Have you ever fallen in love with a fictional character? I have. More than once!
I love all the characters in my novels, as well, which includes the villains, the manipulators, the gas lighters, the clueless, the jealous, the innocent, the spineless, the cheaters, all of them. Why? Because without the villain(s) or lower vibration energies, there is no heroine’s journey. It’s as simple as that.
All my fictional characters are integral to each story. I created them for a good reason—they have a job to do that will advance the story and the heroine’s journey or keep her stuck, in denial, until the rug is pulled out from under our heroine, forcing her to move, to advance, to learn. To fail, to grow. Like life, right?
Besides, I love discovering and exposing the darker sides each of us possess when we feel threatened, pushed into a corner, attacked, triggered, or exposed. Our characters are no different.
Good or bad, the characters in my books are my children. How could I not love them?
Do you have a favorite fictional character?
Happy Friday and happy writing to you.
ABOUT ELEANOR PARKER SAPIA:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A DECENT WOMAN (2017 & 2019 International Latino Book Awards) and the award-winning collection of poetry, TIGHT KNOTS. LOOSE THREADS. (2021 International Latino Book Awards). Eleanor’s books are published by Winter Goose Publishing.
Eleanor is working on her second novel, THE LAMENTS, and a new collection of poetry, currently titled ERASE AND REWIND.
For the novelist, the poet, and the short story writer, understanding the world, our communities, our families, our own lives and why things happen to us and to those around us, to strangers, is why we write.
If we are brutally honest, transparent, courageous with ourselves, our hearts, the musings and deep dives into human nature and relational dynamics are the clay that inspire, form our stories, poems, and short stories. New characters are birthed. Their personal motivations and interactions are examined, turned inside out, challenged, made impossible, exposed or kept hidden, to present a fully fleshed, complicated, and relatable fictional character and an unforgettable story.
Through writing, our characters ponder, suffer, learn, unlearn, question, make mistakes. The smart writer knows to allow it all to happen to their characters. We throw in wrenches, toss live grenades and life vests in the dark that our characters may or may not recognize as assistance or safety. They may choose to not grasp the lifelines. They may turn away, dog paddle away, or continue to believe they’re strong swimmers, only to drown from exhaustion, or as can happen, drown their rescuer(s) in their attempt to survive—collateral damage.
We often leave our characters as unprotected or clueless, confused or devastated as we’ve felt once or twice in our lives, or have witnessed from a safe distance. Our voices. Our super hero or vile villain. Our characters may say or do what we’ve always wanted or needed to say and for whatever reason, didn’t or felt we couldn’t. Perhaps, we sensed danger, were silenced, felt helpless, defenseless. For many writers of fiction, characters are a safe way to test the water in relationships. To be bold, assertive, to experiment, dream, to risk, and perhaps, for once, to be reckless. To live passionately, play with fire or leave red hot embers for a future fire, to feel the relief of dousing it all with a large bucket of water.
In the end, we write to create worlds. To examine and better understand ourselves, the past, the present, and the future. To live. On the page. With words. Our words.
ABOUT ELEANOR PARKER SAPIA:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A DECENT WOMAN (2017 & 2019 International Latino Book Awards) and the award-winning collection of poetry, TIGHT KNOTS. LOOSE THREADS. (2021 International Latino Book Awards). Eleanor’s books are published by Winter Goose Publishing.
A novelist, poet, artist, and photographer, Eleanor is hard at work on her second historical novel, THE LAMENTS, set in 1926 Puerto Rico.
When she is not writing, Eleanor facilitates creativity groups for women, tends her gardens, and tells herself she will walk El Camino de Santiago de Compostela a second time.
This week in Berkeley County, West Virginia. The moss green and viridian leaves of summer have turned to lovely shades of ochre, garnet, and gold. We are free of the oppressive summer humidity and I’m wearing my favorite sweater. The daytime temperatures are in the mid- to high 70s. Light blankets are on the beds for 40+ degree nighttime temperatures–perfect sleeping weather in my opinion–it’s almost time to pack away summer clothing and to dry clean coats and jacket. In the garden, the jalapeño and Cowhorn plants are still producing chili peppers. I turned over the soil where the tomatoes grew. (Again, another frustrating year for tomatoes). And it’s time to cut back the prolific and invasive morning glory vines that are trying to overtake the many mature lilac bushes that edge my yard. Home and garden maintenance–never-ending!
Autumn is my favorite time of the year. This special time of year is perfect for settling in with good books, journals, a new calendar, and new writing notebooks. Steaming mugs of spiced apple cider, gluhwein, family gatherings, and pumpkin anything. For many of us in the east coast, fall is a cozy, peaceful season of warm woolen blankets, heavy quilts, soft lighting, Renaissance fairs, and reflecting upon summer memories we made with family and friends. A wonderful time to make plans and to set new goals and dreams for 2022. And for naps. I’m a big fan of naps.
Going within. Stillness. This dormant period of the year is the perfect for reflection, creativity, and for writing.
Despite a very busy August and September with exterior and interior painting, I’ve been surprisingly productive with my work-in-progress, my second novel titled The Laments. Often, writing is my way of taking some measure of control of my life when things are in disarray or in chaos, as I find myself this morning with the electricians and two painters tackling the upstairs bedrooms and bathroom.
Earlier in the week, I carved out a little niche in the living room to write. This morning, I know my writing will have to wait a day or two as the painters inch closer to “my safe place”. C’est la vie. It all needs to get done before it’s too cold to paint.
I remind myself that home maintenance and chaos are necessary at this time. Emptying rooms allowed me the first opportunity in ten years to downsize, throw out, donate, and sell items I no longer need. It feels great. I feel lighter. More energetic. It’s amazing how well purging works on my psyche and mood.
Come winter, I shall enjoy a freshly painted home and all outlets in this old house will be in working order for the long, cold months ahead. Preparation. Organization. Downsizing. Purging. Cutting out. Fixing. Maintenance. Peace. Productivity.
This all sounds familiar. This sounds like the creative process. It sounds like writing.
Stay safe. Get your vaccines. Happy Autumn to you and yours.
Eleanor x
ABOUT ELEANOR PARKER SAPIA:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning historical novel, A DECENT WOMAN, and her first collection of poetry titled, TIGHT KNOTS. LOOSE THREADS. both published by Winter Goose Publishing. Eleanor is currently working on her second historical novel set in Puerto Rico called THE LAMENTS. She is the mother of two amazing young adults and tells herself that one day, she will walk El Camino de Santiago de Compostela again.
AUTHOR ELEANOR PARKER SAPIA – WRITER OF CARIBBEAN FICTION AND WOMEN’S FICTION, POET, AND ARTIST
By Marsha Casper Cook
Please talk about your roots and how you found out who you wanted to be in your new life. Your story is very inspirational.
I was born in Puerto Rico into a family of exceptional oral storytellers: my grandmother—the matriarch of our family—my mother, and my aunt. Their magical stories included lives of struggle, spirits, herbal recipes, ancestral rituals, good food, and a fierce love of family. I was the child at my grandmother’s knee, always begging for one more tale.
I doubt it surprised anyone in my family when I turned to storytelling through painting and later with writing. A simple trip to the corner store can yield ideas for new stories or poems, and a cast of characters for future novels. However, my journey to publishing novels set in Puerto Rico with a good dose of history and magical realism took a circuitous route. Publishing my first collection of poetry took even longer. Each stage of my journey was as important as the last—steppingstones to where I am today—living and thriving in a creative world.
Following in my parent’s footsteps, I married a US Army officer, and we raised our children in Belgium, Austria, and France. To date, I have lived in Europe longer than I’ve lived in the US and Puerto Rico.
For 25 years, I painted and exhibited portraits and still lifes in the most unforgiving medium—watercolor— which speaks of perseverance and keen observation. I stashed drafts of poems in an old cookie tin and volunteered with refugee organizations and counseling centers in Brussels, Belgium.
In 2000, two life-changing events coincided: my maternal grandmother’s 90th birthday and receiving a copy of Julia Cameron’s seminal book on creativity called The Artist’s Way. The following year, I invited five girlfriends to experience the course with me. I learned just as much as my friends, who encouraged me to keep writing. Around that time, the paintbrush no longer told the stories of my soul—I was hooked on writing. I would go on to facilitate four more creative clusters with participants who felt blocked creatively or were interested in discovering their artistic passion.
In honor of my grandmother’s 90th birthday, I wrote a tribute to her that included many of her life stories. After reading the tribute, my then-husband encouraged me to write an outline. That outline turned into the first draft manuscript of A Decent Woman, set in turn of the century Ponce, Puerto Rico, my hometown.
In 2005, life changed dramatically. Before I knew it, I was a single woman in her 50s. I left one life and started a new one in the U.S. when my children headed to American universities. I was forced to face the unknown, dig deep, and tackle many challenges, much like a baptism of fire.
How has writing novels changed you as a person? If yes, please feel free to elaborate.
I believe my creative journey had more to do with my personal growth than the actual writing of my books. Before my divorce, I volunteered as a Spanish language refugee case worker and as a volunteer counselor in the only English-speaking counseling center, both in Brussels, Belgium. After my divorce, I moved back to the U.S., where I graduated from a massage therapy institute, I worked full-time as a bilingual (Spanish) social worker with the immigrant/refugee population and became a Reiki Master.
During that same time, I honed my writing skills, but the draft manuscript of A
Decent Woman wouldn’t see the light of day for five years until a shoulder injury precluded me from continuing a career in massage therapy—I was at a fork in the road. I made a life-altering decision to leave my job and to move from the Washington, D.C. area to West Virginia, where I could afford to write full-time.
Through writing novels and poetry, I found my voice quite organically. My previous career choices bolstered and inspired me to write novels of courageous women living simple lives in extraordinary times. The characters in my book said what I needed to share with the world—stories of misogyny, domestic violence, racism, and early feminism. Sterilization of women against their will or without their knowledge. Hate crimes against women and prostitutes. Class struggles. I use it all in my stories.
I believe life helped me grow into the role I was destined to fulfill—that of a storyteller. My hope is to continue to honor my maternal line and my Puerto Rican roots with my writing.
In your new book, a debut collection of poems titled, Tight Knots. Loose Threads, you expose a side of you that no one knew. Was that decision difficult for you?
Just before my first poetry collection was published in April 2021, a good friend, a therapist, read my collection. She wondered if readers would view me in a new way, and wondered if my raw, emotional poems of love desired, love denied, and heartbreak would confuse friends and readers who’d loved A Decent Woman.
While readers and friends on social media know me as a writer, a divorced mother of two awesome adult children, a feminist, an activist, who loves to garden and travel, my reply to my friend was, “How well do we know anyone?” My close friends and family weren’t surprised, at all.
I understand it’s human nature to often put people in boxes to better understand them, but I don’t enjoy limits, literary or otherwise. I was ready to unpeel more layers of my emotional onion. To stretch out and take up more room as a mature woman and as a writer.
I didn’t shy away from writing about controversial, delicate, taboo themes in A Decent Woman and there were many. Writing poems about controversial and delicate situations and exposing raw emotions wasn’t difficult either.
Now, although every poem isn’t about me, I admit to feeling a bit vulnerable about the intimate nature of some of the poems. What helped me move forward with publication was the Coronavirus pandemic and turning 63. We were and are still living in a world of unimaginable loss, grief, and fear. The year 2020 moved me enough to retrieve the poems I’d stashed in the old coffee tin for over twenty years and to write new poems for my first collection.
In my opinion, it was the perfect time to release Tight Knots. Loose Threads. I hope readers will relate to the poems and not feel alone as we’ve all experienced heartache in love and relationships. I thought, if not now, when? I’m glad I listened to my gut.
What do you think the Publishing Industry could improve on?
One frustration I share with many writers is the push by some publishers and agents for writers to garner as many reader reviews on Amazon and Goodreads before and after a book is published, as if that guarantees literary success. Honestly, writing and marketing our books are hard enough. Of course, I absolutely adore hearing from my readers and am incredibly grateful when a reader takes the time to review my books, so the last thing I want is to annoy them with constant requests for reviews. So, there’s a delicate balance.
Then, there’s paying for literary reviews—a gray zone. Most writers I know don’t have extra money to pay for reviews. I don’t know the answer to the dilemma of literary reviews. I write stories I’d like to read, and if I connect with a reader, that’s wonderful.
What is the most difficult part of your artistic process?
I’m a slow writer. On occasion, as I watch writers publish a book or two each year, I can fall into doubting my process. But that is short-lived. My process works for me. I believe in allowing a story to come together in an organic way. However, that doesn’t mean I’m not thinking about my story 24/7. I don’t begin with a firm outline or a firm ending. I always have a rough idea of where I’m going and what I want to highlight in the story, such as domestic violence, misogyny, racism, growth, or battling personal demons. Being locked into a particular storyline or ending without deviation disrupts my creativity. What I want for myself as a writer is to reach others. As a reader, I want to be moved.
Life has taught me to be open to change, discovery, and that starting over can be golden. I am a big fan of rewriting as much as necessary and to listening to my characters. It’s not uncommon for my story to change and evolve. That can only come from knowing your characters inside and out. With time and patience, the dividends pay off.
What keeps you up at night as you near the end of finishing one of your books?
Great question. What I struggle with is knowing whether a story is finished, which is easier to discern with painting.
I ask myself if I’ve done my best with what I know today to rewrite a sentence, a page, a chapter for clarity, rhythm, and lyrical meaning and weight. Ultimately, I listen to my gut—I trust I will know when I’ve reached the end. Readers may, of course, feel differently about our story!
What does Literary Success look like to you?
While receiving literary awards and accolades were a thrill, success of any kind can be a short-lived, slippery slope. I remind myself to not rest on past laurels. After each published book, I’m back at the beginning—learning more about the craft of writing, honing my skills, working hard, and doing research for the next novel.
Marsha Casper Cook – CEO, Author, Screenwriter
If readers love, remember, and recommend my book(s) to other readers over years and years, that is literary success to me. I want to move my readers as much as I need to be moved to continue to write good literature. It’s never been about making money.
Because of your new book, a collection of poems called Tight Knots. Loose Threads, you have increased your readership into a different market. Will you continue that path?
I wrote poetry long before I considered writing a novel. So yes, I will continue to write poetry, which feels as natural as painting, writing novels, and keeping a journal, where many poems are birthed. Painting for over 25 years helped me write A Decent Woman and The Laments. Writing poetry helps me access emotion and continue to write poetic prose in fiction, and writing fiction helps me write deep poetry. It’s all connected.
Writing poetry is also cathartic and healing. It’s a great way to peel away, examine, and discover old or new layers of my personality and life experiences in an intimate way. While poems of a more sensual nature may bring up feelings of vulnerability or of feeling a bit exposed, I tell myself that by being “naked” and unafraid, I’m connecting with readers who I hope will realize they’re not alone—we’ve all experienced love and heartache and pain. It’s universal.
In the future, I also hope to write a poetry collection and a novel in Spanish, a beautiful, lyrical language.
Are you pleased with the way readers have admired the courage it took to compose such a wonderful collection of poems? And did you expect readers to find themselves understanding your journey in a way that many poets never achieve?
Thank you for your kind words, Marsha. The readers who reviewed Tight Knots. Loose Threads before and after publication were gracious and generous with their praise. I am grateful for the gift of their precious time as many are busy writers. It is always heartwarming and validating when others understand our journey and resonate with what we’re trying to convey.
I had hoped readers would find themselves in the collection. It reads like the journey of a love affair from flirtation, passion, and love to confusion and sadness, followed by anger and grief. The death of love. There are many voices in this collection. It’s real life. Love is universal.
While I don’t consider it an act of courage to put out a poetry book of this type, it did require me to reach deep into myself and to push the boundaries of my comfort zone. I grew as a woman and as a poet.
What advice would you give to new aspiring authors?
Sounds cliché but learn to write by reading. I encourage aspiring authors to read books in their chosen genre, books by their favorite authors, and books recommended by favorite writers. I also encourage folks to write through the scary bits of the story as that’s usually where the meat and essence of the story are found. If you’re not passionate about your story or if you rush the creative process, it will show.
Lastly, your story matters. The saddest thing to me are unwritten stories.
What are you working on now?
Since 2016, I’ve been working on a second novel called The Laments. The story begins in 1926 in a Roman Catholic convent in Old San Juan, Puerto Rico and a Spanish-built leprosarium on Isla de Cabras, an islet located five miles off the coast of San Juan.
The Laments is the story of an idealistic novice nun whose monastic life is shattered by crimes at her Convent. As a means of escape, the conflicted novice volunteers to serve the patients at Lazareto Isla de Cabras. A colorful cast of characters and chaotic events will clash with the nun’s mission to save souls for God. She will be challenged to take a hard look at making her final vows and to take an even harder look at truth.
The Laments will be in reader’s hands in early 2022. I hope readers connect with this story.
My thanks to eYs Magazine and to you for the wonderful opportunity to connect with the eYs audience.
You can find out more about Eleanor at linktr.ee/ EleanorParkerSapia
Special note to Eleanor: It has been my pleasure to interview you and I would also like to thank you for the wonderful friendship we have developed over the years. Marsha
Over the weekend, I opened the upstairs windows to air out the house and enjoyed the birdsong streaming throughout my home. With the first cup of coffee in hand and the sun warming my face on the kitchen porch, I smiled. Welcome, Spring.
Fully caffeinated, I pushed open the shed door and like a wizard, I twirled, swirled, and captured copious spider webs with my broom before entering. Sorry, spiders. I took inventory of pots and potting soil, brought them outside, and checked the vegetable and herb seed packets. I cleaned off my garden spade and inspected the vegetable and herb plots for new growth from last year. The celery I planted at the end of summer has new green growth, and the rosemary, thyme, and oregano plants wintered nicely. I snapped off brown twigs and turned over the rich, dark soil in my garden plots, praying my area is past the possibility of snow flurries, for on this day, two years ago, we had a few inches of snow. Nope, none of that, please. I’m ready to get my hands dirty in the garden and to feel the sun on my bare shoulders.
On Sunday morning, I perused the first Burpee catalog to arrive in my mail box–my sign that spring has arrived. The catalog brought back joyful memories of the day the Sears toy catalog would arrive at my home before Christmas. There was no greater joy as a kid than to pore over the pages and dream of the perfect toy, doll house, or Barbie doll. I feel the same way about gardening catalogs.
I finalized my first gardening order of the year: an apple trees, two Concord grape twigs, and lettuce, kale, spinach, and Swiss chard plants because I want a head start this year. The seedlings did well from seed to garden, but I want instant gratification, smile. I added a white clematis I hope will take over the kitchen porch by early summer.
The Concord grape vines I found when I bought this old house have sadly not produced healthy grapes for three years. I held off pruning the vines for eight years (afraid I’d make a mistake) and had healthy harvests year after year. The first year after I pruned back the vines, not a harsh pruning as I’d been instructed, a virus was introduced. It was devastating. The healthy, heavy bunches of Concord grapes of the past were not to be.
I still enjoy the gorgeous growth and welcome shade of the grape vines over my courtyard dining area, but I must do what I don’t want to do–pull out the old vines, which I doubt will be easy to do. I find that heartbreaking. People passing by have told me the vines have been in place since the 50s. Heartbreaking. So, I’ve decided to prune the vines back to the first major knot and like a good haircut, I am hoping for new, healthy growth before I am forced to pull out the vintage vines.
If you know about growing and pruning grape vines and can offer tips, please let me know. Thank you!
This morning, I’m starting the vegetable and herb seeds in the two trays I purchased last year. I have two large bags Miracle Gro Vegetable Soil and dozens of plastic pots in many sizes for later. Of course, I’d prefer clay pots, but they are expensive and heavy to ship. Plastic pots aren’t used that long before the baby plants are in the garden, so that’s not quite a rush at this time.
I’ve often thought of how much gardening resembles the writing life. There is research involved, preparation, learning the basics, and just doing it. I’ve met writers who do the necessary research, join writing groups, learn, buy the books, and still don’t write. Or they begin and then stop for many reasons. I find it sad how many beautiful and important stories are never told and shared with the world.
Pruning resembles editing, rewriting, and proofreading. The most difficult phase of writing, but my personal favorite. As my writing mentor says, “Art is in the rewrite.” That’s where I am with my second novel The Laments and with my grape vines. I will do my best with what I know. If that means pruning hard or cutting out unnecessary or redundant portions of the novel that don’t sing, that’s what I will do.
To the fear of failure or fear of doing it “wrong”, I say–there is no right or wrong way to garden or to write. Seeds of creative inspiration and vegetable seeds want to grow! They will grow. Your role is to do it.
Stay safe. Wear your mask. Practice safe distancing.
Write and/or start your garden today by taking small, steady steps. Good luck to you.
Eleanor x
ABOUT ELEANOR PARKER SAPIA:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning novel, “A Decent Woman”, published by Winter Goose Publishing in 2019. Eleanor’s debut novel, set 1900 Puerto Rico, garnered awards at the 2016 and 2017 International Latino Book Awards. She is featured in the anthology, “Latina Authors and Their Muses”. Eleanor is working on her second novel “The Laments”, set in 1926 Puerto Rico. Her debut poetry collection, “Tight Knots. Loose Threads. Poems” is due for release in April 2021. Fingers crossed.
MY DEBUT POETRY BOOK IN THE PIPELINE: TIGHT KNOTS. LOOSE THREADS.
March 17, 2021
I hope you and yours are well and soon, fully vaccinated! I am anxious to hug and kiss my kids and my loved ones! I’m excited to travel again! I’m dreaming of lying on a beach in Thailand and Puerto Rico! Four exclamation marks and I don’t care! Spring is right around the corner. I’m happy and hopeful.
I’ve been crazy busy since the beginning of the year. In January, my publisher suggested it was time to publish my debut poetry collection with an April 2021 publication date, just in time for Poetry Month. I am thrilled and grateful to her for taking a chance on me, a new poet.
As my publisher had an old copy of the draft manuscript (I was in the cue for a bit of time) and I like to think I’ve grown as a writer, I did a heavy edit on the collection. I rewrote many of the poems and included several new poems. Half of the poems were written between 2000 and 2007, the rest between 2011 and last month. We decided on the title, Tight Knots. Loose Threads. I love it. It’s the perfect title for this collection. The tentative book cover is wonderful, too. I can’t wait for the cover reveal and to see Tight Knots in print, in reader’s hands, where it belongs.
I am anxiously awaiting the editor’s second pass and trying to keep busy with my second novel, The Laments, which is coming along nicely. It’s such a great story if I do say so myself, smile. I am, however, finding it incredibly difficult to keep my editing pen in the drawer and away from the poetry collection. The word obsession comes to mind…
Reviews from wonderful and very generous advanced readers filled my heart with big emotion, gratitude, and hope that readers will enjoy my debut collection of love poems. I say love poems, and they are love poems with a reminder that love can also feel expansive, sexy, confusing, hopeful, painful, and at times, hopeless.
After my debut poetry collection, Tight Knots. Loose Threads. is published, I will order a big box of books, and by then, I will be able to mail signed copies of the book to readers from a real post office. What a great thought.
Now I understand why the Roaring 20s were so wild–it was the end of the Spanish Flu epidemic. I won’t be that wild (or maybe I will!) but I sure plan on celebrating big when we can travel, dance, and make merry with our families and friends again. Amen!
Stay safe, wear a mask, and continue to practice social distancing. Get your vaccines. The end may be in sight.
Eleanor x
ABOUT ELEANOR PARKER SAPIA:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning novel, “A Decent Woman”, published by Winter Goose Publishing in 2019. Eleanor’s debut novel, set 1900 Puerto Rico, garnered awards at the 2016 and 2017 International Latino Book Awards. She is featured in the anthology, “Latina Authors and Their Muses”. Eleanor is working on her second novel “The Laments”, set in 1926 Puerto Rico. Her debut poetry collection, “Tight Knots. Loose Threads. Poems” is due for release in April 2021. Fingers crossed.
Welcome to the end of 2020. Trump’s sideshow. The reality TV presidency. The hellish year. The year of the COVID-19 global pandemic. The year the majority of Americans woke up or finally believed the epic past and present greed and corruption perpetuated in this country by voting. The year most Americans finally acknowledged or looked at the abuses committed against minorities, the poor, LGBTQ folks and against immigrant families. Even my staunch Republican family member, who voted twice for trump, voiced her distaste for trump. That’s saying a lot.
I’m not going to write about 2020 in this blog post–the good, the bad, and the ugly of this pandemic year. We lived it. We’re still in it. You, me, and our loved ones. Our neighbors, friends, and strangers. Many of us are suffering, dying, and on the verge of emotional meltdowns/break downs. Too many have died. This year was a royal bitch and we’re nowhere near out of it.
American hospitals are in crisis. Our healthcare workers and healthcare facilities are overwhelmed and exhausted. In LA County, 14, 000 people a day test positive for Covid-19, that’s every 10-15 minutes. A new, more virulent strain of this virus is in the US. Two cases already. I heard a frightening report about a shortage of oxygen tanks in California. Oxygen. Holy God.
The goal to vaccinate 20 million Americans by the end of the year? Not happening. Only 2+ million Americans have received the first vaccine. So. Stay home. Wear your mask and keep doing your part to stop the spread of this virus. Hang on and stay safe. Vaccinations are coming. When? Well, that remains a big unknown. I pray our heroines and heroes on the front lines of this pandemic have already received their vaccines and that the rest of us are vaccinated by Spring 2021.
I started writing this 2020 Pandemic Diary on March 15, 2020. I’m amazed I kept it up. It wasn’t easy. I’m saving all my pandemic posts for my children and those who will come after us.
I honestly don’t have a lot to say on the last day of 2020, except that I’ve learned many important lessons. Living alone, which I’ve always enjoyed for making art, was an absolute bitch.
I wish you good health in 2021. Good health. As I’ve always believed, that’s everything.
Eleanor x
ABOUT ELEANOR:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning novel, “A Decent Woman”, published by Winter Goose Publishing. Eleanor’s debut novel, set 1900 Puerto Rico, garnered awards at the 2016 and 2017 International Latino Book Awards. She is featured in the anthology, “Latina Authors and Their Muses”, edited by Mayra Calvani.
Eleanor is working on her second novel “The Laments”, set in 1926 Puerto Rico, and an as yet untitled collection of poems about the many facets of love, which often remind her of the complicated relationship between the United States and Puerto Rico.
MARCH 31, 2020 – BLOG TALK RADIO SHOW – NEWS OF THE DAY – HOST MARSHA CASPER COOK
PLEASE JOIN MARSHA CASPER COOK, JACK REMICK, AND ELEANOR PARKER SAPIA TODAY, MARCH 31, AT 4 EST 3CT 2 MT 1 PST
What’s Happening Now is a new show. They will be discussing the current COVID-19 crisis, writing during the pandemic, and tips on maintaining creativity.
Whether you chose a party with friends, a dinner with a loved one, or a quiet night at home with your thoughts and a beloved pet, I hope you enjoyed ringing in the new decade. However you chose to celebrate the last night of 2019, it was momentous. A new day has dawned. A new decade has begun and it’s exciting.
Last night, I heard someone describe the new decade as the roaring ’20s, which resonated with me. I feel a new blog post coming on, smile.
“I made no resolutions for the New Year. The habit of making plans, of criticizing, sanctioning and molding my life, is too much of a daily event for me.” – Anaïs Nin
This quote rings true for me. I stopped making New Year resolutions years ago. Oh sure, I’ve joined a gym, all gung-ho to lose the extra pounds and by February 1st, I was done. The new running shoes and yoga pants became part of my daily uniform. I swear to quit smoking several times a year, tried e-cigarettes with all good intentions last year, and that didn’t work (cold turkey is the only way to quit). I vow to throw out, give away my hundreds of books to friends and strangers, but find it difficult to part with books. A few years ago, my daughter kindly gifted me a Kindle and that worked well for maybe a year, but there is nothing like holding a book. Some day, I’ll go through all my books and again gift some to my local library. Some day.
Writing and perfecting my craft is my long-range plan each year. I write full-time, so this makes perfect sense to me. I approach writing (and life) with a strong feeling, no, an urgency, that life is short. Unfortunately, life taught me with my beloved mother’s passing in 1992 that life can be short for some of us. So since 1992, I’ve tried to live each day as if it’s my last day on earth. My father developed Alzheimer’s in his early 70s and that also serves as a reminder not to waste time. I’m not saying I live in fear, mind you. No, it’s the urgency that motivates me to write as many books and poems as I can and to paint while I’m here.
This Christmas, I received three books on writing by A.M. Weiland, a beautiful journal for 2020, and I bought three books on plot and structure, dialogue, and creating character arcs by James Scott Bell, a new author for me. Six more books for my writing arsenal!
I’m not a Virgo who enjoys a strict routine of doing the same thing day in and day out. I’m not speaking about my writing routine, though. I’m talking about having my nails done every Friday or having a standing hair or medical appointment each month. Inevitably, I always reschedule. When I’m at the writing desk, I lose total track of time and my sleep schedule isn’t “normal”. When I’m in the writing flow, I’m productive and it doesn’t matter if the sun is coming up and I fall asleep at noon or 1 pm. I live alone, so the only one possibly bothered by my vampire hours, as I can them, is Sophie, my Chihuahua. God bless her wee little heart, as my Irish friend would say. The only routine I’ve stuck to for decades is my morning routine (whenever I wake up): stretching in bed, praying, meditating, drinking a cup of hot water with lemon, and writing in my journal, which I love. I write and let it go into the Universe.
What I will do this year is to be kinder, more compassionate, and gentle with myself. I will welcome mystery and the unknown. I will stop apologizing for this or that. Instead, I will release and remain grateful for the lessons. I will raise my vibration and reincorporate yoga into my life, maybe Tai Chi, who knows? My body, mind, and soul need all that on this new day, in this new year, and in this new decade. I will continue to listen to the urgency within and take more chances and risks in life and love, and in writing and art. Time waits for no woman.
So, back to writing and editing poems. I crossed off several items on my bucket list in 2019 and traveled to Thailand and Florida with my children, which made me very happy. Now, I buckle down. I have books to finish and art to make.
May we speak truth to power in our words, deeds, and in our writing. May we always remember to honor and respect Gaia, the ancestral mother of all life. May we remember the forgotten, the marginalized, the lost and jailed children, the separated families at the border, and may we continue to fight against racism, the patriarchy, hatred, and world-wide violence against women and children.
I guess I do have a few 2020 resolutions. Welcome, 2020. Happy writing to you.
“What I love about now is that it is always a beginning.” – Byron Katie
Eleanor
About Eleanor:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning novel, A Decent Woman, published by Winter Goose Publishing. Her best-selling debut novel, set in turn of the century Ponce, Puerto Rico, garnered Second Place for Best Latino Focused Fiction Book, English at the 2017 International Latino Book Award with Latino Literacy Now. The book was awarded an Honorable Mention for Best Historical Fiction, English at the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club. Eleanor is featured in the anthology, Latina Authors and Their Muses.
Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments, set in 1927 Old San Juan and Isla de Cabras, Puerto Rico. Look for The Laments in 2020.
What a wonderful whirlwind of a week leading up to the Winter Solstice and before I travel to Maryland to share Christmas with my family. Last week, I enjoyed sharing great meals with good friends, catching up with family and friends via newsy Christmas cards and long phone calls, and last Thursday, a thoughtful friend treated me to dinner and a magical Holiday concert at the charming and cozy O’Hurley’s General Store (opened in 1899) in my favorite West Virginia town, historic Shepherdstown. The concert at O’Hurley’s (new to me) was the highlight of my month leading to Christmas. I felt a bit overwhelmed as I entered the back room with the vaulted ceiling. I was misty-eyed, actually, as most everything I love–history; charming architecture; an enormous, freshly-cut Christmas tree; holiday smells of cinnamon and apple; a warm atmosphere complete with a huge potbelly stove; lovely music; good company; and rustic elegance–were in one place. Simply magical. And since it’s still a working general store, all your holiday gifts are there, as well. You’ll find hand-knit sweaters to scarves to decorative items for the home, Christmas decorations, and local jams, honey, and jellies. O’Hurley’s is truly a one-stop shopping experience.
If you’ve never visited charming Shepherdstown, make your plans now for next year. Plan to stay at the gorgeous German-owned Bavarian Inn and Restaurant that overlooks the Potomac River, complete with an authentic Rasthskeller; enjoy a sumptuous dinner and a great wine list at The Press Room on West German Street, and then head to O’Hurley’s General Store for the 7:30-10:00/10:30 concert. Jay, the owner of O’Hurley’s, is a musician, who invites local musicians to play every Thursday, year-round. And the concerts are free. So make it a long weekend and include a Thursday in your plans.
Every year, I tell myself I will be super organized with all my gifts wrapped by December 18 and the Christmas Day grocery run will be done that week. Right. The truth is, every year like today, I have a gift or two arriving on 23 December and some Christmas cards will go out in January. Early this morning, I was at the supermarket picking up baking supplies and the ingredients for Coquito, our Puerto Rican version of eggnog. In my humble opinion, it tastes better than eggnog because I love coconut. My favorite recipe is at the end of the blog. You’re welcome, smile.
In 2020, I intend to stop trying to be (pretending to be?) super organized at home. It is what it is. Mind you, this is not a New Year’s resolution. Instead, I will embrace ME, all of me, to include my spontaneous, creative, messy, and fun-loving sides. I’m okay with my unruly, wavy hair, the stacks of books on each step of the staircase, and a few cobwebs here and there. My dining room table/writing desk is almost always covered with dozens of notebooks, reference books, candles, fountain pens, bowls of crystals, tarot cards (I’m a beginner), and my two laptops. My art supplies are close by in an antique Austrian chest and the Christmas tree might be up until March…or April. All that makes me happy and productive. Art is not for the timid and most artists I know enjoy a bit of organized clutter!
Despite waking up early every day this month with a determination to write, the impeachment hearings won out. What can I tell you? I was glued to my laptop and yes, I’m pleased. More than pleased. My writing muse had the same idea–it was historic and that was that. I’m happy it happened before Christmas.
Now, for those who find this time of year difficult, I send you a warm hug. During certain times of the year, I often feel nostalgic and sad as I long for my mother and dear relatives who’ve passed on. You are not alone.
As promised, here is my no-egg Coquito recipe, which is enjoyed from November to the end of January. There is nothing like a Puerto Rican Christmas, smile.
Puerto Rican Coquito
1 12 oz. can evaporated milk
1 14 oz. can sweetened condensed milk
1 15 oz. can Coco Lopez cream of coconut or Goya cream of coconut
1 cup or 1 1/2 cups Bacardi or Don Q white rum (unless you prefer a virgin Coquito)
1 tsp. vanilla
1/4 tsp. ground cinnamon
1/4 tsp. ground nutmeg
Pour all ingredients into a blender and mix well. Chill for 2 or more hours before serving. Sprinkle cocktails with cinnamon and/or add a cinnamon stick to each highball glass.
I would love to hear your comments if you decide to try this beloved Puerto Rican holiday drink. Happy holidays!
Eleanor x
ABOUT ELEANOR:
Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning novel, A Decent Woman, published by Winter Goose Publishing. Her best-selling debut novel, set in turn of the century Ponce, Puerto Rico, garnered Second Place for Best Latino Focused Fiction Book, English at the 2017 International Latino Book Award with Latino Literacy Now. The book was awarded an Honorable Mention for Best Historical Fiction, English at the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club. Eleanor is featured in the anthology, Latina Authors and Their Muses.
Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments, set in 1927 Old San Juan and Isla de Cabras, Puerto Rico. Look for The Laments in 2020.
The Writing Life Blog 