Author Interview: Liza Treviño

Welcome to the last installment of our 2017 Tuesday Author Interview series at The Writing Life. I will take off the rest of the year to finish my second historical novel, The Laments of Forgotten Souls, set in 1927 Puerto Rico, hopefully, by January 2018!

I began interviewing my fellow authors in 2015, and to date, it looks like I’ve interviewed 82 authors. It’s been great to meet and chat with new authors. I hope you’ll check in at the blog during summer and fall 2017 as I begin a new series of blog posts that relate to my work in progress. We’re looking forward to sharing new author interviews in 2018.

Thank you for your continued support, dear readers. Keep buying books and remember that a book review on Amazon and Goodreads means the world to all authors!

Today, I am pleased to welcome Liza Treviño to The Writing Life.

Liza Trevino_1

Liza Treviño hails from Texas, spending many of her formative years on the I-35 corridor of San Antonio, Austin and Dallas.  In pursuit of adventure and a Ph.D., Liza moved to Los Angeles where she compiled a collection of short-term, low-level Hollywood jobs like script girl, producer assistant and production assistant.  Her time as a Hollywood Jane-of-all-trades gave her an insider’s view to a world most only see from the outside, providing the inspiration for creating a new breed of Latina heroine.

Welcome, Liza! What is your book’s genre?

All That Glitters is a women’s fiction novel that features a Latina heroine. There’s LA grit, Hollywood glamour and some romance mixed in for good measure.

All That Glitters Cover

Please describe what All That Glitters is about.

It follows the rags-to-riches Hollywood journey of a creative, ambitious, street smart and stunning Latina who sets her sights on making it big in Hollywood as a writer-film director in the 1980s. It’s also about the sacrifices one must make at the service of their ambitions. When is it too much? When do you take that step too far that can ultimately ruin you? How do you keep your integrity in the face of rampant sexism, misogyny and self-doubt?

How did you come up with the title?

While it’s a well-known saying, All That Glitters perfectly captured both the glitzy desires of Hollywood while also evoking the darker aspect that all is not what it seems, no matter how you might desire it.

What inspired you to write All That Glitters?

I’ve always been a reader and a writer, since I was a kid. I loved – love – all kinds of genres: horror, suspense, romance, but Jackie Collins, in particular, always held a special place in my heart. I adore her work and all Hollywood fiction. Eventually, I was re-reading one of my favourites of hers while I was in grad school in Los Angeles, and it hit me.  Where is a Latina Lucky Santangelo? I wanted to read about a badass character like Lucky Santangelo, but I wanted her to be Latina. And that’s how it started for me. I began thinking about the popular stories I liked to read and decided I was going to create those kinds of stories but put a Latina at the center of the action.  That’s definitely something I wanted to read. I couldn’t find it, so I started writing.

Does your main character resemble you? If so, in what ways?

There are some surface resemblances for sure: Latina, from Texas, curly hair and a penchant for curse words. On a deeper level, Alexandria Moreno and I share a ‘survivor’ mentality. But there are definite distinctions. Alex is tough and uncompromising, that is how she survives. That’s not my approach.

What do you hope readers will gain from your book?

My inspiration for writing this particular story and for creating Alexandria Moreno was that I wanted to read about someone like her. I didn’t see why characters like her weren’t all over the place, and I just hadn’t found them yet. When I didn’t find what I was looking for, that’s when I decided to start writing. And now, it exists.

It’s been a long journey to get All That Glitters published. Alex is out in the world for anybody and everyone who’s looking for a Latina anti-heroine. I hope to introduce readers to the unforgettable character of Alexandria Moreno. I want the reader to be surprised, upset, excited, worried and unsure of Alex, her choices and what she’s going to do next. And to see Alex as a complicated, strong woman and then you remember that she’s also a Latina to boot? Very cool!

We can’t have enough Latina heroines! What do you find is the most challenging aspect of writing?

First, putting your butt in the chair and writing. Second hardest is making it public. It’s like walking naked in front of a crowd of strangers. And I’m no exhibitionist.

So true. What is your favorite part of writing?

When you finish and the ending feels right. It literally feels like a weight has lifted and the story is out of me and in the world.

What was the last book you read? What did you think of it?

King Peso by Carmen Amato. It’s the latest installment of a series about Mexican female detective, Amelia Cruz. This was my introduction to the character and the series. Detective Amelia Cruz is a badass and complicated. She’s a lot of fun to read. The story moved along at a brisk pace, but what really set this book apart was its insider’s specificity of detail to Acapulco and the city’s surroundings. Amato took you to all corners of the region, making you feel like you are there, from the street corner taco stands to the exclusive, ‘privada’ beach communities. 

Who are some of your favorite authors?

Jackie Collins and Joan Didion are my absolute favorites. I’m also a big fan of Carlos Fuentes, Stephen King, Carrie Fisher and Michael Crichton.

What authors or person(s) have influenced you as a writer and why?

Certainly the authors I just mentioned have each influenced me a great deal. With authors like King, Crichton and Collins, I love their economy with language and the way their stories unfold and pull you along until you’ve reached the last page.  Fisher, Fuentes and Didion, their inspired and nuanced insights to the human condition make me catch my breath.  I’m also greatly influenced by film directors, especially Martin Scorsese, Kathyrn Bigelow, Bob Fosse and James Cameron. Their use of visual motifs and tone to convey personality is how I like to write. It’s the small detail, the visual punctuation that resonates with me, and I like to include those kinds of things in a story or scene.

I look to film for the same reasons you mention here. Do you have a favorite place to write? To read?

I read and write whenever and wherever I can. I’ve moved around a lot as an adult so I’ve had the pleasure of discovering (and leaving) all kinds of nooks and crannies to hole up and read and write. I do like coffeeshops and earbuds for writing and my bed or a breezy deck for reading.

Did the writing process uncover surprises or learning experiences for you? What about the publishing process?

I’m lucky  – or, unlucky, depending on how you look at it – that I’ve spent my entire adult life as a writer, whether it be as an academic or in the fiction realm, so I have always spent time reading, writing, editing, revising, formatting something, whether it be papers, a dissertation or a novel. The process seems to just get more and more refined over time.

Working with a great editor who gets the story is invaluable. It’s an amazing experience to collaborate on your work with someone who sees it with new, fresh eyes.  Of course, the con aligns closely with this, too.  It can be hard to hear that words, passages or scenes you slaved over just need to go. But, it’s part of the process and, ultimately, it does make the work stronger, and it helped me become a better writer.

Looking back, what did you do right that helped you write and market this book?

The main thing is that I set out to write a story that I wanted to read. That was probably the best thing I could do in order to keep going and not give up on the project and walk away.

Any advice or tips for writers looking to get published?

Don’t give up. If you have a story you believe in and are passionate about, keep writing and finish that project. It will find its audience.

Good advice. Website and social media links?

Website: lizatrevino.com

You can learn more about All That Glitters and find my blogs that provide resources for Latino writers as well as ‘updates’ on a Brown Girl’s Burden, my ‘spirited’ Latina’s Guide to Assimilation and Rebellion.

All That Glitters Cover

Liza, where can we find your book?

Click to Buy on Amazon: All That Glitters

BarnesandNoble.com and ibooks.

What’s next for you?

I’m working on a follow up to All That Glitters, I’m shopping a Christmas-time romantic comedy set in San Antonio and working on a true crime, detective story also set in San Antonio, Texas.

Thanks for visiting us today on The Writing Life, Liza. Best wishes with your writing!

About Eleanor:

ellie

Puerto Rican-born Eleanor Parker Sapia is the author of the award-winning historical novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered an Honorable Mention for Best Historical Fiction, English at the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015. Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.

A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments of Forgotten Souls, set in 1927 Puerto Rico.

Eleanor’s book, A Decent Woman, available in paperback and ebook format:  http://amzn.to/1X0qFvK
Please visit Eleanor at her website:
www.eleanorparkersapia.com

 

 

Island of Enchantment or Island of False Promises?

Reblogged from Latino Rebels, Guest contributer: Marinda Hollar

Island of Enchantment or Island of False Promises?

I am a Boise State University student who went to Puerto Rico on an exchange program for a short year with the goal of improving my Spanish, learning about political processes in another cultural environment, and well, to enjoy a year in a tropical Caribbean paradise. It didn’t take long before I absolutely fell in love with the island; the beaches are so unbelievably beautiful, the people are so incredibly welcoming, the culture so vibrant and full of life. It certainly lives up to the its nickname—The Island of Enchantment. On any given corner on any given day, one can hear music floating through the air: it always seems to be either an infectious salsa rhythm or the pumping bass of the latest reggaeton song, (the local mix of reggae / rap that seems to be the music of choice for many young people here) and undoubtedly, somebody is dancing or singing or refreshing themselves with a nice cold beer while they share time with friends or family, or as is often the case, with both. The culture is so oriented in family, in sharing, in passing quality time with loved ones—whether it be at the beach, seated next to the river in the jungle, or even just hanging out at home. It is truly a delightful place to be.

However, I quickly also realized that Puerto Rico has its fair share of problems. They are currently faced with a stifling $73 billion debt, brought about by an unfortunate mix of unwise spending habits by the local government including corrupt politicians, failed privatization attempts and a plethora of unjust financial policies imposed by the United States government.

The most recent law forced upon the Puerto Rican people by the U.S. government with the supposed intention of helping Puerto Rico pull itself out of debt is the Puerto Rico Oversight Management and Economic Stability Act (or PROMESA, a terribly frustrating pun which I will explain shortly). This law stipulates that a team of seven individuals, nominated by the legislative and executive branches of the U.S. federal government, in effect take control of the Puerto Rican government in order to restructure and repay the debt. They must approve the local government’s budget for the fiscal year, and they must additionally sign off on every law passed to ensure that it doesn’t worsen the crisis. This Oversight Board has the power to make demands of the Puerto Rican government, and has already imposed significant austerity manners.

It is important to note that the only purpose of the Board is to pull the country out of debt. It is not necessarily charged with the well-being of the Puerto Rican people. In fact, one could argue that there is motivation to continue to entrench the island in even more debt, as the president of the Board currently own at least $265,000 in Puerto Rican bonds, sparking debate over a possible conflict of interest, as an increase in debt would mean an increase in his wealth.

This oversight board is an uncomfortable concept. I want you to imagine this from the Puerto Rican perspective: giving up even more of your local government’s sovereignty, rendering your governor (the highest government office on the island) a mere puppet, with the country that has repeatedly mistreated and abused your people as the puppeteer. Putting your country’s future in the hands of a group of people chosen by a government that has a history of squeezing every last cent out of your people by passing such legislature as the Jones Act, which stipulates that Puerto Rico can only import goods from the United States, on a U.S.-based boat with a U.S.-baed crew, increasing the price of pretty much everything and doubling the federal taxes that Puerto Ricans have to pay. A government that makes a habit of sending your country’s young men and women to the most dangerous fronts during times of war so that your people are those who are dying en masse, and not the white soldiers. A government that has conducted experiments testing new methods of contraception on the women of your countryside in the name of not endangering their own people (even though people born in Puerto Rico are, technically, U.S. citizens). A government that has in the past gone so far as to make your own flag, the pride of the nation, illegal in public arenas. A government that is not representative of your people, your culture, your interests, or even your well-being. This is the government that chose the members of the group that basically have fiscal control of the island.

I know that I would be bitter. No, more than that—outraged. And I would most definitely be extremely dubious in regards to the true goals of the Oversight and Management Board. The PROMESA (the Spanish word for promise) from the U.S. government to “help the Puerto Rican people” by taking complete control of the local government has already been broken. In the short four months that the Board has had control of the islands finances, they have approved measures such as:

    • Increasing property taxes,
    • Increasing court fees,
    • Increasing traffic ticket prices,
    • A new internet tax,
    • Increasing the mandatory minimum car insurance,
    • Increasing the already tangled web of permits that one needs to drive a motor vehicle in PR,
    • Increasing the number of permits required for construction projects, and increasing the cost of said permits,
    • Cutting credits for projects that attract tourists (the island’s main source of income),
    • Cutting credits to revitalize urban living centers,
    • Cutting credits for investments that would develop the local economy, and the cut that personally pains me the most,
    • Cutting $603 million dollars of funding from the only public university system on the island, La Universidad de Puerto Rico.

The current governor of Puerto Rico, Ricardo “Ricky” Rosselló, has said that the Oversight Management Board requested that $603 million be cut from some part of the Puerto Rican government’s budget. He has also said that other than the university system, there is simply no other source of funding, except for the public health program. However, he also refuses to release an official list of how the public funds are being spent, and refuses to have the massive $73 billion-dollar debt audited by an economic board to determine how much of it is “legal debt” (used on projects that served to benefit the citizens of Puerto Rico), and how much of it is “illegal debt” (exactly the opposite: used for corrupt purposes, often in the form of useless projects, i.e. “bridges to nowhere,”, etc. This kind of debt does not have to be repaid, as the people should not be punished for bad decisions made by their government). The debt that Puerto Rico has accumulated over the years, legal and otherwise, is so substantial that the annual interest on the debt has reached $6 billion. With a population of 3.4 million people on the island, that means that every man, woman, and child would pay about $1,500 yearly, just to cover the annual interest. This amount becomes much more significant when one considers that the average annual income for a Puerto Rican is just $15,000. This number is bound to decrease even further if the latest round of proposed cuts by the oversight management board are approved. Without access to a quality, affordable education, the cycle of poverty on the island is bound to continue downward.

Keep in mind, the country has been in crisis mode for a while now, and the university has already seen about $300 million in cuts in the last three years. The resources are already stretched thin, with overly crowded classrooms in need of upkeep, professors’ benefits and salaries that have already taken substantial hits, and funding for research at an all-time low. The result of these proposed cuts would be disastrous: it has been stipulated that 8 of the 11 public campuses in the UPR system would be forced to permanently close their doors, leaving all the students registered in those unlucky eight branches of the university to scramble to either try to enroll in one of the three universities that remain (which will overnight become extremely crowded, and also have to take cost-reducing measures to be able to continue), or give up on receiving a higher education and settle for trying to find work in the struggling Puerto Rican economy. By the way, those that choose (or are forced, by lack of resources to pay the higher tuition) to take the latter path will potentially soon only receive a minimum salary of $4.25 hourly if they are under 25 years of age, compared to the continental U.S.’s $7.25 national minimum, another change proposed by the Oversight Board. It is also very possible that the UPR would lose its accreditation if the proposed cuts are approved, because the education will simply be unacceptable. In this case, all the time and money that the students currently enrolled will have been for nothing, as other universities and employers don’t accept credits earned in a non-accredited organization.

The options are grim for students who are already struggling to pay the relatively low tuition. The country has an astounding 46% of the population that lives below the poverty level, that is about twice as poor as the poorest state in the U.S., and faced with these new cuts to social services and increases in expenses, the whole island has troubling times ahead. The Oversight Management Board is not thinking about the future of the Puerto Rican people—they are tying their hands behind their back, blindfolding them, kicking them in the gut and asking why they don’t get up and fight. The U.S. government seems to make a pattern of setting Puerto Rico up for failure and then blaming them when the inevitable happens. They are unable to declare bankruptcy (like all U.S. states have the ability to do) because of their “commonwealth” status, (codename for colony, which is illegal according to a resolution 1514 of the United Nations- “All peoples have an inalienable right to complete freedom, the exercise of their sovereignty and the integrity of their national territory, [the UN] Solemnly proclaims the necessity of bringing to a speedy and unconditional end colonialism in all its forms and manifestations”). And they are equally unable to declare bankruptcy as a country, because they are technically not an independent nation and are therefore considered “dependent” on the U.S. for financial support.

Now is when I make my plea to you. Before I came here on exchange, I had no idea what was going on in Puerto Rico. I am a Political Science and Spanish student at Boise State University, and I like to think of myself as a well-informed person. I make it a habit to read the news daily, but I had no idea about the status of Puerto Rico. My knowledge was basically, “They’re almost like a state, right?”. And from what I have gathered based on the reactions of my family, friends and university colleagues back in the states, many U.S. citizens share that same level of very limited information. Puerto Rican news is simply not broadcasted in the states, and I don’t remember ever learning anything about this small beautiful island in any part of my public-school education. Because of the unfortunate collective ignorance of the American people, the U.S. government basically has free reign to continue to pass oppressive policies against the Puerto Rican people, and the country will continue to be at the mercy of their great dictator.

Unless you do something. I truly believe in the American system. Further, I truly believe that if we can rally enough people to call their senators and tell them that this issue will not be silenced any longer, we can make real change. I propose that we raise our voices, and demand that we treat Puerto Rican (technically fellow American) citizens with the respect and decency that they deserve, do away with the law PROMESA and all the false promises that accompany it, and most urgently, most immediately, demand that the $603 million not be cut from the university, because a nation without education is a nation that will be trapped in a vicious cycle of poverty and an inability to bring about change.

During my time here, I have made some of the most solid friendships of my life. I have met people that are truly amazing. Their struggles to attend university despite the fact that their family is barely scraping by are truly awe-inspiring, accepting loans and graduating with thousands of dollars in student debt in order to get an education and have a shot at a better life for themselves and their families. The UPR system educates thousands of students every year that are often recruited by U.S. companies because it produces such driven and competent workers. If the funding is cut, many students won’t be able to afford to travel to other parts of the island to study, as the only campuses that will be able to remain open are on the far east and west sides of the island, and they would either have to pay for an apartment near campus or pay the approximately $40 in gas daily in order to be able to go to class. Please, help me bring attention to this issue so that the people of Puerto Rico that are trying to better their situation are able to do just that. Please, help me to put pressure on our government to stop these disastrous cuts from being made. I thank you so much for your time, and sincerely ask that you spend five more minutes to have a conversation with your local representative to show that this issue is important to their constituents.

Below I have written a brief statement that nicely summarizes the main points that the Puerto Rican people want YOU, as an American, to tell your state representative that the people here don’t have. I know it can be intimidating to pick up the phone and call, but it truly is the most effective way to make your voice heard in these troubling times. Below I have also included a list of senators and representatives on the Natural Resources subcommittee, which oversees all things Puerto Rico, that you can call to apply pressure. Please, an extra five minutes of your time has the power to make all the difference for the beautiful island, and the American citizens, of Puerto Rico.

Hello, my name is ___________ and I am a constituent of (CITY, STATE, ZIPCODE) and I am calling to talk about the situation in Puerto Rico. I don’t need a response. I believe that:

  • Before any further austerity measures are taken, it is necessary that the public debt be audited, to determine how much of the debt is actually legal, and therefore, necessary to repay.
  • The Puerto Rico Oversight Management and Economic Stability Act (PROMESA) unfairly imposes an undemocratic regime on the people of Puerto Rico and its government.
  • It is also trying to implement policies that will cripple the economy and the people of Puerto Rico, most notably cutting the $603 million from the UPR system. This would kill the university system as it is known here and prevent many people from studying. It must be stopped. The university needs that funding and the island needs the university.

The American people have a sense of justice and this repression of the people that are supposedly under our care will not stand. Please, raise your voice, help the people of Puerto Rico avoid the looming educational crisis that will ironically be brought about by the group of people sent to improve the economic crisis on the island. Please, let your government know that false promises are NOT tolerated in our political system, and that we demand better.

***

Sources
Bury, Chris. “Is This 1917 Law Suffocating Puerto Rico’s Economy?” PBS. Public Broadcasting Service, 14 Aug. 2015. Web. 24 Mar. 2017.

“Directory of Representatives.” United States House of Representatives. US House of Representatives, n.d. Web. 25 Mar. 2017.

Pr, Telemundo. “Obama Nombra Integrantes De La Junta De Control Fiscal.” Telemundo Puerto Rico. Telemundo Puerto Rico, 31 Aug. 2016. Web. 24 Mar. 2017.

Soledad Dávila Calero, María. “Professors Argue Against Further Cuts to UPR Budget.”  Caribbean Business. Caribbean Business, 10 Mar. 2017.

“The United Nations and Decolonization.” United Nations. United Nations, 1 Dec. 1960. Web. 24 Mar. 2017.

Original article:

http://www.latinorebels.com/2017/05/01/island-of-enchantment-or-island-of-false-promises/

Author Interview: Gabriel Valjan

Welcome to the Tuesday Author Interview series at The Writing Life, where I have the great pleasure of chatting with my fellow authors across genres, which is always interesting. Today I’m happy to welcome Gabriel Valjan.

Gabriel Valjan is the author of the Roma Series from Winter Goose Publishing, as well as numerous short stories. He lives in Boston’s South End, where he enjoys the local restaurants, and his two cats, Squeak and Squawk, keep him honest to the story on the screen.

G Valjan

Welcome, Gabriel.

What is the genre of the book you’d like to discuss?

Corporate Citizen is the fifth book in the suspense/thriller Roma Series from Winter Goose Publishing.

G Valjan book

Briefly describe what Corporate Citizen is about.

Bianca, our former analyst for the covert agency Rendition, is called to Boston to help clear a friend framed for a double homicide. All her Italian friends except for her boyfriend come with her. The murder investigation uncovers a drug ring for synthetic heroin, which Rendition may or may not have an interest in. Bianca continues to receive help from inside Rendition through a mysterious agent named Loki. There’s a troubled vet and a love interest and a criminal mastermind, unlike any Bianca and her gang have ever encountered.

How did you come up with the title and what inspired you to write this series?

The title is a buzzword from the business world. Corporations, like people, have ethical, legal, and social responsibilities. I am intrigued as to who is responsible when corporations commit crimes. A CEO might be the face to an organization, but decisions are far more complex when there is an obligation to shareholders and the ultimate objective is profit. What do you do when you are a citizen and your country behaves like a corporation? Bianca left Rendition because of the necessary evils she witnessed. She learns that one can never leave Rendition.

G Valjan books

 

What do you do when you are a citizen and your country behaves like a corporation? This is a question many Americans are asking themselves right about now.

Does your main character resemble you? If so, in what ways?

Yes and No. Bianca may resemble my younger self, when I was more logical than Mr. Spock. Like her, I acted that way as a coping and defense mechanism. With age, I allowed myself to relax. Where we differ is gender and I do hope that I was successful in putting across a woman’s perspective.

Is Bianca in all five novels?

Bianca is in all 5 novels. The graphic above depicts the book in chronological order.

1: Roma, Underground takes place in Rome. Bianca is enticed to participate in a sting to capture thieves stealing cultural artifacts from the city’s underground. A real group of amateur archaeologists are mapping the city beneath Rome and I let my imagination run with that idea.

2: Wasp’s Nest. Bianca returns to Boston under the pretense of helping a contact within Rendition, but she is fearful of the growing intimacy between her and Dante. I tried to showcase lesser known parts of Boston. The inspiration behind this outing was what if someone disrupted the pharmaceutical industry, particularly cancer research, with an invention that did away with chemotherapy and radiation.

3: Threading the Needle. Bianca and her gang tackle political terrorism in Milan. The inspiration here was what the Italians call The Years of Lead, which was a series of terrorist attacks from 1969 to 1984. The height of terror culminated in the kidnapping and murder of Prime Minister Aldo Moro. Speculation exists as to who funded and directed far-right groups to destroy the Communist Party in Italy.

4: Turning To Stone. Bianca is caught between the Camorra and the Sicilian mafia in Naples. The Sicilians are hatching a plan to destabilize the world currency market to their advantage. The Fiscal Crisis of 2007 provided the basis for this novel.

5: Corporate Citizen. Bianca is back in Boston to help a friend framed for murder.

Each of my novels includes the first chapter of the next one in the The Roma Series. Book 6, Crunch City, is situated in London and it will explore (or explode) the extent of surveillance. Bianca has a new and formidable nemesis at Rendition, but she also has an unexpected ally at her side. She’ll have to make a decision on her relationship with Dante.

Thanks for including the brief synopses. What do you find is the most challenging aspect of writing?

I worry whether I have seeded the story with just enough clues so that it is not predictable. Am I too obvious? Was I too obscure? The reader is a god, who must be appeased, and yet should still be surprised with the creation. It’s kind of like looking at a platypus and scratching your head. There’s logic to the design.

Great questions to ask during the writing process. Did the writing process uncover surprises or learning experiences for you? What about the publishing process?

My characters have a life of their own. When I write it is like meeting old friends. I’ve been fortunate to have a collaborative relationship with my publisher. I have a say in the editing process and in cover-art design. I believe the first sentence of A Tale of Two Cities describes today’s authors and publishers. Indie publishers have proven they can put quality out there in the market. The Big Five and literary agents are not necessarily gatekeepers for taste and talent. Self-publishing, while not new, is a hit or miss. Amazon has created both the markets and the platform. Readers are feasting and authors are like matchstick children hoping for a kind soul and a sale.

I found myself nodding at your answers above. What was the last book you read? What did you think of it?

Walter Tevis’s Mockingbird. In a post-apocalyptic future where machines do everything and reading is illegal, an android named Bob Spofforth runs the world — and he is suicidal. Another character, Paul, is a conformist who teaches himself how to read. He falls in love with Mary Lou, a rebel who lives in a zoo. This is not Humanity versus the Machines story. Knowledge has slipped away. Watching Paul learn and then teach Mary Lou how to read is a reminder of why we read and why we are human. Tevis will reduce you to tears.

Another book for my reading list, thank you. Who are some of your favorite authors?

Tough question. Margaret Atwood. Jane Austen. Louise Brooks. Raymond Chandler. Eduardo Galeano. William Faulkner. Dashiell Hammett. Dorothy Johnson. E.J. Levy. Gabriel García Márquez. William Maxwell. Carson McCullers. Flannery O’ Connor. Victor Hugo. E.B. White. Richard Yates.

What authors or person(s) have influenced you as a writer and why?

Dashiell Hammett and William Faulkner. Though these two writers polar opposites in style, they worked language in ways I envy. If you research Gertrude Stein, you’ll discover that it was Hammett — not Hemingway — who was responsible for the spare minimalistic style. Hemingway learned his craft from journalism (being shot at is excellent motivation for brevity) and reading Hammett. Faulkner – read his Nobel Prize acceptance speech (557 words) – and ask yourself this, Is not compassion first and foremost a necessity to being a better human being and a great writer? His novels are challenging but rewarding.

Is not compassion first and foremost a necessity to being a better human being and a great writer? Great question. For me, the answer is yes. I’m off to Google Faulkner’s Nobel Prize acceptance speech.

Tell us something personal about you people may be surprised to know?

I have an MA in Medieval Studies. 

Gabriel, what is your favorite part of writing?

The beauty of a series is I have a cast of characters and each one has a personality and quirks. Corporate is a long, hard look at Bianca and what makes her tick. I enjoyed those moments when she surprised me with something she said or did. Bianca is guarded and she allows herself some vulnerability when she meets Nick.

G Valjan book

Do you have a favorite place to write? To read?

I write in my bedroom, where one or two cats stare at me and count keystrokes. I like reading in bed.

What do you hope readers will gain from your book?

The Roma Series is classified as genre fiction, but I hope that readers see each novel as an exploration of friendship and love, that what matters most in life is how we treat each other. Each novel takes place in a different city because I want readers to see how Europeans see the world, and how an American deals with a different mindset. I ask questions about culture and society throughout the Series. Do you work to live, or live to work?

I like the idea of offering readers an opportunity to see the world through different lenses. Looking back, what did you do right that helped you write and market this book?

It depends on the definition of success. Sales have not made me a household name, but I have developed a small following. Social media has allowed me to meet other writers and for them to know me. If ‘success’ is word of mouth, then I would say other writers, established and struggling, know that I am a supportive and encouraging person. It costs nothing to be kind and positive. I think what I have done ‘right’ is be myself and let my name stand for something. I go to readings to support others, I tweet to get the word out on writers I know, and I’ll write reviews. The best community for me has been other writers.

I agree with your definition of success. I met you through your generous tweets of my book, so I can attest to your support of other writers.

What didn’t work as well as you’d hoped with your books?

It’s hard to tell because I believe everything is cumulative. The problem is you don’t know what will work. I have had mixed feelings about PR firms. They are expensive and I think they are figuring it out along with the rest of us. It’s been a learning experience.

Any advice or tips for writers looking to get published?

Read and learn from the writers you enjoy. Take apart; analyze what you admire. Be consistent, persistent, and tenacious about improving your skills. Set aside your ego and write because you have a story to tell. Respect your reader’s emotions, intellect, and their time. To paraphrase Carver, your job is to capture the heartbeat and the ‘human noise.’

Well said. Website and social media links?

Web: www.gabrielvaljan.com

Twitter: @GValjan

Facebook: https://www.facebook.com/Gabriel-Valjan-291400997547203/ 

Where can we find your book?

Amazon Author page: http://amzn.to/2pORYMH

WGP: http://wintergoosepublishing.com/authors/gabriel-valjan/

What’s next for you, Gabriel?

Winter Goose Publishing will release the first book of another series in late 2017. The Company Files: The Good Man is what I would call historical noir. The story takes place in 1948 Vienna and it’s the early days of the American intelligence community. Jack Marshall is asked to find former Nazis in Germany’s atomic program before the Russians do. Someone is killing them and Jack has to put a stop to it. For touchstones for the writing, think of Joseph Kanon, Phillip Kerr or John Le Carré, and yet different.

Vienna and the American intelligence community. We will have to chat about that another time! Thank you for visiting today, Gabriel. All the best to you. 

About Eleanor:

ellie

Puerto Rican-born Eleanor Parker Sapia is the author of the award-winning historical novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered an Honorable Mention for Best Historical Fiction, English at the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015. Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.

A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments of Forgotten Souls, set in 1920 Puerto Rico.

Eleanor’s book, A Decent Woman:  http://amzn.to/1X0qFvK
Please visit Eleanor at her website:
www.eleanorparkersapia.com

 

Author Interview: Daniel Cubias

Welcome to our Tuesday Author Interview series at The Writing Life, where I have the pleasure of chatting with authors across genres. Today I am pleased to welcome Daniel Cubias, and zombies.

Daniel Cubias is a writer whose award-winning fiction has been published in numerous literary journals. He is also the author of the novel “Barrio Imbroglio,” and he contributes frequently to the Huffington Post.

Daniel’s latest novel, “Zombie President,” is a black comedy about the twisted conflux of politics, journalism, and American culture.

Cubias author pic

Welcome, Daniel.

What is your book’s genre?

Horror-comedy

Please describe what your black comedy Zombie President is about.

A defeated presidential candidate comes back from the dead to take the White House by force — and to win the country’s heart in the process.

Samuel Tilden never won the presidency when he was alive, but now that he’s a rampaging ghoul, the American people are enthralled with the power and tenacity of his undead army. Fawning media coverage ensures that the zombies’ bloody march to Washington D.C. goes unchecked. Meanwhile, an ambitious television reporter, a small-town sheriff, and a scientist with a dark secret join forces with a trio of backbiting teenagers to fight for their country.

zombie_president_full_web

Sounds like a intriguing, wild ride. How did you come up with the title?

Let’s just say that the title lent itself.

What inspired you to write this book?

My co-author, Kristan Ginther, asked me, “Has there every been a story about a zombie running for president?” I had to admit that, no, there had never been a story quite like that.

Does your main character resemble you?

I am not a zombie, so I’m going to say no.

Good point. What do you hope readers will gain from Zombie President?

First, my hope is that readers find it funny. But there are more than a few references to our political process, which will provoke, enlighten or infuriate the reader, depending on his/her viewpoint.

It sounds intriguing and timely.

What is your favorite part of writing?

The second draft. The tyranny of the blank page (i.e., the first draft) is behind you, and now you can concentrate on what the story is really about. Successive drafts aren’t as enjoyable because you begin seeing the flaws that eat away at your very soul.

Great description of successive drafts. I’m at that point with my second book–the eating away at my soul part–where I have to battle doubt.

What do you find is the most challenging aspect of writing?

If you don’t rewrite a passage, it most likely is not as good as it could be. If you rewrite it too much, you most likely sap all its energy and kill whatever made it interesting in the first place. Finding that balance is crucial.

What was the last book you read? What did you think of it?

“The Langoliers” by Stephen King. I’m a big King fan, but I had missed that one. I’m very happy that I dug it out, because it has all the elements of what he does best.

Who are some of your favorite authors?

Gabriel Garcia Marquez, Kurt Vonnegut, Mark Leyner, Edgar Allan Poe, and Stephen King.

What authors or person(s) have influenced you as a writer and why?

Gabriel Garcia Marquez, Kurt Vonnegut, Mark Leyner, Edgar Allan Poe, and Stephen King. Each possesses a unique voice, which I find inspiring.

Do you have a favorite place to write? To read?

I write in one place (at my computer) and read everywhere. So favoritism doesn’t come into it.

Tell us something personal about you people may be surprised to know?

I stopped listening to the radio years ago. That’s because my phone’s music library contains almost 8,000 songs, so I just listen to that.

Did the writing process uncover surprises or learning experiences for you? What about the publishing process?

The writing process is a constant surprise, and not always in a good way, because every story is different. As for the publishing process, this is only my second novel, so I’m still learning, and as such, everything about it surprises me.

Daniel, looking back, what did you do right that helped you write and market this book?

My best choice was working with my co-author. She’s brilliant.

What didn’t work as well as you’d hoped?

I gave myself an overly aggressive deadline. This didn’t inspire me to write faster. All it did was stress me out. So I’m going to lighten up on the self-imposed timelines in the future.

Any advice or tips for writers looking to get published?

At some point in your writing career, you need third-party validation. If you’re convinced that you’re a genius, but the only people who agree with you are your spouse and your mom, you might be overestimating yourself. Get feedback from impartial readers, fellow writers, and editors. It’s the best way to learn what’s working and what’s not.

Good advice. Website and social media links?

I’m at:

http://www.danielcubias.com

http://hispanicfanatic.com

http://www.huffingtonpost.com/daniel-cubias/

https://www.facebook.com/daniel.cubias

Twitter: @DanCubias

Email: hispanicf@gmail.com

Where can we find your book?

“Zombie President” is now available: http://amzn.to/2nzJJFG

Daniel, what’s next for you?

I’m working on the sequel to my first novel “Barrio Imbroglio.” So far I have a title, a basic plot, and the first sentence. That’s a good place to start.

Indeed it is. I wish you the best with your books and work in progress. Thanks for chatting with me today, David.

About Eleanor:

ellie

Puerto Rican-born Eleanor Parker Sapia is the author of the award-winning historical novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered an Honorable Mention for Best Historical Fiction, English at the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015. Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.

A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments of Forgotten Souls, set in 1920 Puerto Rico.

Eleanor’s book, A Decent Woman:  http://amzn.to/1X0qFvK
Please visit Eleanor at her website:
www.eleanorparkersapia.com

Author Interview: Manuel A. Meléndez

Welcome to our Tuesday Author Interview series at The Writing Life, where I have the pleasure of chatting with authors across genres. Today I am very pleased to welcome Manuel A. Meléndez. 

Manuel A. Meléndez is a Puerto Rican writer, who was born on the island and raised in East Harlem, N.Y.  He is the author of two mystery/supernatural novels, WHEN ANGELS FALL, and BATTLE FOR A SOUL, five poetry books, OBSERVATIONS THROUGH POETRY, VOICES FROM MY SOUL, THE BEAUTY AFTER THE STORM, MEDITATING WITH POETRY, and SEARCHING FOR MYSELF.  Two collection of Christmas short stories, NEW YORK CHRISTMAS TALES, VOL. I and II, and IN THE SHADOWS OF NEW YORK: TWO NOVELETTES.  The novel WHEN ANGELS FALL, was voted by The LatinoAuthors.com as the Best Novel of 2013, while BATTLE FOR A SOUL was awarded an Honorable Mention in the 2015 International Latino Book Awards for Mystery Novels.  His short story A KILLER AMONG US was published by Akashi Books in SAN JUAN NOIR anthology.

New Manuel Melendez

Welcome, Manuel!

Which book are we chatting about today, and what is the genre?

The book I would like to talk about is a collection of supernatural/mystery short stories I’m currently working on called “Wicked Remains”. The supernatural genre is one of my favorite genres not only to write, but to read, as well.

Please describe what “Wicked Remains” is about.

The collection is an assortment of tales, from the typical old fashioned werewolf and vampires stories, to the demons who invade your dreams, turning them into nightmares.  And then, to the twisted, criminally insane killers.

Thanks for sending the illustration by Henry Simon, which will appear in your short story collection.

Manuel Melendez photo

How did you come up with the title?

I played with many different angles to come up with a title I felt was able to capture the many themes of the book and its eclectic collection of stories.  “Wicked Remnants” is what haunts you after the nightmare.

Does your main character resemble you? If so, in what ways?

Yes, many of my characters have some of my DNA twisted somewhere in their personalities.  You can’t help it.  I’m sure many writers use their own experiences, pain, laughter, and tears to blend into their fictional creations.

So true; it’s hard for most writers to not weave something personal into their character or story. What inspired you to write this collection?

Even though the majority of my writing involves poetry and novels, short stories have always been the format I’m most drawn to.  The challenge of creating rich tales complete with conflicts has always fascinated me.  I believe to quickly deliver the full arc of the story to the reader makes you a better novelist…and poet, as well.

I agree with you. What is your favorite part of writing?

Taking a deep breath, having an idea that will launch a story and give it flight, and then allowing the voices to take over your creativity. Then just let it flow. Forget the basic concepts of grammar, spelling, run-on sentences—just write and write non-stop.  Those voices are not going to stop because you want to refer to your reference books…that comes later. At the beginning it is all freestyle. It’s like a street fight with no rules or referee!

That’s a great description! I research my book idea for a few months, write furiously for six months, and then the rewrites and deeper research begin, which can take up to two years. The first few months are very exciting.

What do you find is the most challenging aspect of writing?

Coming up with something new, something that has never been done or written about.  Which seems impossible, but creatively makes you dig deeper, or soar higher, it’s there you just have to find it or expose it.

What was the last book you read? What did you think of it?

Stephen King’s “Mr. Mercedes”, the first of a trilogy.  I’m a big Stephen King’s fan, and the interesting thing about this book is that it is unlike most of his books, which are supernatural. This one is strictly a detective story with a team of three very diverse characters.  Very enjoyable, not one of his best, but still a good read.

Who are some of your favorite authors?

Too many to put on paper, but obviously Edgar Allan Poe must lead the parade.  Followed by Stephen King, Piri Thomas, Pete Hamill, James Clavell, Frank Herbert, Vicente Blasco Ibañez, to name a few.

What authors or person(s) have influenced you as a writer and why?

Edgar Allan Poe for introducing to me the short story format.  Stephen King for teaching me how to developedbelievable characters, and Piri Thomas for allowing me to dream at the age of 13 that Puerto Ricans from El Barrio could be writers, as well.

Puerto Rican writer Esmeralda Santiago inspired me to try my hand at writing after I read the now-classic memoir, “When I Was Puerto Rican”. Like you, I love Stephen King’s book, “On Writing: A Memoir of the Craft”.

Do you have a favorite place to write? To read?

Any place I get inspired, but my favorite places are the subway trains, parks, and a place that I discovered to be a beacon to my creativity, underneath the elevated tracks of the subway line in my neighborhood.  I need the chaos and noises of the city. If you put me in a quiet place, like up in the country, my voices refused to speak!

I find it so interesting where people write and find inspiration. I need total silence in the country for my voices to be heard.

Tell us something personal about you people may be surprised to know?

Two of my favorite things are drawing/painting and cooking.  The activities allow me to relax and think about the plots or characters I’m working on, and it’s a form of meditation.

Very true. Did the writing process uncover surprises or learning experiences for you? What about the publishing process?

Writing can be very liberated. Through my writing, I have an outlet for my emotions; regardless if they are happy, sad, angry, or even mean-spirited.  The publishing process is too much of a business that I’d rather not get involved in, but it’s also part of the game. I need to work a bit more on the publishing process. One thing for sure, do your research before signing anything, and especially do your work before agreeing with promises, that may be broken and not fulfilled.

What do you hope readers will gain from your book?

To be entertained.  To be moved, to be afraid, and sometimes to be informed about things they never knew. Lessons may be learned through stories.

Looking back, what did you do right that helped you write and market this book?

The writing part is actually the easiest. Somehow the plots, characters and situations come pretty easy and are extremely rewarding.  The marketing aspect is what I need to work on, especially being a shy person who’d rather let his words on paper be his voice.

What didn’t work as well as you’d hoped?

Well, it’s not so much what didn’t work, but more of what I need to do to make it work, and that’s to be more involved and let people know I’m here with a lot of stories and poems to share.

Any advice or tips for writers looking to get published?

First work on that story, and don’t be lazy.  Revise that book as much as it needs to be revised.  Get an excellent editor, not a friend, but a real editor, who is not afraid to tell you what works on the story and what doesn’t.  If you write 400 pages, don’t be afraid to cut down as many pages as you need to cut.  Don’t fall in love with a whole paragraph or even a sentence, or a character because if it doesn’t move the story, but rather slows it down, you need to delete it. After your book went through every cycle, and it’s the best thing you have written, then it’s time get it out there.

Good advice.

Website and social media links?

www.manuel-melendez.com

Manuel A. Melendez’s Books on Facebook

Where can we find your book, Manuel?

Amazon.com, or feel free to contact me if you’d like an autographed copy.

What’s next for you?

For the second time, I’m doing the 30-30 Poetry challenge.

I’m also working on two novels, one is a supernatural tale and the other one a more crime/human drama.  And, I have two other stories, which I wrote about 20 years ago that must be revisited.

Thanks for chatting with me today, Manuel. I wish you continued success with your writing! 

About Eleanor:

ellie

Puerto Rican-born Eleanor Parker Sapia is the author of the award-winning historical novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered an Honorable Mention for Best Historical Fiction, English at the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015. Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.

A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments of Forgotten Souls, set in 1920 Puerto Rico. Eleanor’s adult children are out in the world doing amazing things.

Eleanor’s book: http://amzn.to/1X0qFvK
Please visit Eleanor at her website:
www.eleanorparkersapia.com

 

Author Interview: Yadhira Gonzalez-Taylor

Welcome to the Tuesday Author Interview series at The Writing Life, where I have the great pleasure of chatting with authors across genres. Today I’m very pleased to welcome fellow Puerto Rican writer, Yadhira Gonzalez, who celebrates a birthday today!

Yadhira Gonzalez

Yadhira Gonzalez-Taylor was born in Bronx, New York in 1973 to Puerto Rican parents. She is a graduate of the New York City public school system and also attended elementary school in Caguas, Puerto Rico. She served her country as a Military Police Officer in the US Army Reserve, assigned to the 812th MP Co., 800th MP Brigade in New York State between 1992 and 2000. 

 She received her B.S., magna cum laude and M.A., in Criminal Justice in 1999 from the City University of New York, John Jay College of Criminal Justice. A graduate of New York Law School, she received her J.D. in 2002. Upon graduating law school, Ms. Gonzalez-Taylor served as an Assistant District Attorney in Bronx County where she prosecuted economic crime cases until 2006. Her career path led to an appointment as an internal prosecutor for the NYC Police Department between 2006 and 2009. Currently, she is an administrative law judge for the NYC Department of Education. An attorney by day and a writer by night, she is inspired to write by her three daughters and her own upbringing, traveling between New York and Puerto Rico. Presently, she is working on more adventures for the Martina series and other literary projects and workshops.

Ms. Gonzalez-Taylor is published in Bronx Memoir Part I as an essay contributor. She is a member of the Full Circle Ensemble and has performed spoken word at the National Black Theater with her writing circle. She is also a contributor to the Anthology, Mujeres, the Magic, the Movement, a poetry collection written by fierce warrior women resulting from a women’s literary workshop facilitated by the poet Peggy Robles-Alvarado. The anthology book launch will be occurring soon and the book will become available within the next few weeks on Amazon.

Bienvenida, Yadhira.

Please describe what your books are about.

The published books are within the folk / fable family in children’s literature genre. Martina Finds a Shiny Coin is an offshoot of La Cucarachita Martina, an old Caribbean folktale first put to print by New York City’s first Puerto Rican Librarian, Pura Belpre. In the story, a little roach finds a coin and goes on a shopping spree. She ends up buying make up, and what follows is a journey of self-discovery, courtship, randomness, and the meaning of true love.

Martina 1

Once the first story was published, I got an idea to do a spinoff using the same character. In Martina and the Wondrous Waterfall, Martina goes on a musical journey with all her friends from the Barrio.

Martina 2

How did you come up with the titles?

Martina Finds a Shiny Coin was inspired by the main character finding the coin. This sets off La Cucarachita on her journey, not only on her shopping trip, but that of her meeting many suitors on the road to discovering her true worth. Hence, Martina Finds a Shiny Coin.

The second title, Martina and the Wondrous Waterfall, came about because the main concept of the story is the journey to a magical, wondrous waterfall that Martina and all her friends go on.

They’re lovely books. I’m saving my signed copies for future grandchildren 🙂

What inspired you to write children’s books?

As a mother, I was always tasked as the sleep time storyteller. I kept repeating the same fairy tales that were not representative of my own culture, i.e., Goldilocks, Three Little Pigs, etc. One day, my husband asked if I had any stories from Puerto Rico. Immediately I remembered La Cucarachita! The rest is history. We adapted the story with different things and interests for the main character and a new illustrated version of the story emerged.

The second book, Martina and the Wondrous Waterfall, was inspired by a trip I took with friends to a majestic waterfall in my hometown of Caguas, Puerto Rico.

I tell new writers to write what they’d like to read. Looks like it worked beautifully for you and your children.

Does your main character resemble you? If so, in what ways?

I think my lifelong struggle with weight had a part to play in how I wrote the story. I have struggled with self-esteem, so I know what it’s like to people please or change one’s appearance to satisfy others. For example, I once had a boyfriend who criticized me every time I wore my hair in a bob. He preferred long hair, I guess. So I kept my hair long for a while just to satisfy this relationship, which eventually ended. Probably because I wasn’t being my true self. So in that way, I can relate at an intimate level with the main character. I have grown so much since then.

Today, despite all my professional and personal successes, I still struggle. And who doesn’t? It’s part of being a human being, I think. The difference now is that today, I look at myself in the mirror and I remind myself that I am made by the universe to be alive, to love, to live, to educate, to nurture, and to be of service to my fellow humans. None of those responsibilities are affected by the way I look, unless I let it, so I affirm that I am a human first and everything else is gravy.

Exactly, everyone struggles with one thing or another. When I stopped the people pleasing, a few toxic relationships ended soon afterward, which was a good/sad thing and probably inevitable. Looking back, the experience made me stronger and opened new doors.

What is your favorite part of writing?

My favorite part of writing is having the ability to purge feelings, positive and negative, into an artistic medium. I journal, write poetry,  and perform my poems (sometimes), and I write stories. It’s a form of positive escapism. If you are going to have a vice, I would say writing is a healthy one, unless you forget to bathe, then you are running into potential problems if you share space with other humans 🙂

Too funny. I live alone, so I don’t bother anyone with my late night writing sessions, but my Chihuahua complains when I leave the light on.

Yadhira, what do you find is the most challenging aspect of writing?

Procrastination. I can write almost anything. It’s the editing that gets me stuck. I use verbal prompts, images, and writing workshops to crank up the writing. It’s what happens next that I find tedious. However, it is necessary to produce quality work that someone is going to be willing to pay for, or even trek to the library to borrow my book. I believe a writer’s success is measured by the quality of their work. It’s one of those things where word travels and reputations can hurt your ability to market yourself. Especially in the world of self-publishing.

Very true. Most writers I know have unique ways of dealing with procrastination. I show up at the writing desk every day and force myself to write, no matter what. If the writing doesn’t move me that day, I switch to doing research for the book I’m working on or reading, which usually gets me motivated and reinspired. But I remain at the writing desk.

What was the last book you read? What did you think of it?

I am currently reading a few books on writing as I am working on editing a manuscript. This one is not a children’s story. The last book I read for fun was Love in the Time of Cholera by Gabriel Garcia Marquez. How could I not like a story written by a genius? I loved it. The sad tragic story of the main character coupled with his undying love for the love for a woman who abandoned him and his undying need to punish himself with self-destructive behavior is a reminder that sometimes we just have to let go; that love is not supposed to hurt.

Definitely one of my favorite books. Marquez was a genius and a masterful storyteller. I’m currently reading Love in the Time of Cholera in Spanish and loving it even more than the English translation.

Who are some of your favorite authors?

Isabel Allende is a favorite. I love magic realism and she does it fabulously well in her books.

Another favorite. What authors or person(s) have influenced you as a writer and why?

I enjoy authors who show their own defects and spiritual struggles in their writing. Isabel Allende is one of those authors. She is unafraid to embrace the dysfunctions and sadness of life and it shines through in her writing.

Do you have a favorite place to write? To read?

Writing, no. I have to adapt as an urban dweller who spends a lot of time outside. So sometimes, I write in a journal and sometimes on my laptop when I have a lunch hour to spare at work. Reading however is a different story.

I have an old winged back chair in a corner, by the large windows at the front of my home. There, I have set up a nice cotton area rug for my feet to be warmed, I’ve placed many of my (70-plus) plants in that area, and I have a space to place my coffee mug. That is where I do my best reading. It is also,where I sit to quietly meditate and read the paper on Sunday mornings.

Yadhira reading nook

Looks like a great place to read. I think everyone should have a sacred space in the home.

Tell us something personal about you people may be surprised to know?

I once ran after a moving tractor-trailer truck. I was about 20, crazy, and still in the Army. I still had a lot of recklessness in me. The truck hit my mom’s car and kept going, but we were in heavy traffic so the truck wasn’t going that fast. I ran after it, climbed on the step and banged on the window to make the driver stop. Looking back now I realize it wasn’t very good idea.

Wow, the hit and run driver must have been shocked to see you on his truck! Now, I want to know the ending of that story.

Did the writing process uncover surprises or learning experiences for you? What about the publishing process?

The writing process reminds me of my propensity for procrastination, the writer’s worst enemy. It’s easier for me to create content than it is to edit and re-write. I struggle with that issue. I try to carve out time. However, writing though my passion, is not my full time employment, so I have to squeeze in writing and editing time when I can.

I learned a lot during the self-publishing process. I tried traditional agents and publishing houses, but I was unsuccessful. I had to do all the work myself. I hired illustrators, editors (of all stages), even the guy who produced the trailer for my first book. So I became well versed in the lingo of the industry, which I believe adds to my credibility as a self-published author. Many people out there are discovering createspace or other self-publishing platforms. They are buying ISBNs or using the createspace ISBN, and putting work out there that is not edited by anyone. Oftentimes, the first draft is published and we, self-published authors, have to compete against the presumption that self-published is of a lesser quality than a traditionally published book.

To your last comment, that’s a common complaint among self-published authors. Self-publishing is a lot of work!

What do you hope readers will gain from your book?

Both stories involve a journey of self-discovery. There is also the underlying theme of self-reflection and personal improvement woven within the story. It is never too late to change your perspective. A positive perspective in any situation can lead to positive changes and therefore, genuine happiness.

Looking back, what did you do right that helped you write and market your books?

I was blessed to meet so many people because of writing the first book. When I first published Martina Finds a Shiny Coin, I participated in the Brooklyn Book Fair. It was there that I met Maria Aponte, a fellow author, who is very involved in the Latino writing community. She was my shiny coin! After meeting her, I met countless others that shared the same desire to produce quality written content as well as people willing to share resources and information and that is how a natural marketing process began. Today I have so many new friends, including you, Eleanor, whom I have met through my adventurous development as a writer.

Maria is a shiny coin! I was very happy to finally meet you, Maria Aponte, Bobby Gonzalez, Theresa Varela, and Manuel Melendez at the Comite Noviembre Puerto Rican Author Book Expo last year. It’s a great Boricua event, and I hope to participate again this year. My son lives in NYC, so it’s looking good.

What didn’t work as well as you’d hoped in the writing or marketing of your books?

I stay away from paying Facebook for ads. I don’t have an exuberant budget and I found that the amount of money I was paying for highlighting my main character’s Facebook posts was not paying a dividend.

I’ve thought about Facebook ads, and heard the same feedback from many authors. I find book blasts, book tours, and Thunderclap campaigns are good ways to introduce new books.

Any advice or tips for writers looking to be published?

Editing is an important part that cannot be skipped or minimized. I am not going to buy any subsequent books you publish if your first one is riddled with errors. Editing, editing, and more editing is the bulk of our writing. Also, don’t go straight to self-publishing. Try the traditional way first. Publishing houses have far more resources than an indie author could ever dream of having. You’ll still have to market yourself as an author, writer, etc., but you will have more support in the background.

I completely agree with you on editing and trying for traditional publishing. I recommend checking out smaller publishing houses; that’s how I got my foot in the publishing door.

Website and social media links?

You can follow me on twitter @gothamesq

Martina has her own Facebook page at: https://www.facebook.com/martinafindsashinycoin/

And my author page can be found on the net at: www.ygtbooks.net

Where can we find your books?

You can find both titles on Amazon.com and of course, directly from me by emailing ygonzaleztaylor@yahoo.com. I can mail a signed copy right to reader’s doors, or to their gift recipient’s door.

What’s next for you?

I am attending workshops to hone my craft as well as writing and reading as much as I can. I am hoping to finish editing a manuscript and will begin the process of finding agents to represent me in that endeavor.

Yadhira G

I just love this photograph of you! This is the happiest way to end a great interview. Best of luck on your writing journey, Yadhira. I look forward to the release of the anthology.

About Eleanor:

ellie

Puerto Rican-born Eleanor Parker Sapia is the author of the award-winning historical novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered an Honorable Mention for Best Historical Fiction, English at the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015. A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments of Forgotten Souls, set in 1920 Puerto Rico.

Eleanor’s book: http://amzn.to/1X0qFvK
Please visit Eleanor at her website:
www.eleanorparkersapia.com

 

 

 

 

 

Author Interview: Linda DeFruscio

Welcome to the Tuesday Author Interview series at The Writing Life. Writing books is a solitary endeavor, so it’s a pleasure to meet fellow writers through these interviews. By interviewing authors across genres, I discover new books and authors, and I’m happy to bring their talents to my readers.

We are nearing the end of the 2017 Author Interview series at The Writing Life, so enjoy the few remaining interviews as I focus on finishing my second book, The Laments of Forgotten Souls. If you’ve missed a few interviews, or are just now “tuning in”, we had a great year! Happy Spring to you.

linda-defruscio

Today’s author is Linda DeFruscio, the founder and president of A & A Laser, Electrolysis & Skin Care Associates in Newtonville, MA. Her writing career began years ago, when she was invited to write a series of skincare articles for a national magazine. Linda’s fascinating memoir, Cornered: Dr. Richard J. Sharpe As I Knew Him, was published in 2015 by Twilight Times Books.

NOTE: A week before Linda’s scheduled interview, I stumbled upon a YouTube video of a Harvard-educated, millionaire, cross-dressing doctor who’d shot and killed his wife. As I put this interview together, I realized it was the same Dr. Sharpe we would be speaking about today. Talk about a strange case of synchronicity.

linda-df-book

Welcome, Linda. Please tell us how you met Dr. Richard J. Sharpe, and what inspired you to write this memoir.

Richard Sharpe was my business mentor, long before he committed his crime. He was a dermatologist and I was (and am) an electrologist, so we had in common that we were both interested in people’s skin. When lasers for hair removal came out in 1998, he was one of the first to realize their potential. He bought two (they were absurdly expensive back then) and “leased” them to me and other electrologists and skincare professionals he knew. I started taking notes about my interactions with him almost from the day I met him, because I am a compulsive note taker and he was unique in so many ways. And he only became more notable (and not always in a good way) over time. By the time I decided to write about him, I had boxes of notes. And because of the notoriety surrounding his trial, eventually I had boxes of newspaper clippings and Court TV tapes and tapes from various TV interview shows as well.

I find it fascinating that you listened to your gut and began taking notes on Richard Sharpe from day one. I can imagine how incredibly difficult it was to write about your friend and business associate, but to find yourself in the middle of this murder case must have been harrowing.

In the year 2000, I was forced to make an unthinkable decision. Dr. Richard Sharpe, a man who was my business associate and friend, committed a terrible crime. I went through many stages of emotion when I learned about it, beginning with shock, then grief, then a kind of numbness. I was in the numb stage when he reached out to me, from prison, asking me to remain his friend. I knew being his friend would cost me dearly; I would lose friends, clients, and some peace of mind. But I agreed to maintain some kind of relationship with him, because someone had to. He was utterly broken and very sorry for what he did. My memoir tells his story—how he went from being a medical and business genius, and, it goes without saying, a millionaire, to being a broken man in a prison cell—within the context of my own.

Writing Cornered must have required a lot of courage, stamina, and self-reflection. What did you learn and ultimately, sacrifice in the process of writing this memoir?

Since I appear as the narrator, I sacrificed anonymity in order to tell the truest story I could. In Cornered it required much more of me. I had to really reveal myself—all my many warts included—so that the reader would understand how I came to make the decisions I did. But it was worth it. A lot of people who read the book commented on my “unfailing honesty.” I think their trust in me enabled them to better see Richard Sharpe through my eyes. Yes, he was a despicable criminal, but he was also a man who tried, and ultimately failed, to deal with his physical, emotional and spiritual burdens.

How did you come up with the title? I think it’s perfect for this book.

I was adding to my list of possible titles the entire time I was working on my memoir. But in the end Cornered, with its subtitle, seemed the most appropriate. Richard Sharpe liked to be in the limelight—and often he was, because of the many contributions he made in the medical field. But when he felt himself threatened in any way he drifted into the corner, both literally and figuratively. And frankly, I felt cornered by him sometimes, because he was so needy. So the word worked on several levels.

After watching one video about this troubled, brilliant man and the murder of his wife, I would have felt cornered by him, as well as torn by the idea of remaining friends. Human nature is fascinating.

My decision to remain friends with Richard Sharpe impacted my life in ways that were unimaginable to me at the time. I learned a lot about myself and about human nature generally because of our association. I suffered a great deal of loss too. I think any reader who has experienced shifts in their life as a result of an association with a difficult or strong-willed or mentally-ill person—whether it is a child or a spouse or a friend—will identify with Cornered.

You’ve published children’s books and this memoir. How did you come to writing?

I came to writing more or less by accident. Years ago a magazine publisher asked me if I would write some skincare articles for her. And, a doctor asked me to contribute an article to a publication called the Annals of Dermatology. I found that writing is an engaging process. If it requires research, so much the better. Now I’m working on my third book, and I’m collecting notes for a fourth book. I’m so glad I discovered writing. It has become my way of exploring the world.

Has the writing process uncovered surprises or learning experiences for you?

Yes! I learned so much about myself through the writing of books. Loyalty is not something I ever gave much thought to before, but as it happens, it became a major theme in Cornered. I am a loyal person; I didn’t even know that before. And that’s just one example. Writing is a way of living; for all that it seems like such a passive activity, it results in lots of experiences and insights.

Linda, what do you find is the most challenging aspect of writing?

Great thoughts sometimes find their way to me when I’m in an environment that is not conducive to writing them down. I have been known to scribble on Post-its, paper napkins, and even checkbook registers. I have also been known to run out of my office, ostensibly to use the ladies’ room but really to have a moment’s privacy to write down a thought before it slips away. The worst is when great thoughts come to me late at night. Since I have a day job, I need to get a good night’s sleep. But I know I will forget all about the great idea if I don’t get up and write it down right away. So I get up, which leads to challenges the next day.

I can fully relate to getting out of bed in the middle of the night to jot down great thoughts! What was the last book you read? What did you think of it?

No! Maybe? Yes! Living My Truth by Grace Anne Stevens may be one of the best memoirs I’ve ever read about what it means to be a woman. The ironic thing here is that Grace started out as a man. Another title I loved was Joan Heartwell’s memoir Hamster Island, which is about growing up dirt poor with two disabled siblings. You can see I gravitate towards memoirs, mostly about people overcoming great emotional obstacles. I also read a lot of spiritual books.

Who are some of your favorite authors?

Besides Grace Stevens and Joan Heartwell, and off the top of my head, I enjoy Jennifer Boylan, Keith Ablow, and Jeanette Walls.

Who influenced you as a writer?

Marissa Lynn is the magazine editor who, the first day we met in her office, asked me if I would like to try to write an article on skincare. I went home and poured everything I knew about skincare into a first draft. Then I took it in to show Marissa a few days later. She read it, and, to my horror, she ripped it up. She said, “I don’t want this!” I was stunned. I started to cry. “This isn’t how you write!” she continued. “This sounds like a text book. Tell me real stories about real people with real skin problems. Tell me what you know from experience, not from what you studied in school.”

My inclination was to tell her nothing, other than that I wasn’t interested in working with her after all. But I took a minute to think it over and decided that would be a mistake. She was offering me an opportunity to reach many potential clients. She opened her drawer and took out a tape recorder. She said, “Take this and start talking. I’ll type it up later.” So I pulled myself together and told her a story about a man who had the beginnings of folliculitis barbae—a rare but serious bacterial infection of the deeper layers of the skin and subcutaneous tissues—and how we determined the cause of his infection and how we finally got rid of it. Marissa loved it. That was how it all began. 

It sounds like Marissa was a tough, but necessary mentor in your writing journey. Do you have a favorite place to write? To read?

Because I have my own business and work long hours, I don’t have the option of writing whenever or wherever I want. I write notes, as I mentioned above, wherever I am, as I think of things. Most of them I never look at again. But sometimes I realize I have the makings for a manuscript.

Tell us something personal about you people may be surprised to know.

I am a yoga fanatic. I do yoga very early in the morning, as many mornings a week as possible. I am also a closet eater of candies and other sweets that I know are not good for me. My favorite indulgence is York Peppermint Patties. So, something healthy and something not, that’s one surprise about me—though there are others.

Looking back, Linda, what did you do right that helped you write and market this book?

I stuck with it. In these times it’s not enough to find a publisher and hope your book flies off the shelves. You’ve got to accept every interview invitation that comes along, every opportunity to talk about your work, and not just right after the launch date. You’ve got to keep at it. It’s been difficult for me, because I work so many hours. But I do as much as I can and I plan to continue to do so.

linda-df-book

Any advice or tips for writers looking to get published?

Don’t give up. Go after your dream. Persevere. The rewards for me have been huge, even though Cornered is not a best seller. Not only did I accomplish what I set out to do, but in the process I discovered answers to questions that had plagued me for years.

Well said, Linda.

Website and social media links?

www.lindadefruscio.com

www.thecorneredbook.com

www.gingerandmoecatbook.com

Where can we find your books?

On Amazon and other online sites, on my website, and in libraries and stores.

What’s next for you?

I’m completing a wonderful book about individuals in the transgender community. Because I am an electrologist, and because I was introduced to people from the trans community early on, a great number of my clients are transgender. And because every transgender individual works with a variety of healthcare professionals, I know lots of people peripheral to the transition process. Over the last two years I worked with an assistant to interview several of my trans clients. Their stories are all different and all fascinating. Now I’m in the process of adding a preface and some back matter, and deciding on a title.

The book I’m just starting is about my sister, who suffers from MSA, or Multiple System Atrophy. As you might guess, this book will describe her personal journey, and mine as well, with the context of our relationship as sisters. Again, I have boxes of notes, some of which are my sister’s ideas and insights. I can’t wait to get started.

Thank you, Linda, for a most interesting interview. I’ve enjoyed getting to know more about you and your memoir. I wish you the best of luck with your timely book on the trans community and the memoir with your sister.

About Eleanor:

ellie

Puerto Rican-born Eleanor Parker Sapia is the author of the award-winning historical novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered an Honorable Mention for Best Historical Fiction, English at the 2016 International Latino Book Awards with Latino Literacy Now, and was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015. A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments of Forgotten Souls, set in 1920 Puerto Rico.

Eleanor’s book: http://amzn.to/1X0qFvK
Please visit Eleanor at her website:
www.eleanorparkersapia.com