.
When she is not writing, Eleanor facilitates creativity groups for women, tends her gardens, and tells herself she will walk El Camino de Santiago de Compostela a second time. Eleanor is the mother of two adult children and a Chihuahua named Sophie.
I hope you are enjoying your summer and staying healthy. Mask up, everyone. The Delta variant is a real and present danger. Get your vaccines. I’m ready for my first booster shot after the two initial vaccines. Not taking any chances.
I’m thrilled to share that my first poetry collection, Tight Knots. Loose Threads. is a Finalist in the 2021 International Latino Books Awards for Best First Book, Fiction. Tight Knots. Loose Threads. joins A Decent Woman, my first historical novel, with literary awards–what an honor.
Congratulations to all the Finalists and Honorable Mentions! Thank you ILBA and Empowering Latino Futures, judges, and readers for all you do for Latinx authors.
“Empowering Latino Futures International Latino Book Awards The Largest Awards in the USA Celebrating Achievements in Latino Literature
Major Publishers Are Paying Attention to Books By & About Latinos By Kirk Whisler
The International Latino Book Awards is a major refection that the fastest growing group in the USA has truly arrived. The Awards are now by far the largest Latino cultural Awards in the USA and with the 276 finalists this year in 105 categories, it has now honored the greatness of 3,470 authors and publishers over the past two decades. The size of the Awards is proof that books by and about Latinos are in high demand. In 2020 Latinos will purchase over $750 million in books in English and Spanish.
The 2021 Finalists for the 23rd Annual International Latino Book Awards are another reflection of the growing quality of books by and about Latinos. About 42% of the winners were from major U.S. and Int’l publishers, up from 19% five years ago. In order to handle this large number of books, the Awards had 198 judges in 2021. The judges shared how hard it was because there are now so many great books being published.
Judges included librarians, educators, media professionals, leaders of national organizations, Pulitzer Prize Winners, and even elected officials. The Awards celebrates books in English, Spanish and Portuguese. Finalists are from across the USA, Puerto Rico, and 19 other countries. The Awards are produced by Empowering Latino Futures, a nonprofit organization co-founded in 1997 by Edward James Olmos and Kirk Whisler. Other ELF programs include the Latino Book & Family Festival, currently being held virtually at http://www.LBFF.us, our 69th Festival. The International Society of Latino Authors now has 140+ members. Education Begins in the Home has supplied books to 155,000+ young readers. The Latino & American Indian Scholarship Directory has been used by 182,000 students. More than 80 episodes of the Latino Reads Podcast have now aired. ELF’s programs have now touched well over a million people. Over 350 volunteers annually donate 14,000+ hours of service.
The Awards Ceremony will be held virtually October 16 and 17 via http://www.LatinoBookAwards.org. Current and past sponsors have included AALES, AARP, American Library Association, Atria Publishing, Book Expo America, California State University System, California State University Dominguez Hills, California State University San Bernardino, Entravision, Independent Book Publishers Association, Las Comadres para las Americas, Libros Publishing, Los Angeles City College, Los Angeles Community College District, MAAC, MAOF, MiraCosta College, Piping Industry Progress & Education Trust Fund, REFORMA, Scholastic Books, and Visa. ELF has recently gotten grants from Amazon, LULAC, SDGE, and the SBA.”
ABOUT ELEANOR PARKER SAPIA
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A DECENT WOMAN, and her first collection of poetry titled, TIGHT KNOTS. LOOSE THREADS. both published by Winter Goose Publishing.
Eleanor is currently working on her second historical novel set in Puerto Rico called THE LAMENTS. She is the mother of two amazing young adults and tells herself that one day, she will walk El Camino de Santiago de Compostela again.
AUTHOR ELEANOR PARKER SAPIA – WRITER OF CARIBBEAN FICTION AND WOMEN’S FICTION, POET, AND ARTIST
By Marsha Casper Cook
Please talk about your roots and how you found out who you wanted to be in your new life. Your story is very inspirational.
I was born in Puerto Rico into a family of exceptional oral storytellers: my grandmother—the matriarch of our family—my mother, and my aunt. Their magical stories included lives of struggle, spirits, herbal recipes, ancestral rituals, good food, and a fierce love of family. I was the child at my grandmother’s knee, always begging for one more tale.
I doubt it surprised anyone in my family when I turned to storytelling through painting and later with writing. A simple trip to the corner store can yield ideas for new stories or poems, and a cast of characters for future novels. However, my journey to publishing novels set in Puerto Rico with a good dose of history and magical realism took a circuitous route. Publishing my first collection of poetry took even longer. Each stage of my journey was as important as the last—steppingstones to where I am today—living and thriving in a creative world.
Following in my parent’s footsteps, I married a US Army officer, and we raised our children in Belgium, Austria, and France. To date, I have lived in Europe longer than I’ve lived in the US and Puerto Rico.
For 25 years, I painted and exhibited portraits and still lifes in the most unforgiving medium—watercolor— which speaks of perseverance and keen observation. I stashed drafts of poems in an old cookie tin and volunteered with refugee organizations and counseling centers in Brussels, Belgium.
In 2000, two life-changing events coincided: my maternal grandmother’s 90th birthday and receiving a copy of Julia Cameron’s seminal book on creativity called The Artist’s Way. The following year, I invited five girlfriends to experience the course with me. I learned just as much as my friends, who encouraged me to keep writing. Around that time, the paintbrush no longer told the stories of my soul—I was hooked on writing. I would go on to facilitate four more creative clusters with participants who felt blocked creatively or were interested in discovering their artistic passion.
In honor of my grandmother’s 90th birthday, I wrote a tribute to her that included many of her life stories. After reading the tribute, my then-husband encouraged me to write an outline. That outline turned into the first draft manuscript of A Decent Woman, set in turn of the century Ponce, Puerto Rico, my hometown.
In 2005, life changed dramatically. Before I knew it, I was a single woman in her 50s. I left one life and started a new one in the U.S. when my children headed to American universities. I was forced to face the unknown, dig deep, and tackle many challenges, much like a baptism of fire.
How has writing novels changed you as a person? If yes, please feel free to elaborate.
I believe my creative journey had more to do with my personal growth than the actual writing of my books. Before my divorce, I volunteered as a Spanish language refugee case worker and as a volunteer counselor in the only English-speaking counseling center, both in Brussels, Belgium. After my divorce, I moved back to the U.S., where I graduated from a massage therapy institute, I worked full-time as a bilingual (Spanish) social worker with the immigrant/refugee population and became a Reiki Master.
During that same time, I honed my writing skills, but the draft manuscript of A
Decent Woman wouldn’t see the light of day for five years until a shoulder injury precluded me from continuing a career in massage therapy—I was at a fork in the road. I made a life-altering decision to leave my job and to move from the Washington, D.C. area to West Virginia, where I could afford to write full-time.
Through writing novels and poetry, I found my voice quite organically. My previous career choices bolstered and inspired me to write novels of courageous women living simple lives in extraordinary times. The characters in my book said what I needed to share with the world—stories of misogyny, domestic violence, racism, and early feminism. Sterilization of women against their will or without their knowledge. Hate crimes against women and prostitutes. Class struggles. I use it all in my stories.
I believe life helped me grow into the role I was destined to fulfill—that of a storyteller. My hope is to continue to honor my maternal line and my Puerto Rican roots with my writing.
In your new book, a debut collection of poems titled, Tight Knots. Loose Threads, you expose a side of you that no one knew. Was that decision difficult for you?
Just before my first poetry collection was published in April 2021, a good friend, a therapist, read my collection. She wondered if readers would view me in a new way, and wondered if my raw, emotional poems of love desired, love denied, and heartbreak would confuse friends and readers who’d loved A Decent Woman.
While readers and friends on social media know me as a writer, a divorced mother of two awesome adult children, a feminist, an activist, who loves to garden and travel, my reply to my friend was, “How well do we know anyone?” My close friends and family weren’t surprised, at all.
I understand it’s human nature to often put people in boxes to better understand them, but I don’t enjoy limits, literary or otherwise. I was ready to unpeel more layers of my emotional onion. To stretch out and take up more room as a mature woman and as a writer.
I didn’t shy away from writing about controversial, delicate, taboo themes in A Decent Woman and there were many. Writing poems about controversial and delicate situations and exposing raw emotions wasn’t difficult either.
Now, although every poem isn’t about me, I admit to feeling a bit vulnerable about the intimate nature of some of the poems. What helped me move forward with publication was the Coronavirus pandemic and turning 63. We were and are still living in a world of unimaginable loss, grief, and fear. The year 2020 moved me enough to retrieve the poems I’d stashed in the old coffee tin for over twenty years and to write new poems for my first collection.
In my opinion, it was the perfect time to release Tight Knots. Loose Threads. I hope readers will relate to the poems and not feel alone as we’ve all experienced heartache in love and relationships. I thought, if not now, when? I’m glad I listened to my gut.
What do you think the Publishing Industry could improve on?
One frustration I share with many writers is the push by some publishers and agents for writers to garner as many reader reviews on Amazon and Goodreads before and after a book is published, as if that guarantees literary success. Honestly, writing and marketing our books are hard enough. Of course, I absolutely adore hearing from my readers and am incredibly grateful when a reader takes the time to review my books, so the last thing I want is to annoy them with constant requests for reviews. So, there’s a delicate balance.
Then, there’s paying for literary reviews—a gray zone. Most writers I know don’t have extra money to pay for reviews. I don’t know the answer to the dilemma of literary reviews. I write stories I’d like to read, and if I connect with a reader, that’s wonderful.
What is the most difficult part of your artistic process?
I’m a slow writer. On occasion, as I watch writers publish a book or two each year, I can fall into doubting my process. But that is short-lived. My process works for me. I believe in allowing a story to come together in an organic way. However, that doesn’t mean I’m not thinking about my story 24/7. I don’t begin with a firm outline or a firm ending. I always have a rough idea of where I’m going and what I want to highlight in the story, such as domestic violence, misogyny, racism, growth, or battling personal demons. Being locked into a particular storyline or ending without deviation disrupts my creativity. What I want for myself as a writer is to reach others. As a reader, I want to be moved.
Life has taught me to be open to change, discovery, and that starting over can be golden. I am a big fan of rewriting as much as necessary and to listening to my characters. It’s not uncommon for my story to change and evolve. That can only come from knowing your characters inside and out. With time and patience, the dividends pay off.
What keeps you up at night as you near the end of finishing one of your books?
Great question. What I struggle with is knowing whether a story is finished, which is easier to discern with painting.
I ask myself if I’ve done my best with what I know today to rewrite a sentence, a page, a chapter for clarity, rhythm, and lyrical meaning and weight. Ultimately, I listen to my gut—I trust I will know when I’ve reached the end. Readers may, of course, feel differently about our story!
What does Literary Success look like to you?
While receiving literary awards and accolades were a thrill, success of any kind can be a short-lived, slippery slope. I remind myself to not rest on past laurels. After each published book, I’m back at the beginning—learning more about the craft of writing, honing my skills, working hard, and doing research for the next novel.
Marsha Casper Cook – CEO, Author, Screenwriter
If readers love, remember, and recommend my book(s) to other readers over years and years, that is literary success to me. I want to move my readers as much as I need to be moved to continue to write good literature. It’s never been about making money.
Because of your new book, a collection of poems called Tight Knots. Loose Threads, you have increased your readership into a different market. Will you continue that path?
I wrote poetry long before I considered writing a novel. So yes, I will continue to write poetry, which feels as natural as painting, writing novels, and keeping a journal, where many poems are birthed. Painting for over 25 years helped me write A Decent Woman and The Laments. Writing poetry helps me access emotion and continue to write poetic prose in fiction, and writing fiction helps me write deep poetry. It’s all connected.
Writing poetry is also cathartic and healing. It’s a great way to peel away, examine, and discover old or new layers of my personality and life experiences in an intimate way. While poems of a more sensual nature may bring up feelings of vulnerability or of feeling a bit exposed, I tell myself that by being “naked” and unafraid, I’m connecting with readers who I hope will realize they’re not alone—we’ve all experienced love and heartache and pain. It’s universal.
In the future, I also hope to write a poetry collection and a novel in Spanish, a beautiful, lyrical language.
Are you pleased with the way readers have admired the courage it took to compose such a wonderful collection of poems? And did you expect readers to find themselves understanding your journey in a way that many poets never achieve?
Thank you for your kind words, Marsha. The readers who reviewed Tight Knots. Loose Threads before and after publication were gracious and generous with their praise. I am grateful for the gift of their precious time as many are busy writers. It is always heartwarming and validating when others understand our journey and resonate with what we’re trying to convey.
I had hoped readers would find themselves in the collection. It reads like the journey of a love affair from flirtation, passion, and love to confusion and sadness, followed by anger and grief. The death of love. There are many voices in this collection. It’s real life. Love is universal.
While I don’t consider it an act of courage to put out a poetry book of this type, it did require me to reach deep into myself and to push the boundaries of my comfort zone. I grew as a woman and as a poet.
What advice would you give to new aspiring authors?
Sounds cliché but learn to write by reading. I encourage aspiring authors to read books in their chosen genre, books by their favorite authors, and books recommended by favorite writers. I also encourage folks to write through the scary bits of the story as that’s usually where the meat and essence of the story are found. If you’re not passionate about your story or if you rush the creative process, it will show.
Lastly, your story matters. The saddest thing to me are unwritten stories.
What are you working on now?
Since 2016, I’ve been working on a second novel called The Laments. The story begins in 1926 in a Roman Catholic convent in Old San Juan, Puerto Rico and a Spanish-built leprosarium on Isla de Cabras, an islet located five miles off the coast of San Juan.
The Laments is the story of an idealistic novice nun whose monastic life is shattered by crimes at her Convent. As a means of escape, the conflicted novice volunteers to serve the patients at Lazareto Isla de Cabras. A colorful cast of characters and chaotic events will clash with the nun’s mission to save souls for God. She will be challenged to take a hard look at making her final vows and to take an even harder look at truth.
The Laments will be in reader’s hands in early 2022. I hope readers connect with this story.
My thanks to eYs Magazine and to you for the wonderful opportunity to connect with the eYs audience.
You can find out more about Eleanor at linktr.ee/ EleanorParkerSapia
Special note to Eleanor: It has been my pleasure to interview you and I would also like to thank you for the wonderful friendship we have developed over the years. Marsha
Release Day is an exciting day for any author. It’s exciting to see the words you written – agonized and cried over, rearranged and rewritten – in final form. In this case, I’m speaking about my first collection of poems titled TIGHT KNOTS. LOOSE THREADS. published by Winter Goose Publishing.
I’m more than excited to receive the physical copies of my first collection of poems. A dream come true. I say that with all my books and it’s true! But this week, especially today, three days before the release, time is moving like a super slow, silent snail leaving a slimy trail on a sidewalk! Slow!
Then I remember, everything moves forward as it should. Timing is everything.
I wrote my first poem, a Haiku, as a child in elementary school. I still enjoy the challenge of writing Haiku. I wrote my first poem in 2000 as a wife and a mother of two high school students. Nineteen poems followed. Life changed for me. As a single woman, I wrote over forty poems. Ten years later, I wrote ten poems and realized I had enough good poems for a collection. Between November 2020 to January 2021, I wrote eight more poems.
Then the real work and the stage I love began–rewriting, editing, and finessing. It’s the same with writing novels–I love the editing stage.
When I’m working a painting or writing, I’m often asked,
“How do you know when you’re done?”
I know.
I knew TIGHT KNOTS. LOOSE THREADS. was ready for publication when after the twentieth time (or more) I’d read the poems and didn’t make one single tweak or change. I was finished. The collection was finished and ready for readers. And I’m a picky creative, smile.
It takes a helluva lot for me to say, “I am done. This is finished.” And I always add, “I’ve done my best with what I know today.”
Common question asked of writers are, “Is the story about you?” and “Are all the poems about you?” Absolutely not. Love is universal. We’ve all experienced love, love denied, betrayal, loss, the one who got away, and we’ve all hoped for true love.
I hope you will order a copy of TIGHT KNOTS. LOOSE THREADS. and that you enjoy my words. If you do enjoy the poems, I hope you will consider leaving an honest review on Amazon and Goodreads.
Thank you in advance! Be well!
Eleanor x
ABOUT ELEANOR PARKER SAPIA:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A DECENT WOMAN, and her first collection of poetry titled, TIGHT KNOTS. LOOSE THREADS. both published by Winter Goose Publishing. The release date for the collection of poetry is 4/29/2021.
A novelist, poet, artist, and photographer, Eleanor lives in Berkeley County, West Virginia, where she is working on her second historical novel, THE LAMENTS, set in 1926 Puerto Rico
This morning, I spent a frustrating time trying to add editorial reviews on the Amazon page of my debut collection of poems, TIGHT KNOTS. LOOSE THREADS. Poetry. It was so much easier in 2019! I definitely need a refresher tutorial.
So for now, in lieu of adding editorial reviews the standard way on Amazon, I’m honored and pleased to share a few of the advance reader’s book reviews as they appear inside TIGHT KNOTS. LOOSE THREADS.
“Loose Threads is the work of a mature woman in her moments of complete openness. This is the writing not of a young thing who has yet to taste the bitter sweetness of betrayal and passion, but a writer who has been loved, stroked, abandoned and, in some ways, betrayed. The writing is evocative in its maturity, rich and varied in its poetics. These poems will appeal to the secret reader who dares to say, ‘Oh yes. I have felt that Yellow Blindfold.’”
—Jack Remick, Montaigne Medal Finalist, BOTYA Finalist, author of Gabriela and The Widow, Citadel, and Satori, poems
“Eleanor Parker Sapia’s first collection of poems offers an intimate look at words between lovers, from the erotic “Sexylandia” to the threat of “Open Wound,” from first glance to final slam of the heart’s door. Sapia’s “parched life” runs fresh and hot with brushes of skin on skin, exchanged glances, tumbles through the annals of deep love, and breaks, only to be brave enough for another reach into intimacy. This is a collection of poems for the lover, the dreamer, and the deep longing of a woman’s willful heart.”
—Julia Park Tracey, Poet Laureate emeritus Alameda CA, author of Amaryllis: Collected Poems
“The challenge women creatives face when applying their authentic voices to their work is often fraught with opposition— most notably when their words threaten to tear away at the careful underpinnings of misogyny, narcissism, emotional abuse, and manipulation. Eleanor Parker Sapia’s collection of poems in Loose Threads not only tore—but they shredded, dismantled, and exposed, and eviscerated––and I’m here for all of it.”
—Sahar Abdulaziz, Award-winning Author of But You LOOK Just Fine and Secrets that Find Us
“The weight of loss and longing permeates the passionate poems in Tight Knots. Loose Threads. by Eleanor Parker Sapia. Sensual and seductive, this collection explores the suffering of love desired and denied, of relationships lost, and of strength regained.”
—Arleen Williams, author of The Alki Trilogy and The Ex-Mexican Wives Club: A Memoir
“Tight Knots. Loose Threads. is a beautiful journey that explores the various phases of love. From the tender love we see in the opening poem Love Language to the anguish in Never Enough to the longing Parker Sapia captures exquisitely in The Wait, this is a collection about a woman unafraid to share her truths and her heart.”
—Nancy Arroyo Ruffin, 2017 ILBA Award Winning Author, author of Live On Purpose and Letters To My Daughter
“Tight Knots. Loose Threads. captivated me from the start. In each poem, we hear the clear, distinct voice of a woman experiencing and contemplating the complex nature of love and relationships. Life and love will always remain delicious, often in heartbreaking mysteries. Eleanor Parker Sapia understands that and shares her truth with disarming honesty and impeccable language.”
—Mary Rowen, author of It Doesn’t Have To Be That Way, Leaving the Beach, and Living by Ear
My deepest thanks and gratitude to all my advanced readers for the gifts of their precious time and generous reviews.
More wonderful reviews to come on Release Day, April 29, 2021.
Remember, you can preorder TIGHT KNOTS. LOOSE THREADS today!
I hope you enjoy my first collection of poems, and if you do, I hope you’ll consider posting an honest review on Amazon and Goodreads.
Thank you and stay well!
Eleanor x
ABOUT ELEANOR PARKER SAPIA
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A DECENT WOMAN, and her first collection of poetry titled, TIGHT KNOTS. LOOSE THREADS. both published by Winter Goose Publishing. The release date for the collection of poetry is 4/29/2021.
A novelist, poet, artist, and photographer, Eleanor lives in Berkeley County, West Virginia, where she is working on her second historical novel, THE LAMENTS, set in 1926 Puerto Rico.
MY DEBUT POETRY BOOK IN THE PIPELINE: TIGHT KNOTS. LOOSE THREADS.
March 17, 2021
I hope you and yours are well and soon, fully vaccinated! I am anxious to hug and kiss my kids and my loved ones! I’m excited to travel again! I’m dreaming of lying on a beach in Thailand and Puerto Rico! Four exclamation marks and I don’t care! Spring is right around the corner. I’m happy and hopeful.
I’ve been crazy busy since the beginning of the year. In January, my publisher suggested it was time to publish my debut poetry collection with an April 2021 publication date, just in time for Poetry Month. I am thrilled and grateful to her for taking a chance on me, a new poet.
As my publisher had an old copy of the draft manuscript (I was in the cue for a bit of time) and I like to think I’ve grown as a writer, I did a heavy edit on the collection. I rewrote many of the poems and included several new poems. Half of the poems were written between 2000 and 2007, the rest between 2011 and last month. We decided on the title, Tight Knots. Loose Threads. I love it. It’s the perfect title for this collection. The tentative book cover is wonderful, too. I can’t wait for the cover reveal and to see Tight Knots in print, in reader’s hands, where it belongs.
I am anxiously awaiting the editor’s second pass and trying to keep busy with my second novel, The Laments, which is coming along nicely. It’s such a great story if I do say so myself, smile. I am, however, finding it incredibly difficult to keep my editing pen in the drawer and away from the poetry collection. The word obsession comes to mind…
Reviews from wonderful and very generous advanced readers filled my heart with big emotion, gratitude, and hope that readers will enjoy my debut collection of love poems. I say love poems, and they are love poems with a reminder that love can also feel expansive, sexy, confusing, hopeful, painful, and at times, hopeless.
After my debut poetry collection, Tight Knots. Loose Threads. is published, I will order a big box of books, and by then, I will be able to mail signed copies of the book to readers from a real post office. What a great thought.
Now I understand why the Roaring 20s were so wild–it was the end of the Spanish Flu epidemic. I won’t be that wild (or maybe I will!) but I sure plan on celebrating big when we can travel, dance, and make merry with our families and friends again. Amen!
Stay safe, wear a mask, and continue to practice social distancing. Get your vaccines. The end may be in sight.
Eleanor x
ABOUT ELEANOR PARKER SAPIA:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning novel, “A Decent Woman”, published by Winter Goose Publishing in 2019. Eleanor’s debut novel, set 1900 Puerto Rico, garnered awards at the 2016 and 2017 International Latino Book Awards. She is featured in the anthology, “Latina Authors and Their Muses”. Eleanor is working on her second novel “The Laments”, set in 1926 Puerto Rico. Her debut poetry collection, “Tight Knots. Loose Threads. Poems” is due for release in April 2021. Fingers crossed.
I hope you and yours are well. I also hope you’ve received your first vaccine. Even better if you’ve had the second shot. If not, I hope you’re on a short list. That’s a lot of hope!
Two weeks ago, I received my first vaccine. I will admit to higher than normal blood pressure that morning and it rose as I stood in line in a gymnasium with hundreds of folks after a one year lockdown. But what a happy day. A few hours later, I had a sore arm and maybe two hours of a low-grade fever, mild chills, and a dull headache. No big deal! As a person with autoimmune disease, I thanked my body for doing what it does best–fighting disease. I imagined my immune system filled with tiny She warriors with spears at the ready! I joked with my kids that somewhere in my compromised, but beautiful immune system stood Gandalf The Grey on the bridge, shouting, “YOU SHALL NOT PASS!” Yes, I have an active imagination and I’m a huge fan of Lord of the Rings, smile.
Like many folks, I’d been on several vaccine lists. While it took two months to be notified with an appointment date, West Virginia has had one of the most successful and efficient vaccine rollouts in the nation. Some friends were surprised at that news because West Virginia is a red state. I don’t know about all that–I am thrilled with the vaccine roll-out in my adopted state!
My appointment for the second vaccine is scheduled for March 30. I’m a bit nervous about the reaction(s) that may occur with the second shot, but like Dr. Fauci says, ‘It’s certainly better than getting COVID.’ Amen. Get your vaccines.
March 11, 2021 marked the first anniversary of our US coronavirus-related lockdowns. To say 2020 was horrible doesn’t quite do our experiences justice, does it? I don’t know if there is one appropriate, all-encompassing adjective to accurately describe 2020 as our experiences are so different.
In my January 25, 2021 blog post (I can’t believe it’s been that long since I blogged), I said I wouldn’t rehash all that happened in 2020. Months later, I realize it wasn’t a matter of ‘I wouldn’t’, it was more like I couldn’t rehash all that had happened. At that time, I hadn’t processed it all, not even a little bit.
It’s often impossible to process the past if we’re in the thick of what ails us…and we are still living in a pandemic.
Yesterday, as I began this blog post, 548,058 Americans had died from COVID-19 and worldwide the number of deaths was 2,674,597 million. This morning, 549,484 Americans died. The worldwide number is 2,685,458. The numbers are heartbreaking and difficult to grasp. What my brain (and heart) has difficulty processing is how quickly the numbers rise, within minutes, seconds.
Families and loved ones of poor souls around the world who succumbed to the novel coronavirus have experienced a year of unadulterated hell. 2020 was a year of immense grief, paralyzing fear, perpetual anxiety, and unspeakable suffering. Although the number of deaths continues to rise, the number of cases is slowing down in the US, in large part because of President Biden and the government’s successful vaccine roll-out, and the quick turn-around of vaccine production and distribution. Thank God, Trump is gone.
Earlier in the month, it was reported that a staggering one in five Americans had experienced a death in the family. The suffering and exhaustion experienced by doctors, nurses, lab technicians, and caregivers is unfathomable. I don’t know how they do it day after day after day. I thank you all from the bottom of my heart.
Stranger or friend, I don’t know one person who hasn’t been affected by COVID-19 in one way or another. Most of us still worry about the safety of our children, our loved ones. Unless, of course, you are a loyal MAGA follower, who still believes COVID-19 is one big hoax. In that case, I feel sorry for you.
Doctors and nurses across the US share story after story of patients on their death beds, who at the ends of their lives, still don’t believe in the reality of the virus. I would imagine a medical professional must feel enormous frustration, disbelief, and yes, anger as they care for and intubate non-believers and anti-vaxxers on their death beds.
I cannot fathom this mentality, this selfishness, this madness.
Stay safe, friends. Continue to wear your masks. Continue to practice social distancing and get your vaccines as soon as possible. I need to hug my children and my loved ones.
Eleanor x
ABOUT ELEANOR:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning novel, “A Decent Woman”, published by Winter Goose Publishing in 2019. Eleanor’s debut novel, set 1900 Puerto Rico, garnered awards at the 2016 and 2017 International Latino Book Awards. She is featured in the anthology, “Latina Authors and Their Muses”. Eleanor is working on her second novel “The Laments”, set in 1926 Puerto Rico. Her debut poetry collection, “Tight Knots. Loose Threads. Poems” is due for release in April 2021.
Eleanor is the mother of amazing adult children and currently lives in Berkeley County, West Virginia with her Chihuahua Sophie.
The Writing Life Blog 