Cover Reveal: A DECENT WOMAN

I’m thrilled to share the new cover of A DECENT WOMAN!

A Decent Woman Flat (1)

The story of midwife Ana Belén, her lifelong friend Serafina Martínez, and the women of turn of the century Ponce, Puerto Rico, is coming soon in paperback and e-book, republished by Winter Goose Publishing.

la jungla beach

I searched high and low for an image that reminded me of Ana, the heroine. To me, the image is not only how I envision Ana in her white tignon; it also expresses the mystery, loneliness, tenderness, sensuality, strength, courage, and mysticism that is Ana.

la receta y cosas de la botanica

I was grateful for the opportunity to reread my debut novel, which, of course, encouraged me to rewrite several chapters in the book. Encouraged? Who am I kidding? I can’t read anything without editing it.

As a special surprise, the new book will feature a wedding–a request from a kind reviewer. Thank you for the lovely idea!

I look forward to seeing A Decent Woman back in reader’s hands very soon, where it belongs.

Thank you, readers!

Eleanor

 

 

 

 

 

 

Holiday Greetings!

christmas tree coffee

Holiday greetings to you!

The time has come to reflect on the past year and to acknowledge events in my writing life and my personal life. There have been challenges and setbacks, and plenty of wonderful surprises and great book news with my first novel, A Decent Woman, and my work-in-progress, The Laments. I am grateful for it all!

Book News:

In early 2018, I finally “broke into” my Belgian writing desk with the missing key and discovered more than 30 poems I’d carefully stashed while finishing my first novel. It was a thrilling moment for me. Now I have a fun writing project in the wings, which I will tackle in 2019. I didn’t cause much damage to the keyhole, but the letter opener is kaput—a small price to pay for a stash of poems!

At the beginning of March, my second publisher, Scarlet River Press, closed their doors. I was thrilled for their new adventures but sad that A Decent Woman was no longer for sale on Amazon. Luckily for me, a friend and fellow author kindly offered me a tip and by August, I’d signed with Winter Goose Publishing. I’m happy to say they will republish A Decent Woman in early 2019 with a new book cover (my third).

winter goose publishing logo

I enjoyed rereading A Decent Woman and getting it ready for the editor. Although I didn’t make any changes to the story, I was grateful for the opportunity to fix typos and finesse sentences, and for visiting with my beloved characters, Ana and Serafina. I’m grateful Winter Goose Publishing will also publish my second novel, The Laments, in early Fall 2019. I look forward to receiving the editor’s changes and suggestions, as well as thinking about the new cover, which is always exciting. I very much look forward to working with WGP in the coming years.

Now, if you’re a writer and you’re like me, you’ll appreciate that while I was extremely happy to sign with a third publisher in such a short time, it was a stressful, anxious, and distracting period of time. My second historical novel, The Laments, still a work-in-progress, had to be put on hold a few times while things were sorted out. At that time, the WIP was two-thirds finished, right at the point where the words were flowing nicely, the research nearly complete, and I was getting into the writing groove. Unfortunately, I’ve never been great at multi-tasking when it comes to writing—when I’m writing, I’m writing. I write best with blinders on and distractions give my inner child a chance to binge-watch shows on Netflix and Amazon Prime. Guilty as charged. I’ve now finished Season One and Two of The Marvelous Mrs. Maisel and Goliath, and I’m excited for The Crown to begin in January. It’s historical fiction, so I put that under ‘Research’.

HistoricalFiction Centro de PR image

In October, the Center of Puerto Rican Studies, Hunter College, CUNY, kindly invited me to sit on a historical fiction panel. Despite a heavy downpour that evening, there was a full house and wonderful discussions about reaching/teaching new audiences for historical fiction; in this case, Puerto Rican history. I was proud to participate and happy to share the table with two talented and enthusiastic Puerto Rican authors–Dr. Virginia Sanchez-Korrol and Dr. Vanessa Perez-Rosario, who moderated the event.

From the flyer — “Two authors speak about their books using historical fiction to relate the female narrative in the 19th Century (one in NYC and the other in Puerto Rico). Dr. Virgina Sanchez-Korrol’s newest book “The Season of Rebels and Roses” is a historical novel for teens which follows women’s involvement in the nineteenth-century independence movements to free Puerto Rico and Cuba from Spain.  Eleanor Parker Sapia’s first novelA Decent Woman”, a 2016 & 2017 International Latino Book Award winner, is set against the combustive backdrop of 19th century Ponce, Puerto Rico. The book explores the battle of two women from different backgrounds who defend their dignity against the pain of betrayal in a male-dominated society resistant to change.”

Personal News:

In April, I spent two fabulous weeks in Puerto Rico with my sister. We enjoyed three wonderful days in Old San Juan without our rental car being towed (very limited parking in OSJ!), and finally, I made it to Isla de Cabras, the setting of my second book, The Laments. What a thrill to explore the ruins of the old leprosarium, walk the islet, and to speak with an older gentleman, who shared fascinating historical tidbits with me, “For the book!”

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Sadly, the after-effects of Hurricane Maria were still evident on the islet and on the mainland as we drove along the coasts and through mountain towns with non-working traffic lights, piles of debris, abandoned homes, and hundreds of blue FEMA tarps. Everyone we met had a story. We listened with constricted hearts and tears, but there was also hope for better days and joy as we swam in beautiful waters and enjoyed wonderful meals. We made new memories with family and friends in Ponce, and as always, we missed Puerto Rico and our family as soon as we boarded our flight back to the DC area. It’s a horrible feeling to leave mi isla. I feel as if I’m leaving my mother, grandparents, my family, and ancestors, all over again, until the next visit.

In August, my intrepid son and his girlfriend decided to travel throughout Asia for a few months. They managed to escape the monsoons and heavy floods in India and two major typhoons in the Philippines and Taiwan before returning to Thailand, where they intend to stay for three more months. While I’m happy for them and I love the photographs and stories they’ve shared of their adventures, the stress levels are a bit higher than usual at home, smile. Before he left on his adventure, my brilliant son developed an app he says I won’t understand and still owns an IT company, so I know he won’t starve.

In a few months, my daughter, a brilliant therapist who lives and works in Northern Virginia, will receive her licensure after years of study (a Masters degree in Mental Health) and hard work. She is well-deserving and we couldn’t be happier for her or more proud of her. Her clients and supervisors love her and of course, I already knew they would, smile. My daughter is happy and in love, so the world looks rosy and hopeful. We look forward to our first trip to Thailand next year to visit my son and his girlfriend. I’m one proud Mama!

After seven years of living in this old house, I’m painting again, walls, that is. I’m tackling one room at a time and I stop when my shoulders tell me to quit. It’s slow going, but I’ll get there. And with winter in full swing and writing full-time, let’s face it; it’s the only exercise I get! My Chihuahua named Sophie still snoozes in a chair next to me as I write. I can’t imagine life without her.

Dear Reader, I wish you and your family a safe, happy, and blessed holiday season and all the best in 2019. This time of year is tough for many, so please reach out to others who might need a smiling face, a little conversation, or an invitation to share a holiday meal. I’ll be doing the same in my neck of the woods.

I’ll be sure to keep you posted on the “new” edition of A Decent Woman and the release of The Laments. I hope you’ll like my books as much as I enjoy writing them.

A tip: If you subscribe to my writing blog and my website, you’ll get new book news much quicker, smile. Thank you in advance.

Happy Holidays!

Eleanor x

Writing Historical Fiction to Reach/Teach New Audiences: Puerto Rican Authors Panel

 

Read more about Writing Historical Fiction to Reach/Teach New Audiences: Puerto Rican Authors Panel

Thu, Oct 11 6:00pm8:00pm

Free Admission

Location

Faculty Dining Room, 8th Floor, West Building
, 8th Floor, West Building
Main Campus (68th St.)
695 Park Ave.
New York, NY 10065 United States 
+ Google Map
DescriptionTwo authors speak about their books using historical fiction to relate the female narrative in 19th Century Puerto Rico. Dr. Virginia Sanchez-Korrol’s newest book “The Season of Rebels and Roses” is a historical novel for teens which follows women’s involvement in the nineteenth-century independence movements to free Puerto Rico and Cuba from Spain. Eleanor Parker Sapia’s first novel“A Decent Woman,” a 2016 & 2017 International Latino Book Award winner, is set against the combustive backdrop of 19th century Ponce, Puerto Rico. The book explores the battle of two women from different backgrounds who defend their dignity against the pain of betrayal in a male-dominated society resistant to change.

Panel: Virginia Sanchez-Korrol and Eleanor Parker Sapia

Moderator: Vanessa Pérez-Rosario, Brooklyn College, CUNY

Faculty Dining Room, 8th Floor, West Building, Hunter College, 68th and Lexington Avenue, NYC 10065

RSVP: centropr.nationbuilder.com/PRAuthors

Audience
Open to Everyone
Contact
Center for Puerto Rican Studies (Centro)
212-396-6545
ls1384@hunter.cuny.edu

16 Puerto Rican Woman and Non-Binary Writers Telling New Stories

16 Puerto Rican Women and Non-Binary Writers Telling New Stories

Dr. Ivelisse Rodriguez, author of Love War Stories, on the writers who are changing the topography of Puerto Rican literature

In 1916, Bernardo Vega boards a ship in San Juan, Puerto Rico to come to New York City — this journey, this life as a Puerto Rican in the pioneer phase of migration, where on average 2,000 Puerto Ricans were migrating to the continental U.S., is chronicled in theMemoirs of Bernardo Vega.

Purchase the book

In 1993, Esmeralda Santiago published When I Was Puerto Rican, an endearing memoir about a young girl’s life in Puerto Rico and her eventual migration to the U.S. Between Vega and Santiago, there are other canonical Puerto Rican texts published — what connects them all are ideas of migration, identity, belonging, and facing racism in the continental U.S.

As of 2013, approximately 5 million Puerto Ricans reside in the mainland U.S. and these 16 non-binary and women writers are adding new narratives to the history of Puerto Rican writing. Their fiction, essays, and poetry focuses on blackness and slavery, queerness, the sexual and romantic lives of women, racial passing, and African-based religions, and so much more. These are the writers to watch to see how they change the topography of Puerto Rican literature.

15 Views of Miami by Jaquira Díaz

In the 1970s, Nicholasa Mohr captured Puerto Rican girlhood, and today the Southern Review has said “Jaquira Díaz illuminates the beauty and brutality of being a teenager.” She captures this in essays like “Girls, Monsters” about the awakening of sexual desire and the sexual threat all women experience and in “My Mother and Mercy” where Diaz recounts her estranged relationship with her mother and Mercy, her grandmother. She has also written about the Baby Lollipops murder case, belonging, and suicide. Diaz has been a fellow at the Wisconsin Institute for Creative Writing and the Kenyon Review. Her work appears in Rolling StoneThe Guardian, and The Los Angeles Review of Books, among other publications. Her memoir Ordinary Girlsand a novel are forthcoming from Algonquin Books.

Lo Terciario / The Tertiary by Raquel Salas Rivera

Raquel Salas Rivera, the 2018–19 Poet Laureate of Philadelphia, is the writer of Caneca de anhelos turbios, oropel/tinsel,and tierra intermitente, along with five chapbooksTheir latest book, lo terciario/the tertiary, utilizes a “decolonial queer critique and reconsideration of Marx” to respond to the PROMESA bill (Puerto Rico Oversight, Management, and Economic Stability Act) regarding the Puerto Rican debt crisis. Their poem “landscape of old san juan” illustrates another of Salas Rivera’s themes: colonialism. “In the center of your chest there is a treasure / if you move the flower pots you’ll find/ your enemy curled up like a snake / he is the gravedigger / that keeps throwing dirt / in the pan.”

Now We Will Be Happy by Amina Gautier

Dr. Amina Lolita Gautier is the winner of the 2018 PEN/Malamud Award for Excellence in the Short Story. Dr. Gautier has published over 100 stories in literary journals and has three award-winning short story collections: At-Riskand The Loss of All Lost Things. The third book, Now We Will Be Happy, won the Prairie Schooner Book Prize in Fiction and highlights the lives of Afro-Puerto Ricans, those born on the mainland, and those who migrate to the US. The stories in the book cross “boundaries of comfort, culture, language, race, and tradition in unexpected ways, these characters struggle valiantly and doggedly to reconcile their fantasies of happiness with the realities of their existence.”

Stay With Me by Sandra Rodriguez Barron

Sandra Rodriguez Barron is the award-winning author of The Heiress of Water, a Borders Original Voices selection. The novel is about Monica Winters Borrero, a physical therapist who was raised in El Salvador until the death of her mother. In order to aid a comatose patient, Monica returns to El Salvador in search of a therapeutic treatment her mother had been researching. There, Monica will confront the past and the difficult relationship she had with her mother. Her second novel, Stay with Me, is about the life-long relationship between five kids who were abandoned in Puerto Rico and who forged their own family.

Unfinished Portrait: Poems by Luivette Resto

Luivette Resto tackles issues of identity, womanhood, motherhood, and romance. “No sucios for me! / No sucios for me! / No sucios for me!” one of the girls in her poems implores. Resto is the author of two books of poetry, Unfinished Portrait, a finalist for the Paterson Poetry Prize, and Ascension. She is also a CantoMundo Fellow. While in her poetry she reaches back to connect with Puerto Rican poets like Julia de Burgos and Pedro Pietri and contends with similar themes, she approaches these timeless issues with a present-day eye so that “women find a sense of freedom to embrace all of the nuances and complexities of feminism and mujerismo.”

Women of Resistance: Poems for a New Feminism edited by Danielle Barnhart & Iris Mahan, featuring Denice Frohman

Denice Frohman’s work “focuses on identity, social change, disrupting notions of power, and celebrating the parts of ourselves deemed unworthy.” For example, in “A queer girl’s ode to the piraguero,” she writes, “Oh, Piraguero! My first lover. / The only man I ever wanted / anything from. I sprinted half blocks for you, got off / the bus two stops early, took the long way home / just to see: your rainbow umbrella.” Her poem “Dear Straight People” went viral with over 2 million views. She is one of the “Top 20 Emerging LGBT Leaders” according to the Philadelphia Gay Newspaper. She is also a CantoMundo Fellow, a Women of the World Poetry Slam Champion, and the recipient of many other accolades.

A Decent Woman by Eleanor Parker Sapia

Eleanor Parker Sapia is the author of the award-winning, historical novel A Decent Woman, which is set in the late 1800s in Ponce, Puerto Rico and tells the story of the life-long friendship between midwife Ana and her friend Serafina. A class and racial division opens up between Ana and Serafina when Serafina marries into the upper echelons of Ponce society, and Ana remains in their impoverished neighborhood. Ana’s livelihood is jeopardized by the changing view that women should deliver in hospitals rather than at home with a midwife. This novel captures Ponce in a time of great advancement and exposes how all these shifts affect the lives of women.

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Not That Bad: Dispatches from Rape Culture edited by Roxane Gay, featuring Vanessa Mártir

Vanessa Mártir is an essayist who was most recently published in the New York Times bestseller Not That Bad: Dispatches from Rape Cultureedited by Roxane Gay, as well as in Bitch MagazineSmokelong Quarterly, and the VONA/Voices Anthology Dismantle. Martír is the creator of the Writing Our Lives Workshop. She has written about growing up in Bushwick with two mothers in the 1980s, writers of color, motherhood, grief, and other topics. She is currently completing her memoir, A Dim Capacity for Wings.

Kingdom of Women by Rosalie Morales Kearns

Rosalie Morales Kearns, a writer of Puerto Rican and Pennsylvania Dutch descent, is the founder of the feminist publishing house Shade Mountain Press. Her novel Kingdom of Women is about Averil Parnell, a female Roman Catholic priest who has to decide what advice she is going to offer to a group of vigilante women who go after murderers, rapists, and child abusers. Virgins and Tricksters is Morales Kearns’ magic-realist short story collection. The Small Press Book Review raved:“It’s not that the stories are comfortable — these worlds of virgins, tricksters, wives, daughters — are fraught with complication and searching. Nor do they lack surprise: by blending precise realism with wild magic, Kearns subverts our expectations in subtle yet astounding ways.”

Scar on/Scar Off by Jennifer Maritza McCauley

Jennifer Maritza McCauley is a 2018 National Endowment of the Arts Fellowship winner and an Academy of American Poets Award recipient. Her first book is Scar On/Scar Off, a cross-genre poetry and prose text. The theme of scarring runs through the book — the scarring from being a woman, from having dual ethnic identities, and from dealing with racism. She is the Contest Editor at The Missouri Review. Her work has been selected as a “Short Story of the Day” by The Seattle Review of Books and a “Poem of the Week” by Split this Rock. Her work has appeared in the Los Angeles ReviewPuerto del SolThe Feminist Wire, among other outlets. She has finished a historical novel set during the Reconstruction era.

Fish Out of Agua: My Life On Neither Side of the (Subway) Tracks by Michele Carlo

Michele Carlo’s Fish Out Of Agua: My Life on Neither Side of the (Subway) Tracks is a memoir about growing up as a redheaded, freckle-faced Puerto Rican in the Bronx during the 1970s. Throughout her youth, Carlo had to contend with being seen as white and not Puerto Rican. The memoir also chronicle’s her mother’s mental illness, the secrets that her family keeps, and how she comes into her own and becomes the artist she had always wanted to be. Carlo is also a performer who has appeared across the US, including The Moth’s GrandSlam and MainStage storytelling shows in NYC. Her current project is a radio show on Radio Free Brooklyn, where she interviews artists, activists, and educators.

The Clairvoyant of Calle Ocho by Anjanette Delgado

Anjanette Delgado is an award-winning novelist, speaker, and journalist who has written or produced for media outlets, such as NBC, CNN, NPR, Univision, HBO, Telemundo, and Vogue Magazine’s LatAm and Mexico divisions, among others. Her award-winning romance novel The Heartbreak Pill is about scientist Erika Luna who sets out to create a pill to undo heartbreak. Her latest novel, The Clairvoyant of Calle Ocho, is about Mariela Estevez whose clairvoyance kicks in when her lover is found murdered. Delgado is “fascinated with heartbreak, the different ways in which it occurs, and the consequences it brings.”

Homenaje a las guerreras/Homage to the Warrior Women by Peggy Robles-Alvarado

Peggy Robles-Alvarado is a writer and editor of several projects. She is the author of Conversations With My Skin, which is about the transformation of a pregnant and abused 15-year old who learns to define herself, and Homenaje a las guerreras/Homage to the Warrior Women, which pays tribute to women who “carry several lifetimes and dimensions within one frame and [who] learn how to properly balance them.” She is also the editor of The Abuela Stories Project, an anthology of writing and photography by women that is meant to challenge the notion of abuelas and their stories as inconsequential. Her latest book Mujeres, The Magic, The Movement and The Muse is an anthology “inspired by Taino, Lukumi and Palo traditions where women make connections to their muses through body and spirit.”

Daughters of the Stone by Dahlma Llanos-Figueroa

Dahlma Llanos-Figueroa’s debut novel is Daughters of the Stone. Author Cristina Garcia enthuses, “Rejoice! Here is a novel you’ve never read before: the story of a long line of extraordinary Afro-Puerto Rican women silenced by history…Dahlma Llanos-Figueroa rescues them from oblivion.” Llanos-Figueroa’s novel follows the lives of five generation of women starting from Africa, moving to Puerto Rico, and ending in New York City. The novel was shortlisted for the 2010 PEN/Robert W. Bingham Prize for Debut Fiction. Daughters of the Stone is the first novel in a series of five, and Llanos-Figueroa has completed her second novel, A Woman of Endurance, and is now working on her third novel.

Outside the Bones by Lyn Di Lorio

Dr. Lyn Di Lorio is a professor and was a consultant on Puerto Rican cultural matters for Sonia Sotomayor’s memoir, My Beloved WorldIn her book, Outside the Bones, protagonist Fina Mata unwittingly unleashes a powerful Palo spirit when she attempts to make her neighbor Chico fall in love with her. Outside the Bones is the first English language novel about Palo Monte, an Afro-Caribbean religion that stems from the Bantu-speaking people and their Caribbean descendants.

The Education of Margot Sanchez by Lilliam Rivera

For decades, young readers of color did not find themselves in the literature they read. But now, representation of Latinxs in young adult literature is on the rise. A recent book to fill this niche is Lilliam Rivera’s The Education of Margot Sanchez, which tells the story of Margot who is caught between her Puerto Rican world and the world of her prep school. Rivera was named a “2017 Face to Watch” by the Los Angeles Times.

Her next book, Dealing in Dreams, is forthcoming in March 2019; it’s a futuristic story about girl gangs and the leader’s desire to get off the streets and move up in the world.

About the Author

Born in Arecibo, Puerto Rico, Ivelisse Rodriguez earned a PhD in English and creative writing from the University of Illinois at Chicago and an MFA from Emerson College. She has published fiction in All about Skin: Short Fiction by Women of Color, the Boston Review, the Bilingual Review, and others. She was a senior fiction editor at Kweli, a Kimbilio fellow, and a VONA/Voices alum.

Author Interview: Ivelisse Rodriguez

Welcome to the monthly Author Interview series at The Writing Life. Today I have the great pleasure of chatting with Dr. Ivelisse Rodriguez on a special day, the debut of her short story collection, Love War Stories (The Feminist Press, 2018).

Ivelisse Rodriguez has published fiction in the Boston Review, All about Skin: Short Fiction by Women of Color, Obsidian, Kweli, the Bilingual Review, Aster(ix), and other publications. She is the founder and editor of an interview series focused on contemporary Puerto Rican writers in order to highlight the current status and the continuity of a Puerto Rican literary tradition from the continental US that spans over a century. The series is published in Centro Voices, the e-magazine of the Center for Puerto Rican Studies at Hunter College. She was a senior fiction editor at Kweli and is a Kimbilio fellow and a VONA/Voices alum. She is currently working on the novel The Last Salsa Singer about 70s era salsa musicians in Puerto Rico. She earned an M.F.A. in creative writing from Emerson College and a Ph.D. in English-creative writing from the University of Illinois at Chicago.

Welcome and congratulations, Ivelisse.

What is your book’s genre/category?

My book, Love War Stories, is a collection of short stories. It is literary fiction.

Please describe what the stories are about.

My book is about the burgeoning sense of womanhood in Puerto Rican girls and young women. I am interested in the love stories women have been told generation to generation and how anti-love stories need to rise up to give women other alternatives.

How did you come up with the title?

The title comes from the last story in the collection where mothers and daughters hold “love wars.” Daughters tell love stories and mothers tell anti-love stories. The title captures the trouble with love that is evoked throughout all the stories.

What inspired you to write this book?

This book, I think was written for my college self. I think that these are the stories young women who break themselves for love need to hear, that the self is more important than being beholden to love. Women need to hear different stories that they can be more than women in love.

What is your favorite part of writing?

Being done. Or, in the interim, writing really good lines.

What do you find is the most challenging aspect of writing?

The most challenging part is sitting down and doing it. You have to face your fear of failure every time you sit down and sometimes it is so overwhelming that you just have to walk away. Another challenging aspect for me is revision. It is easier for me to start something, but when you revise, you really have to focus on the larger story and your word choices, so this part of the writing process is much slower for me. 

Ivelisse, did the writing process uncover surprises or learning experiences for you? What about the publishing process?

During the writing process, I learned to be more patient versus rushing to send out a story that needs more work. I also learned that consistency is the only way to get your story done.  

What I learned about the publishing process is that it is pretty mysterious and plenty of other writers don’t know what is going on either. I wanted to know how everything works—who got my ARCS, who got my press kit, etc., but I didn’t want to stalk my publicist. I’m just super nosey, and I wanted to learn about the process. And other writers and I would trade any information we were able to procure.

What do you hope readers will gain from your book?

I hope they gain some insight about love, and the ways it can break women in particular. I also hope they will be deeply moved by the stories I have to tell. I hope it is a book that people carry in their hearts.

Looking back, what did you do right that helped you write and market this book?

In terms of marketing, my query letter did a good job of describing my book. That partly stems from the feedback I received from a professor in my Ph.D. program who was working with the students going on the job market; for my academic job letter, she told me to make my book sound more interesting, so I worked a bit on that. And I name-dropped in my query letter, so that helped too.  

What didn’t work as well as you’d hoped?

What didn’t work is that I sent the book out when it wasn’t ready. And I think that squanders opportunity. Being on the other end as a reader of submissions for a literary journal and for fiction contests, I can tell you, especially for the contests, there were too many submissions that needed a lot more polishing, so they weren’t even in the running.

Ivelisse, do you have advice or tips for writers looking to get published?

Revise, revise, revise. And go to writer’s conferences and meet other emerging writers. Don’t be dismissive of people because they aren’t some bigwig. I have received support from people I met early in their careers, those still building their careers, and those who are literary icons. We are in this together, so don’t treat people like crap because they are not famous—just as a general rule of being a decent person but also because you never know where people will end up. I also think it is important to be a good literary citizen—again, we are in this together, so take the opportunity to help other writers whenever and however you can.

What was the last book you read? What did you think of it?

The last book I read is the forthcoming Fruit of the Drunken Tree by Ingrid Rojas Contreras. I think the book adds so much to the narrative of Colombia. It’s the story of a wealthy family and a plot to kidnap the two daughters. Contreras shows how wealth does not shield one from violence or dire situations or the destabilization of home. She also showcases all the hard choices that women, in particular, have to make. It’s a lovely read, and I would highly recommend it. It’s a memorable book.

Who are some of your favorite authors?

I have favorite books more so than favorite authors. Some books that I love are The Museum of Innocence by Orhan Pamuk, Loose Woman by Sandra Cisneros, Middemarch by George Eliot, For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf by Ntozake Shange, Drown by Junot Diaz, and Down These Mean Streets by Piri Thomas, and quite a few others.

Do you have a favorite place to write? To read?

I like to write in bed, only because I have an adjustable bed, and it is super comfy. I also like to read in bed. I hate reading paper books now because I love turning off the lights and reading my Kindle or Nook in the dark. It is one of my favorite things to do.

Tell us something personal about you people may be surprised to know?

I grew up in a Puerto Rican neighborhood in Holyoke, Massachusetts, and then I went to boarding school when I was 13 (on a full scholarship).

Website and social media links?

https://www.ivelisserodriguez.com/

Love War Stories Cover

Where can we find your book?

You can find it at https://www.feministpress.org/books-a-m/love-war-stories, or Indie bookstores, or Amazon.com.

What’s next for you, Ivelisse?

Hopefully, I will get back to working on my novel in August. It’s called The Last Salsa Singer, and it is about the friendship between two musicians in a salsa band in Puerto Rico during the 1970s. It’s about the value of friendship and art over romantic love, it’s about salsa, and it’s about an underestimated young woman who shatters everyone’s life.

Best of luck with Love War Stories. I look forward to reading the book and wish you happy writing!

About Eleanor Parker Sapia:

Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered Second Place for Best Latino Focused Fiction Book, English, at the 2017 International Latino Book Award with Latino Literacy Now. The book was awarded an Honorable Mention for Best Historical Fiction, English, at the 2016 International Latino Book Awards with Latino Literacy Now. A Decent Woman was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015. Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.

A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments, set in 1926 Puerto Rico.

Book Review: Citadel by Jack Remick

June 24, 2018

In Jack Remick’s newest novel, Citadel, a complex, mind-bending, apocalyptic story, the author weaves genetic science, a Citadel of women, complete with warrior women, and valuable lessons for writers and editors into a masterpiece. Remick takes risks with this fascinating novel; it’s a story within a story within a story—a literary gem that opened my mind to casting aside limiting thoughts on genre, style, and structure; encouraged me to ponder deeper questions about what it means to be a woman today; and then forced me to ask questions of myself and of the characters in my work-in-progress. Yes, all that in one book and the writing is impeccable.

In Citadel, Remick explores relationships between men and women, and what the world could be if women were in control. Each story is relevant and timely, as many of the themes in Citadel make up today’s headlines—femicide, atrocities perpetrated against girls and women, domestic violence, misogyny, and rape culture. I was reminded of Margaret Atwood’s quote, “Why do men feel threatened by women? They’re afraid women will laugh at them. Why do women feel threatened by men? They’re afraid of being killed.”

The author introduces readers to scientists, writers, editors, publishers, and the warrior women, protectors of the women of the Citadel called daughters. The stories of Trisha, Daiva, Rose, and Clara will feel familiar, might feel uncomfortable—and that’s the point. We are challenged to think about choice, our humanity, motherhood, the relationship between men and women, and our future as a species. Throughout the book, I found myself saying, “I am her. I am them.” I love this book.

I won’t give away the story. Readers must experience Citadel for themselves. Here’s a taste,

“The way you build the world without men, you show me that there are no accidental pregnancies in the Citadel. There are no rapes. There is only a complete dedication to the altruism of birth. It boils down to this—a daughter, in a Citadel, not only chooses the kind of fetus she will carry and why she will carry it, but she chooses to perpetuate the race until the final decision is made—to continue, to let the race go extinct, or to let the Y decay and on its own cease to be.” (Y, as in the Y chromosome).

The character Trisha says it best: when you finish this novel, you won’t be the same person who started it. And that’s a good thing. Let the discussions begin.

 
Buy the book:
 

About Eleanor Parker Sapia:

Puerto Rican-born Eleanor Parker Sapia is the author of the multi-award-winning novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered Second Place for Best Latino Focused Fiction Book, English, at the 2017 International Latino Book Award with Latino Literacy Now. The book was awarded an Honorable Mention for Best Historical Fiction, English, at the 2016 International Latino Book Awards with Latino Literacy Now. A Decent Woman was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015. Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.

A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments, set in 1927 Puerto Rico.

 

 

Author Interview: Mickey Brent

Welcome to the 2018 Author Interview Series at The Writing Life, one of my favorite features on the blog. Instead of hosting one author per week as we’ve done for the past two years, I will share one interview per month to allow me to focus on finishing my second book, The Laments. The distraction quotient is real over here!

I hope you enjoy the new author interviews. Thank you for your visit!

Eleanor

This month, I’m happy to welcome my friend, Mickey Brent. We met in Brussels, Belgium through a shared love of and a deep appreciation for The Artist’s Way by Julia Cameron, when we both lived in the fascinating city.

Mickey Brent is a multicultural author and creative writing teacher who lives in Southern California with her partner and two kitties. She is also an active member of the LGBTQ community. Mickey spent nearly two decades living in Europe and loves writing quirky stories about Europeans, their diverse cultures, languages, and lifestyles. Mickey has written numerous travel articles, book chapters, poems, and screenplays, publishing various genres of fiction and non-fiction under other noms de plume. Mickey’s aim is to offer readers a more fun, light-hearted, and romantic view of life. She has created this vivid reality with Underwater Vibes, a well-crafted, contemporary novel showcasing a unique cast of characters thriving in the multicultural city of Brussels, Belgium, the capital of Europe. Its sequel, Broad Awakening, will be published by Bold Strokes Books in October 2018.

Underwater Vibes cover

Please describe what Underwater Vibes is about.

Hélène Dupont, a French-speaking scientific translator in Brussels, Belgium, cherishes two things: flowers and Chaussette, her cat. Hélène writes bad poetry to help her survive her painful existence with Marc, her husband, until she collapses at work and her doctor proposes a radical lifestyle change. She diets drastically and attempts sports for the first time, while Marc laughs at her efforts. Then Hélène meets Sylvie Routard, a carefree, young, amateur photographer from Greece. By chance, Sylvie becomes Hélène’s private swim coach. During their daily lessons, Hélène’s admiration towards Sylvie turns to attraction. As unsettling feelings hijack her mind and body, daydreams featuring Sylvie enter her life—even her poems. Hélène starts to question her relationship with Marc, and everything else in life.

How did you come up with the title?

Because Hélène and Sylvie spend so much time in the water, the attraction they feel can best be described as vibrations, hence the title, Underwater Vibes. I worked on my title for several weeks before I came up with one that was short, descriptive, and perfectly captured the essence of the story. These vibrations are underwater, just as underlying vibrations can translate to underlying meaning in our lives. As humans, we constantly feel things, whether we realize it or not. Believe me, Hélène and Sylvie are feeling things throughout the book. The fact that they are swimming underwater together adds to the intrigue, in my opinion.

What inspired you to write this book?

The idea for Underwater Vibes came as an assignment for an English composition course I took in college. The story was about a plump, shy girl—a loner—who learned to swim in a lake one summer. My writing teacher loved the story and urged me to keep writing. Twenty years later, while taking a creative writing course in Brussels, Belgium, I remembered that original essay. Each day, as I biked through Brussels, I jotted down new ideas for the story. Despite minor accidents with light poles and a parked car, I kept up my pace until I had birthed a unique, humorous tale. After thirteen years of tweaking, Underwater Vibes is, at last, ripe and ready to be devoured by readers who like quirky, character-driven stories.

Knowing you, humor will be evident in this book. Congratulations! What is your favorite part of writing?

Sitting with my cat early in the morning with a pot of steaming tea. Every day, my cat meows at the bedroom door until I get up—at an insane hour—as soon as the birds start chirping. I roll out of bed, splash cold water on my face, put on the tea kettle, and proceed to brush the cat. Then I settle on the sofa with my mug of tea, my cat, my pen, and my notebook, contemplating each empty page, wondering what’s going to fill it each day. Every story starts this way: in silence, with bird chirps, meows, a hissing kettle, then furious scribbling noises as I pen my incessant, rapid-fire thoughts. That’s my routine and my favorite part of writing. I also love teaching creative writing. Working with my students motivates me and fills me with deep joy.

Does your main character resemble you? If so, in what ways?

Hélène resembles me a little bit. I was a translator for many years in Brussels, and she’s a translator. Yet she’s much shyer than I am, and not very athletic, although she gains confidence and becomes an athlete as the story evolves. The other main character, Sylvie, is an amateur photographer, and so am I. She also loves food, and so do I. We’re total foodies. They both adore cats and flowers, and so do I. They also appreciate poetry, although Hélène isn’t very talented in that department. I like to think that I’m a better poet than her. But Sylvie is a much stronger swimmer than me.

What do you find is the most challenging aspect of writing?

The most challenging aspect of writing is keeping myself, and my voice, out of my characters’ heads. As a writer, it’s difficult to keep their viewpoints authentic, and it’s hard to not be influenced by their words and actions. I constantly have to ask myself, “What would she do in this situation?” or “What would he say if that happened to him?” It’s important to keep myself separate from their lives, yet it’s challenging because I’m attached to each of my characters. They are all living in my head. To make sure I’m writing from their unique points of view, I fill out at least four pages of a character sketch worksheet for each individual. I keep the worksheets next to my desk, so when I’m writing dialogue or action or plotting out a scene, I can refer to each character sketch, which includes the character’s history, voice, habits, attitudes, preferences, etc. Sometimes, I even stand up and act out a scene, to make sure I’m writing it from their perspective instead of my own.

I love character sketches and use them, as well. What was the last book you read? What did you think of it?

I just finished reading “The Paris Wife” by Paula McLain. It’s a New York Times Bestseller and I thought it was amazing. It’s a story about a couple living in Paris in the 1920s and it particularly caught my eye because I used to live in Paris myself. It’s about Ernest Hemingway and his first wife during the period when Hemingway finds his voice as a writer, which particularly intrigued me. It’s very well written, with powerful dialogue and colorful, dramatic scenes. As a reader, I was drawn into the story on each and every page.

Who are some of your favorite authors?

Isabel Allende, Julia Cameron, Mark Nepo, Paolo Coelho, Eckhart Tolle, Sarah Waters, Radclyffe… These are a few of my favorites.

Great list. What authors or person(s) have influenced you as a writer and why?

Julia Cameron opens her readers’ eyes to all expressions of creativity and beauty in the most intriguing way. For example, through her own experiences, she introduced me to screenwriting and songwriting. And I learned to love Taos, New Mexico—without ever visiting the place—because of the way she describes its scenery. In her books, she helps readers find their special place in life. She teaches them to learn to trust their intuition, the Universe, and all the pleasures and pains that come with being fully human. Her words are truly a gift to this planet. I am surely not the only reader who feels lucky to have picked up “The Artist’s Way” so long ago. I truly cherish this book and am thankful that Julia has been guided all these years to put her talents and insight to paper.

Along similar lines, Mark Nepo is a philosopher, poet, teacher and well-published author whose words and inspiration have made a positive difference in my life. In fact, I often begin teaching my creative writing classes by reciting one of Mark’s daily entries in “The Book of Awakening.” His exquisitely penned words set a calm, reflective atmosphere in the classroom. As his sentences unfold, my students and I contemplate his literary mastery—the delicate way he illustrates the simplest acts of life. Not unlike famous Japanese haiku poets, Mark offers his readers an opportunity to pause and reflect. By exposing the raw beauty of everyday happenings, he incites readers to appreciate the most insignificant details of life surrounding us: leaves falling in a mossy forest, a lone daisy, thoughtful glances, random acts of kindness by strangers. These are the kinds of insignificant details—that aren’t so insignificant, actually—that make stories real.

Mark writes non-fiction and poetry, while I mainly write fiction. But my hope is to transform my characters, and readers, through carefully selected words, plot, and mindful presence—like Mark—to bring everyone to a better place in life.

I will check out The Book of Awakening. Do you have a favorite place to write? To read?

As I mentioned earlier, I love to sit on my living room sofa with a big mug of tea, my cat, my pen, and my notebook. Surrounded by soft pillows, I contemplate the scenery outside—palm trees, a lush potato tree with its purple flowers, my statue of Buddha—wondering what’s going to fill my notebook each day. I use an aromatherapy diffuser, so there’s lemongrass, lavender, or some other calming, purifying scent in the room. I keep the large windows open to let in fresh air; their frames are lined with shells and stones from the local beach, colorful candles, postcards, and photos of loved ones. This is also my favorite place to read. I must admit, however, in the evenings I read lying down because I’m exhausted after getting up at dawn to write.

When it’s time to work on my stories with a computer, I move upstairs into the bedroom. My desk there overlooks more palm trees—and a parking lot. One day, I’d like to look out at the ocean instead of the parking lot. But for now, I’m content with where I am.

Mickey, tell us something personal about you people may be surprised to know.

When I was young, I used to be a competitive athlete. I competed in several sports simultaneously and took winning very seriously. I was raised this way—my father was my coach. I was hard on myself, determined, a real overachiever, and perhaps not the kindest kid to others. Luckily, I grew out of this tough, self-focused phase and learned to be kind to others. I realized that winning is not everything in life. People and relationships are much more important. Looking back, I’m much happier as an adult to be in a more positive, open-minded, and caring place.

Did the writing process uncover surprises or learning experiences for you? What about the publishing process?

Yes, it did. The more I write, the more I learn about myself and my life. I have always had a passion for writing, even as a child. And when I started writing novels in addition to short stories, I realized that writing is a spectacular way to discover who I am and where I’m headed as a person. It unearths hidden passions, secrets, and, in my case, an imagination that seems to know no limits. I often get asked if I’ve experienced the things my characters go through in my stories. It’s a valid question. Some authors experience nearly everything they write about, even in fiction. But most of what I write comes from some other place—some hidden source from within. It just bubbles up and I put it down on paper.

As you might have guessed, I’m a pantser (I write from the seat of my pants, rather than planning and plotting my stories). So I don’t even know what’s coming until it literally shows up on the page. For example, in Underwater Vibes, Sylvie’s obnoxious ex, Lydia, showed up in my novel while I was rewriting my seventh version of the manuscript. A true perfectionist, I completely rewrote the manuscript thirteen times over a thirteen-year period. The fact that Lydia simply popped up on the page after seven years surprised me. I had never met anyone like Lydia before and I had no clue how she got there. Somehow, she hijacked my fertile imagination with her despicable charm. Surprises like these represent tremendous gifts to authors like me, who strive to tell meaningful stories with unexpected twists.

The publishing process is a whole different story. If you don’t mind, I’ll wait to answer that question in my next interview with you, after my sequel, Broad Awakening, is released in October.

Underwater Vibes cover

What do you hope readers will gain from Underwater Vibes?

Hopefully, my book will offer readers a pleasant literary experience that will also transmit a strong message of human acceptance, so that LGBTQ issues will no longer be topics of overt—or hushed—conversations in boardrooms, school cafeterias, at dinner tables, etc. Because my novel explores a budding, yet awkward, lesbian romance, I hope it will open up the minds of readers in a positive way, especially those who have never bought a book or opted to watch a film featuring LGBTQ characters. Personally, I wish one’s sexual orientation could be as insignificant to others as one’s hair color or freckles. It shouldn’t matter. Love is love.

Underwater Vibes is a contribution to the struggle for equality for all. Perhaps this might seem like a lofty aim, but I wrote my novel to help reduce the discrimination that still exists globally among humans on many levels: racial, ethnic, religious, socio-economic, etc. This discrimination also includes biases against peoples’ sexual orientation, gender identity, disability, linguistic, regional and cultural differences, etc.

Without knowing these intentions, certain people have advised me to end the novel by having Hélène and Marc, her verbally abusive husband, get back together; but if that were the case, the essential meaning of this story would be lost. These two characters are obviously not meant for each other. Somehow, they ended up together, but once Hélène discovers that someone special exists out there, she needs to trust her heart and face the truth. I hope my book will help readers learn to trust their true feelings. Sometimes, this trust involves taking risks to get what they deserve in life.

I wholeheartedly agree with you. My editor and several advance readers encouraged me to change the original ending of A Decent Woman. I’m glad I listened. Looking back, what did you do right that helped you write and market this book?

I had a dream that I truly believed in. I wanted to be a writer so I wrote every day for many years. I didn’t give up on my book, even when I felt like it. I worked weekends and evenings, early in the morning, and late at night. I followed my intuition every step of the way. I didn’t listen to naysayers who told me two decades ago, “You’re only a beginner. You’ll never get published.” Likewise, I ignored those who said, “You’re not making any money on this. Why don’t you just give it up and get a real career?” They didn’t seem to notice that I was juggling several jobs while writing all these years.

I was stubborn and optimistic; I bought every worthy book on writing that I could get my hands on and devoured it with passion. Next, I joined a book club, then I joined a writing group, then a critique group. I kept taking classes on how to write short stories and screenplays. I wrote several of each, edited the stories until I was satisfied, then I sent them to publishers of anthologies, writing contests, magazines, etc. After quite a few rejections, several stories got published. That motivated me a lot. Next, I started teaching creative writing classes, which motivated me even more, especially when my students started publishing their work. I learned the craft of writing even better by researching it, then instructing others on what I had learned.  

To conclude, what I did right was believing in my dream of becoming a published author and sustaining my intense determination to realize this dream. Working hard created a positive momentum that made it easier for me to write, edit, and submit my book several times until I found the right publisher. It has also helped me market Underwater Vibes now that my story is out in the world.

What didn’t work as well as you’d hoped?

Waiting so long to submit my first book to agents and publishers slowed the process down. Like so many writers, I was afraid of rejection, and I was a perfectionist. Over the past few years, I’ve worked hard to overcome these two issues. In hindsight, I wish I had taken more initiative to get my first book published. As a published author now, I’ve learned my lesson and I’m much more confident. That is why I’ve promised my publisher that I will be devoting two years to write my third novel, instead of thirteen!

Any advice or tips for writers looking to get published?

If you have a dream to become a published writer, you must believe in yourself. Write something every day, even if it’s just in your journal. That’s still writing. Don’t give up on your projects or ideas, even when things look bleak. If you can, work a little on weekends, evenings, early in the morning, and holidays. Every little bit counts and it fuels you with positive momentum. Follow your intuition—trust your gut—every step of the way. That person you feel compelled to contact on a hunch just might open the right door for you. Don’t listen to naysayers, especially those who say they mean well or “it’s for your own good.” Know that writing is extremely hard work. It’s pure dedication. But it’s worth it to feel the satisfaction of finally having your name in print, or seeing your friends waiting in line for your autograph. Royalty checks are great too but don’t count on receiving those right away.

In my opinion, your primary aspiration as a writer shouldn’t be to rake in tons of money and become famous overnight. It should be to share your story with the world, and hopefully, transform people in a positive way. You’ll only get discouraged if you strive for instant success and fame. That’s extremely rare. Join a book club, a writing group, a critique group, take writing classes, find a skilled and experienced mentor or editor—and beta readers—who know how to critique your work in a gentle yet constructive manner. Write lots of different pieces, go outside your comfort zone, edit your stories multiple times until you’re satisfied, let them rest, then edit them one final time. Read them aloud standing up, then send them out to potential agents, publishers, magazine contests, blogs, etc. When you finally get your publishing contract, read the fine lines carefully. Then hire a professional who is highly experienced with author contracts to help you negotiate your book/film deal. Good luck!

Great advice! Website and social media links?

I’m not yet on Facebook but I’ve promised my publisher that I will set up a Facebook page within the next few weeks. Until then, please visit me at www.mickeybrent.com

Let me know when your Facebook page goes live, so I can tag you. You might look into setting up accounts with Goodreads, Twitter, and Pinterest, as well. Where can we find Underwater Vibes?

There’s a link to my publisher, Bold Strokes Books, listed on my website. https://www.boldstrokesbooks.com/authors/mickey-brent-275  That’s the best place to purchase Underwater Vibes, and pre-order my sequel, Broad Awakening. They are available in print and as ebooks. They can also be ordered at Barnes & Noble, Amazon, and at your local bookstore. As a public speaker on the craft of writing, multiculturalism, diversity and LGBTQ inclusion issues, I’m often invited to give author presentations at bookstores, libraries, book festivals, and book clubs. My book is available for purchase at these events, which are listed at www.mickeybrent.com.

Awesome. What’s next for you, Mickey?

The sequel to Underwater Vibes, Broad Awakening, will be released by Bold Strokes Books in October 2018. It takes place in Brussels, Belgium, and in Santorini, Greece. Now, I’m working on my third novel, which will be set in San Francisco. It’s also a multicultural, multilingual contemporary lesbian romance. I’m very excited about this new story. I lived in San Francisco for three years and I’m looking forward to heading back to this exciting, cosmopolitan city to do more research for my upcoming book.

Thanks for a great interview, Mickey. I wish you the very best with your books. We should plan a reunion with our fellow The Artist’s Way group members soon!

ABOUT ELEANOR PARKER SAPIA:

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Puerto Rican-born Eleanor Parker Sapia is the author of the award-winning novel, A Decent Woman, published by Scarlet River Press. Her debut novel, set in turn of the century Ponce, Puerto Rico, garnered Second Place for Best Latino Focused Fiction Book, English, at the 2017 International Latino Book Award with Latino Literacy Now. The book was awarded an Honorable Mention for Best Historical Fiction, English, at the 2016 International Latino Book Awards with Latino Literacy Now. A Decent Woman was selected as a Book of the Month by Las Comadres and Friends National Latino Book Club in 2015, and Eleanor is featured in the anthology, Latina Authors and Their Muses, edited by Mayra Calvani.

A writer, artist, and photographer, Eleanor currently lives in Berkeley County, West Virginia, where she is working on her second novel, The Laments, set in 1927 Puerto Rico.

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